In Nathacha Appanah’s novel The Sky Above the Roof, translated from the French by Geoffrey Strachan and out now from Graywolf Press, a family drama unfolds through the eyes of several characters. After seventeen-year-old Wolf steals his mother’s car to search for his estranged sister, he causes an accident for which he is arrested and incarcerated, forcing his mother and sister to fight for his release. Instead of using a linear narrative to tell the story of what led to this event, Appanah builds the family’s fractured lives into the novel’s structure, each chapter offering a new version of events. As the novel progresses and more details about the characters are revealed, the reader is able to piece together the story. Taking inspiration from nonlinear narratives, build a story around a single life-altering event. First, try listing the characters affected by the conflict then write into their individual perspectives, taking into account each distinct tone, diction, and background.

“The American experiment will end in 2030 she said / looking into the cards, / the charts, the stars, the mathematics of it,” writes Jorie Graham in “Time Frame,” a poem in her latest collection, To 2040, out today from Copper Canyon Press. The book’s title suggests both a dedication and an urgent address, casting the poems therein as reflections on the age of the Anthropocene and calls to action to protect the earth’s natural wonders. Write a poem that illustrates and reflects on your vision of the future, whether hopeful or woeful. Use the open-endedness of this prompt to fold in as many aspects of the future as possible, including your personal journey and what you foresee for the natural world.

In her essay “Why Do We Keep Telling Sister Stories?” published on Electric Literature, writer and filmmaker Tia Glista reflects on the surplus of stories in literature, visual art, and film that revolve around the dynamics of sisters, ranging from Louisa May Alcott’s Little Women to the reality show series Keeping Up With the Kardashians. In the essay, Glista writes about growing up without sisters and how these stories guided her ideals of femininity. “I found surrogate sisters in pop culture; the Olsen twins’ bevy of straight-to-VHS buddy movies taught me how to plan slumber parties and inspired every fashion choice that I sported in kindergarten,” writes Glista. Write an essay that reflects on the kinds of stories you grew up with and how they connect to who you are today.

According to a 2022 YouGov online poll, half of Americans consume true crime content, and one in three say they consume it at least once a week. Popular podcasts such as Serial as well as television shows and streaming series such as Unsolved Mysteries and Dahmer are proof of the continuing trend. The suspenseful genre invites enthusiasts into the lives of serial killers, kidnappers, law enforcement, and in some cases, the victims of the crimes. The poll showed that many enjoy the genre for the sense of suspense and excitement, but also to understand criminals and their motivations. This week, write a story inspired by true crime dramas. Whose perspective will you write from?

“I love to take an object made all but invisible by its mundanity—an egg-shaped container of pantyhose, a lawn chair turned on its side—and break it open to expose the full dimensions of the human vulnerability it carries,” writes Danielle Blau in her Craft Capsule essay “Somewhere Somebody Is Doing Something Right Now,” in which she explores how she creates characters for her poems. Write a poem that attempts to expose the full dimensions of an object and how it offers a reflection of a person, whether yourself or another character. What is the significance of this object and how does it exemplify human vulnerability?

In a video featured in the Poets & Writers Theater, Hilton Als reads from his essay “Tristes Tropiques,” which appears in his book White Girls (McSweeney’s, 2014), recounting the story of how he was named after his mother’s best friend’s child who died at birth. “The minute I was born I was not just myself, but the memory of someone else,” reads Als. How did you get your name? Write an essay that tells the story behind your name. Examine the metaphorical and historical meanings of your name and allow your feelings to carry you through the essay’s unfolding.

In a recent New York Times article, reporter Gina Kolata writes about a series of medical discoveries and family secrets surrounding eighteenth-century German composer Ludwig van Beethoven. An international group of researchers published a paper last month after DNA analysis of what were known to be strands of Beethoven’s hair. Their report debunks many long-held myths about the composer including his cause of death, how he lost his hearing, and his living descendants. Inspired by this scientific and historical drama, write a story in which a scientific discovery reveals intimate secrets about a famous person. With the steady rise of genetic research being conducted, consider the intersection between science and personal history.

“What I adore is not horses, with their modern / domestic life span of 25 years. What I adore / is a bug that lives only one day,” writes Natalie Shapero in her poem “Not Horses,” published in the November 2013 issue of Poetry magazine. Shapero redirects the reader from horses to the short lifespan of a bug within the first few lines of the poem and in doing so creates a humorous tension between the title and the body of the poem that adds character to the unique speaker. This week write a poem that moves quickly from one subject to the next. Consider how your mind shifts from one thought to another and carry that tone forward into the poem.