In “When I See Stars in the Night Sky,” Joy Priest writes an ode to the late iconic singer Whitney Houston, tethering her memory to the stars in the sky. “It’s 1988           Her head /             Thrown back against a black backdrop     She is the only thing / glowing       So distant              from us in the universe,” writes Priest. The poem then moves into the personal connection the speaker has with the singer. “I love myself / because of her,” writes Priest. Inspired by this poem, write an ode to your favorite musician placing them, as Priest does, in a specific moment in time.

February may be the shortest month, but there is still plenty of time to submit to contests with a deadline of February 28. Prizes include $5,500 for a poetry collection and a story collection, $5,000 for a single work of prose characterized by “daring formal and aesthetic innovations,” and $2,500 for a self-published poetry e-book and a fiction e-book by an African American writer. All awards have a cash prize of $1,000 or more. Go forth and prosper, writers!

Association of Writers & Writing Programs
Award Series
Two prizes of $5,500 each and publication by a participating press are given annually for a poetry collection and a story collection. In addition, two prizes of $2,500 each and publication by a participating press are given annually for a novel and a book of creative nonfiction. For the Donald Hall Prize for Poetry, the University of Pittsburgh Press will publish the winning collection. For the Grace Paley Prize for Short Fiction, Red Hen Press will publish the winning collection. For the AWP Prize for the Novel, the University of Nebraska Press will publish the winning novel. For the Sue William Silverman Prize for Creative Nonfiction, the University of Georgia Press will publish the winning book. Entry fee: $30 ($20 for AWP members).

Austin Community College
Balcones Prizes
Two prizes of $1,500 each are given annually for a poetry collection and a book of fiction published during the previous year. Translated works are also eligible. Entry fee: $25 for poetry and $30 for fiction. 

Black Caucus of the American Library Association
Self-Publishing Literary Awards
Two prizes of $2,500 each are given annually for a poetry e-book and a fiction e-book by an African American writer self-published in the United States during the previous year. The awards honor books that depict “cultural, historical, and sociopolitical aspects of the Black Diaspora.” Entry fee: none.

Chautauqua Institution
Chautauqua Janus Prize
A prize of $5,000 and publication in Chautauqua is given annually for a single work of fiction or nonfiction by an emerging writer displaying “daring formal and aesthetic innovations that upset and reorder readers’ imaginations.” The winner will also give a lecture during the summer 2023 season of the Chautauqua Institution. Writers who have not published a book of over 15,000 words and/or 100 pages in any prose genre are eligible. Entry fee: $20.

Fish Publishing
Flash Fiction Prize
A prize of €1,000 (approximately $1,035) and publication in the Fish Publishing anthology is given annually for a short short story. The winner is also invited to give a reading at the West Cork Literary Festival in July 2023. Kit de Waal will judge. Entry fee: $14. 

Minds Shine Bright
Confidence Competition
A prize of $1,600 AUD (approximately $1,031) and publication in the Confidence Minds Shine Bright anthology will be given annually for works of poetry or fiction exploring the theme of confidence. Entry fee: $3.

Omnidawn Publishing
First/Second Poetry Book Contest
A prize of $3,000, publication by Omnidawn Publishing, and 20 author copies is given annually for a first or second poetry collection. Sawako Nakayasu will judge. Entry fee: $35.

Poetry Northwest
James Welch Prize for Indigenous Poets
Two prizes of $1,000 each and publication in Poetry Northwest are given annually for a single poem by an Indigenous poet. The winners will also receive an all-expenses-paid trip to read with the judge in the fall of 2023. Writers who have published no more than one full-length book and who are community-recognized members of tribal nations within the United States and its territories are eligible. Heid E. Erdrich will judge. Entry fee: none.

Red Hen Press
Women’s Prose Prize
A prize of $1,000 and publication by Red Hen Press is given annually for a book of fiction or nonfiction by a writer who identifies as a woman. Cai Emmons will judge. Entry fee: $25

Tupelo Press
Snowbound Chapbook Award
A prize of $1,000, publication by Tupelo Press, and 25 author copies is given annually for a poetry chapbook. All entries are considered for publication. Entry fee: $25.

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, creative nonfiction, and translation.

In 2011, Oakland-based artist Alexis Arnold began making art from the discarded books and magazines she continually came across on the street. Arnold transformed the scrapped volumes into sculptures by growing crystals on them. Some of the books she has crystallized include Susan Orlean’s The Orchid Thief: A True Story of Beauty and Obsession and Ayn Rand’s The Fountainhead, as well as encyclopedias and dictionaries. The results evoke, as Arnold describes it, “geologic specimens imbued with the history of time, use, and memory.” Inspired by the rapidly changing landscape of print media, write an essay that reflects on your first memories with books and print magazines. Do they remain precious to you? For more on Arnold’s art, read “The Written Image: Crystallized Books” in the March/April 2023 issue of Poets & Writers Magazine.

In the latest installment of our Ten Questions series, Colin Winnette discusses the inspiration behind his surreal dystopian novel Users (Soft Skull, 2023), which follows a troubled technology designer mired in a controversy surrounding a virtual-reality program he creates. When looking for ways to shape the book, Winnette was struck by a series of tweets by entrepreneur, and cofounder and former CEO of Twitter Jack Dorsey about his ten-day silent meditation retreat in Myanmar. “There was something so striking to me about the then-leading personality behind one of the noisiest places to exist online making such a dogged pursuit of silence,” says Winnette. This week write a story set in a silent retreat in which tensions start to rise. How will you sustain the story’s conflict despite there being little to no dialogue?

“I don’t call it sleep anymore. / I’ll risk losing something new instead,” writes Natalie Diaz in her poem “From the Desire Field,” which appears in her Pulitzer Prize–winning collection, Postcolonial Love Poem (Graywolf Press, 2020). The poem speaks from the mind of someone unable to fall asleep who attempts to find a sense of relief through their insomnia. “Let me call my anxiety, desire, then. / Let me call it, a garden,” she writes. Emotions then begin to move away from the tension of not being able to sleep into sensuality and passion. This week write a poem that revolves around what it feels like to experience insomnia. What do you do when you can’t fall asleep?

“Drenched by a summer downpour or softened by spring rain, I have felt an aspect of freedom,” writes Ama Codjoe in her essay “An Aspect of Freedom,” included in the anthology A Darker Wilderness: Black Nature Writing From Soil to Stars (Milkweed Editions, 2023) edited by Erin Sharkey. In the essay Codjoe explores her relationship with rain through the lens of freedom, using personal anecdotes, historical events, and photographs taken during the civil rights movement of the 1950s and 1960s. “In the rain, or in the ocean, or in a flood of people singing freedom songs and calling the names of our unjustly killed, I feel a part of nature, a part of nature’s self, which may be anything that gives nourishment and everything that breathes,” writes Codjoe. In expectation of the upcoming fertile season, write an essay that explores your relationship with spring rain. As you write, take inspiration from Codjoe’s essay and consider the question: When do you feel most free?

In “When the Novel Swiped Right,” Jennifer Wilson, a contributing essayist for the New York Times Book Review, tracks the effect dating apps have had on contemporary literature. In the essay, Wilson points to writers who have creatively used dating apps as a narrative device, such as Sally Rooney, Brandon Taylor, and Sarah Thankam Matthews, and encourages more writers to take advantage of how the apps “make possible encounters among characters who might not otherwise come into contact by virtue of differences in age, race, or class.” This week, write a story that involves two unlikely people meeting on a dating app. What do they discover as they get to know each other?

Oftentimes it’s the underrated things in life that make the perfect inspiration for a poem. In “For the Poet Who Told Me Rats Aren’t Noble Enough Creatures for a Poem,” Elizabeth Acevedo rises to the title’s challenge by honoring the “inelegant, simple,” and tenacious animal that is often hunted down. In “St. Roach,” Muriel Rukeyser writes to the humble cockroach and captures the moment in which the speaker reaches out and touches one. This week write a poem inspired by an animal that might be considered vermin and reflect on why you might fear or avoid this creature.