To Not Belong

“I needed to be lonely, it turns out, more than belonging, more than home, more than love. There was no plot of land, no village, town, city, country, in which I belonged,” writes Pulitzer Prize–winning poet Diane Seuss in her essay “On Not Belonging,” published in the inaugural issue of Through Lines Magazine. In the essay, Seuss explores what she learned from the moments in her life when she didn’t feel like she belonged, weaving in and out of topics such as an experience at an artists’ colony, her kinship with writer James Baldwin, and grieving the death of her father. Inspired by Seuss’s relatable and lyrical essay, write an essay that traces your history with belonging. When has not belonging sharpened your creative intuition?

On Friendship

In the intricately imagined novel Sula, Toni Morrison tells the story of Sula Peace and Nel Wright, who meet as children in the Bottom, a Black neighborhood in the fictional town of Medallion, Ohio. The two characters embody the rich and complicated textures of a lifelong friendship as they move through their lives with dark secrets to keep, resentments, betrayal, and ultimately, forgiveness. This week, write a short story that captures the beginning and end of a friendship. Try to incorporate a strong setting that symbolizes and evolves with this relationship.

Animal Self

In his poem “The Wellfleet Whale,” Stanley Kunitz elegizes the majestic presence of a finback whale beached and dying on the shores of Cape Cod. The narrator of the poem, which is written in five sections, speaks to the whale in second person and recounts the last moments of its life. “You have your language, too, / an eerie medley of clicks / and hoots and trills, / location-notes and love calls,” writes Kunitz in the first lines. The rare sight is then celebrated through the awe of the spectators: “We cheered at the sign of your greatness / when the black barrel of your head / erupted, ramming the water, and you flowered for us / in the jet of your spouting.” This week write a poem that celebrates an animal of your choice. Whether through elegy or ode, which animal speaks to your senses?

Submissions Open for Ballard Spahr Prize for Poetry

Here’s a new year’s resolution for you: Give your book a fighting chance to get published! For poets in the Upper Midwest, there’s no better way to get the ball rolling than by submitting to Milkweed Editions’ Ballard Spahr Prize for Poetry, which offers $10,000 and publication of a collection by a poet currently residing in Iowa, Michigan, Minnesota, North Dakota, South Dakota, or Wisconsin.

Using only the online submission system, submit one unpublished poetry manuscript of at least forty-eight pages by January 15. There is no entry fee, and poets may be at any stage in their career. Maggie Smith will judge. View the website for complete guidelines.

Established in 2011, the Ballard Spahr Prize for Poetry aims to support outstanding poets from the Upper Midwest by bringing their work to the attention of a national audience. In addition to the financial award and publication, the winning poet will receive a standard royalty contract, national distribution, and a robust marketing and publicity campaign by Milkweed Editions, a nonprofit literary press based in Minneapolis. The 2022 Ballard Spahr Prize for Poetry went to K. Iver for Short Film Starring My Beloved’s Red Bronco, selected by Tyehimba Jess and featured in the current issue of Poets & Writers Magazine in Page One: Where New and Noteworthy Books Begin.

Reasons to Persist

12.29.22

The days leading up to a new year commencing often bring mixed feelings of reflection to the surface making it difficult to want to write at all. In “Twelve Reasons You Should Keep Writing,” which appears in the January/February 2023 issue of Poets & Writers Magazine, Sarah Ruhl writes: “Sometimes I forget why I should keep writing. I hope you make a list of your own.” Ruhl then lists brief, evocative, and personal reasons to persist with writing, which include, “Write for your daughter. Write for your son. If they don’t exist, write for the dream of them,” “Write to thank the books you love,” and “Write for God. The cave. The envelope.” Inspired by Ruhl, write a list essay of your own that considers all the reasons that keep you writing.

Innocents’ Day

12.28.22

In the Catholic tradition, December 28 is known as Holy Innocents’ Day or Childermas, and it is celebrated differently from country to country. In Trinidad and Tobago, children’s toys are blessed while in Spain, it is a day to play pranks on friends and family. No matter how it is celebrated, the day commemorates the jovial and happy-go-lucky nature of children. This week, write a story in which the cast of characters consists solely of children. How will you adapt the dialogue to meet the energetic and irreverent personalities of kids?

After the Holiday

12.27.22

Pulitzer Prize–winning poet James Merrill’s “Christmas Tree” is a wonderful example of a concrete poem, in which graphic patterns of words, letters, and symbols create a visual impact. Written in the shape of a Christmas tree and from its point of view, the poem captures the brief life of an iconic holiday decoration. “To be / Brought down at last / From the cold sighing mountain / Where I and the others / Had been fed, looked after, kept still, / Meant, I knew—of course I knew— / That there was nothing more to do,” writes Merrill. Taking inspiration from Merrill, write a poem from the perspective of a short-lived and celebrated object. If ambitious, try to incorporate a graphic element for more impact.

Toxic Fandom

12.22.22

In his article “Why Did Borges Hate Soccer?” published in the New Republic in 2014, Shaj Mathew uncovers the reasons the iconic Argentinean writer hated soccer so much that he even scheduled a lecture to conflict with Argentina’s first game of the 1978 World Cup. Mathew observes that what Borges was troubled with was the link from soccer fan culture to “the kind of blind popular support that propped up the leaders of the twentieth century’s most horrifying political movements.” Taking into consideration this year’s controversial FIFA World Cup in Qatar, write an essay that examines your relationship to a popular sport. Is there an element of fandom that unsettles you?

To Belong

12.21.22

In 2018, Chilean author Isabel Allende became the first Spanish-language author to receive the Medal for Distinguished Contribution to American Letters from the National Book Foundation. In her acceptance speech, Allende spoke of how her writing comes from “nostalgia, loss, and separation, from an incurable desire to belong in a place.” Lightheartedly and hilariously, she continued by noting that she not only writes in Spanish but cooks, dreams, and makes love in Spanish. “It would be ridiculous panting in English. My lover doesn’t speak a word of Spanish,” said Allende. This week, write a story in which two people from vastly different backgrounds connect through an unexpected similarity. How do they bond through their own language?

Stories of the Home

12.20.22

“This table has been a house in the rain, an umbrella in the sun. // Wars have begun and ended at this table. It is a place to hide in the shadow of terror. A place to / celebrate the terrible victory.” In her seminal poem “Perhaps the World Ends Here,” Joy Harjo explores the shared history of humanity through the image of a kitchen table. “We have given birth on this table, and have prepared our parents for burial here. // At this table we sing with joy, with sorrow. We pray of suffering and remorse. We give thanks,” writes Harjo. Write a poem that explores the joyful and sorrowful history of a past or present family home. What stories do the rooms, tables, and walls of your home tell you?

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