Page as Canvas

1.24.23

In a recent installment of our Agents & Editors Recommend series, Kristina Marie Darling, editor in chief of Tupelo Press, suggests taking risks with form in order to stand out from other poetry manuscripts. “Do something interesting with the space of the page,” writes Darling. “Be creative with how language is laid out on the page. Take risks with typography. Use white space as a unit of composition.” This week approach the page like a canvas. Let the visual element of your poem help tell the story and expand your language.

Upcoming Contest Deadlines

There’s no better way to beat the winter slump than by staying warm indoors and submitting to contests with deadlines of January 31 and February 1! Opportunities include fellowships for writers working on a biography of an important African American figure (or figures); publication of novels-in-stories, novels-in-poems, and hybrid forms; and an award for a story written in Japanese that takes place in the Little Tokyo district of Los Angeles. All contests offer a cash prize of $1,000 or more and four are free to enter. May the work you do this winter, writers, bring you spring and summer rewards! 

American Short Fiction
American Short(er) Fiction Prize

A prize of $1,000 and publication in American Short Fiction is given annually for a work of flash fiction. Karen Russell will judge. All entries are considered for publication. Deadline: February 1. Entry fee: $18.

Biographers International Organization
Frances “Frank” Rollin Fellowship

Two prizes of $5,000 each will be given annually to writers “working on a biographical work about an African American figure (or figures) whose story provides a significant contribution to our understanding of the Black experience.” Biographers may be at any stage in the writing process. The winners will also receive publicity through the Biographers International Organization (BIO) website, registration to the annual BIO Conference in May, and a one-year BIO membership. Adam Henig, Tamara Payne, and Eric K. Washington will judge. Deadline: February 1. Entry fee: none.

Black Lawrence Press
Big Moose Prize

A prize of $1,000, publication by Black Lawrence Press, and 10 author copies is given annually for a novel. The contest is open to traditional novels as well as “novels-in-stories, novels-in-poems, and other hybrid forms that contain within them the spirit of a novel.” The editors will judge. Deadline: January 31. Entry fee: $27.

Ghost Story
Screw Turn Flash Fiction Competition

A prize of $1,000 and publication on the Ghost Story website and in the 21st Century Ghost Stories anthology is given twice yearly for a work of flash fiction with a supernatural or magical realism theme. Deadline: January 31. Entry fee: $15.

Iowa Review
Iowa Review Awards

Three prizes of $1,500 each and publication in Iowa Review are given annually for works of poetry, fiction, and creative nonfiction. All entries are considered for publication. Deadline: January 31. Entry fee: $20.

Little Tokyo Historical Society
Imagine Little Tokyo Short Story Contest
 
Two prizes of $1,000 each and publication in Rafu Shimpo and on the Discover Nikkei and Little Tokyo Historical Society websites are given annually for short stories that take place in the Little Tokyo district of Los Angeles and “capture the cultural spirit” of the neighborhood. One prize is given for a story written in English; the other is given for a story written in Japanese. Deadline: January 31. Entry fee: none.

PEN America
Emerging Voices Fellowship

Twelve fellowships of $1,500 each and participation in a virtual five-month mentorship program, which includes one-on-one mentorship with an established writer; introductions to editors, agents, and publishers; a professional headshot; and a one-year PEN America membership are given annually to emerging poets, fiction writers, and creative nonfiction writers “from communities that are traditionally underrepresented in the publishing world.” Fellows will also participate in workshops on editing, marketing, and building a professional platform. Writers who have not yet published a book and who do not hold an advanced degree in creative writing are eligible to apply. Deadline: January 31. Entry fee: $25.

Poetry Center at Passaic County Community College
Paterson Poetry Prize

A prize of $2,000 is given annually for a poetry collection published in the previous year. The winning poet is expected to participate in an awards ceremony, give a reading, and teach a workshop at the Poetry Center in Paterson, New Jersey. Books of at least 48 pages are eligible. Deadline: February 1. Entry fee: none.

Southern Indiana Review
Michael Waters Poetry Prize

A prize of $5,000 and publication by Southern Indiana Review Press is given annually for a poetry collection. Michael Waters will judge. All entries are considered for publication. Deadline: February 1. Entry fee: $30, which includes a subscription to Southern Indiana Review

Stadler Center for Poetry & Literary Arts
Philip Roth Residencies

Two four-month residencies, which include a stipend of $5,000 each, at the Stadler Center for Poetry & Literary Arts at Bucknell University are given annually to writers in any literary genre, including poetry, fiction, creative nonfiction, hybrid works, and graphic novels, working on a first or second book. Deadline: February 1. Entry fee: none.

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, creative nonfiction, and translation.

The Deep Sea

1.19.23

In a recent installment of our Writers Recommend series, Janine Joseph, author of Decade of the Brain (Alice James Books, 2023), writes about finding solace in computer scientist Neal Agarwal’s the Deep Sea website. Scrolling down the website, Joseph discovers animals and plant life at varying depths of the ocean, including the wolf eel, the chain catshark, and the terrible claw lobster. In the ocean’s midnight zone, where “creatures survive by their own light,” she finds inspiration in “what can and might exist at those disappearing depths.” Write an essay that meditates on the mysteries and profundities of the ocean. Does its depth inspire awe and wonder as it does for Joseph, or does it strike fear in you?

Behind the Awards

1.18.23

It’s awards show season for the film and television industry, but behind the camera are all the hardworking folks that make these shows happen. From florists arranging dramatic centerpieces, to chauffeurs driving celebrities from venue to venue, to the graphic designers of the envelopes holding the winners’ names—each individual helps make these one-night-only events possible. Consider what happens behind the scenes at one of these massive events and write a story from the perspective of someone working for an awards show. Imagine the mounting pressure throughout the night, the unexpected responsibilities that may arise, and the difficult celebrities one might encounter for the details in your story.

The Voice at 3 A.M.

1.17.23

Award-winning and former U.S. Poet Laureate Charles Simic, who died last week at the age of eighty-four, was best known for his surrealist and often devastatingly funny poems. His poem “The Voice at 3 A.M.” reads in its entirety: “Who put canned laughter / Into my crucifixion scene?” In “Eyes Fastened With Pins,” Simic depicts a scene in which death is looking for “Someone with a bad cough, / But the address is somehow wrong, / Even death can’t figure it out.” Inspired by Simic, write a poem that mixes dark humor with a serious subject matter. How does integrating humor help balance and enliven the voice in your poem?

Deadline Approaches for the Eliud Martínez Prize

Submissions are open for the Eliud Martínez Prize, an award from the Inlandia Institute celebrating writers who identify as Hispanic, Latino/a/x, or Chicana/o/x. The winning writer will receive a prize of $1,000 and publication of their book of fiction or creative nonfiction by Inlandia Books.

Using only the online submission system, submit a novel, memoir, essays, stories, and multi-genre or hybrid fiction and nonfiction work between 150 and 300 pages with a $15 entry fee by January 31. Proposals for longer works of up to 500 pages may be submitted with an excerpt, table of contents, and a synopsis. Only manuscripts written primarily in English will be considered. Isabel Quintero will judge. Fee waivers are available. Visit the website for complete guidelines.

Located in Southern California, the Inlandia Institute is a nonprofit that fosters the literary activity of the state’s Inland region. The Eliud Martínez Prize is offered annually in memory of the novelist and artist Eliud Martínez, who taught as a professor at the University of California in Riverside. The prize’s most recent winner is Zita Arocha, who won the inaugural award for her memoir, Guajira: The Cuba Girl.

 

 

Delight and Distraction

1.12.23

In a Q&A with Kaveh Akbar by Claire Schwartz, published in the September/October 2021 issue of Poets & Writers Magazine, the poet reflects on the image of a salad spinner in his long poem “The Palace.” He writes: “I have a salad spinner in my kitchen, and we use it. Every time I see it, I’m like, ‘What a ghoulish thing to have—this thing that spins lettuce.’ I can’t think of anything more useless, a more damning indictment of our relative comfort.” What central everyday objects remind you of your relative comfort, or lack thereof? Write an essay that uses concrete images to reflect on the pleasures of your daily life. Do you ever feel shame about these pleasures?

Astrological Reading

1.11.23

The multitude of popular astrology apps—such as Co–Star, the Pattern, and Time Passages—exemplifies how the ancient study of celestial bodies predicting what happens on Earth is still very relevant. Many rely on astrological readings for career and dating advice, financial decisions, spiritual guidance, and even for what books to read. Write a short story in which a character relies on astrology to make a major life decision. How does their relationship to this divinatory practice change once things are set in motion?

Passing Minutes

1.10.23

In David Kirby’s poem “The Hours,” published in the latest issue of the Bennington Review, the poet reflects on a subject that feels more significant at the start of a new year: the presence of time. “I’m going to rely on you hours to lead me, / to open one door after another and beckon / me through. Look it’s time to make lunch. / Look, it’s time to go back to work. Look, / it’s time to rub cat Patsy’s belly again,” he writes. This week, write a poem that ruminates on the presence of time in your life. How does your perception of the passing minutes change from season to season?

Upcoming Contest Deadlines

Start the year off right by submitting to writing contests with deadlines of January 15, 24, and 30. Prizes include $5,000 for creative nonfiction that evinces a passion for the desert, $5,000 and an all-expenses-paid trip to give a reading at Virginia Commonwealth University in Richmond for a published first or second book of poetry, $1,500 for a poetry collection, $1,000 for a short story or a self-contained novel excerpt, and more. All awards offer a cash prize of $1,000 or more. Good luck in 2023, writers!

Asheville Poetry Review
William Matthews Poetry Prize

A prize of $1,000 and publication in Asheville Poetry Review is given annually for a single poem. The winner is also invited to give a reading at Malaprop’s Bookstore in Asheville, North Carolina. Diane Seuss will judge. Deadline: January 15. Entry fee: $20.

Ellen Meloy Fund
Desert Writers Award

A prize of $5,000 is given annually to enable a creative nonfiction writer “whose work reflects the spirit and passions for the desert embodied in Ellen Meloy’s writing” to spend creative time in a desert environment. Deadline: January 15. Entry fee: $15.

New American Press
New American Poetry Prize

A prize of $1,500, publication by New American Press, and 25 author copies is given annually for a poetry collection. Writers of any citizenship working anywhere in the world are eligible, though the work should presume English-language readers. Jamaica Baldwin will judge. Deadline: January 15. Entry fee: $25.

North Carolina Writers’ Network
Rose Post Creative Nonfiction Competition

A prize of $1,000 is given annually for an essay “that is outside the realm of conventional journalism and has relevance to North Carolinians.” The winning essay will also be considered for publication in Ecotone. Writers who are legal residents of North Carolina or who are members of the North Carolina Writers’ Network are eligible. Julia Ridley Smith will judge. Deadline: January 15. Entry fee: $12.

North Carolina Writers’ Network
Thomas Wolfe Fiction Prize

A prize of $1,000 is given annually for a short story or a self-contained novel excerpt. Judy Goldman will judge. The winning work of fiction will also be considered for publication in Thomas Wolfe Review. Deadline: January 30. Entry fee: $25 entry fee ($15 for NCWN members).

Poetry Society of Virginia
North American Book Award

A prize of $1,000 is given annually for a poetry collection published during the previous year. The winner is also invited to read at the organization’s annual Spring Poetry Festival, held at the Richmond Public Library in May. Self-published books and books that have previously received a post-publication award are ineligible. Bill Glose will judge. Deadline: January 15. Entry fee: $36

Sixfold
Poetry and Short Story Awards

Two prizes of $1,000 each and publication in Sixfold are given quarterly for a group of poems and a short story. Deadline: January 24. Entry fee: $5.

Virginia Commonwealth University
Levis Reading Prize

A prize of $5,000 and an all-expenses-paid trip to give a reading at Virginia Commonwealth University in Richmond is given annually for a first or second book of poetry published during the previous year. Deadline: January 15. Entry fee: none.

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, creative nonfiction, and translation.

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