Genre: Creative Nonfiction

A Crown

In Hanif Abdurraqib’s essay “Fear: A Crown,” included in his latest collection, A Little Devil in America: Notes in Praise of Black Performance (Random House, 2021), he borrows the form of a crown of sonnets to link vignettes—parts of the last line of each section act as the first line of the next. Use the crown form to link an essay in sections that discusses a central feeling or theme. As you echo the last line of a vignette into the next, allow the words to launch you into unexpected places.

Kat Chow on Seeing Ghosts

Caption: 

Kat Chow reads from her debut memoir, Seeing Ghosts (Grand Central Publishing, 2021), and speaks about the macabre humor of her family and growing up with loss in this virtual event for DC Public Library’s Summer Challenge series. The memoir is featured in Page One in the September/October issue of Poets & Writers Magazine.

Drafts

“One of the big influences for me early on was Janet Frame,” says Alexander Chee in an interview with Lincoln Michel for his How-to series published in Fold magazine. “She would hand-write a draft of a novel entirely. Then typing it up was one revision. Then she would type it up again, and that was another revision. I decided to try it and actually really enjoyed it.” This week, pull out a notebook or legal pad and your favorite writing utensil to start an essay about a time you were influenced by another artist or writer. Was there a particular process or style that changed your writing?

André Aciman on Essay Writing

Caption: 

“I’ve found myself constantly using the adverb ‘almost’ and so, I call myself an almost-writer. I reuse it all the time,” says André Aciman in this conversation about his new book of essays, Homo Irrealis (Farrar, Straus and Giroux, 2021), with author Brian Dillon for the London Review Bookshop. “It’s just my way of approaching and avoiding certainties—because I don’t think there are any certainties in life.”

Personal Space: Lilly Dancyger

Caption: 

In this episode of Literary Hub’s Personal Space: The Memoir Show with host Sari Botton, Lilly Dancyger speaks about her debut memoir, Negative Space (Santa Fe Writers Project, 2021). Dancyger is featured in “The New Nonfiction 2021” in the September/October issue of Poets & Writers Magazine.

Lauren Hough With Ashley C. Ford

Caption: 

Lauren Hough speaks about her debut essay collection, Leaving Isn’t the Hardest Thing (Vintage, 2021), with Ashley C. Ford, author of the memoir, Somebody’s Daughter (Flatiron Books, 2021), in this Town Hall Seattle video. Hough and Ford are featured in “The New Nonfiction 2021” in the September/October issue of Poets & Writers Magazine.

Flag Day

Caption: 

Flag Day is a film adaptation of Jennifer Vogel’s 2005 memoir, Flim-Flam Man: The True Story of My Father’s Counterfeit Life, directed by Sean Penn with a screenplay by Jez Butterworth and John-Henry Butterworth. Penn stars in the film along with his daughter Dylan Penn, Josh Brolin, Regina King, James Russo, and Katheryn Winnick.

Ancestor

8.26.21

“By calling an influence an ancestor rather than an influence, a relationship is made, a kinship,” says U.S. poet laureate Joy Harjo speaking about her new memoir, Poet Warrior (Norton, 2021), in a Q&A by Laura Da’ featured in the September/October 2021 issue of Poets & Writers Magazine. “Some of these connections resonate and flower, while others challenge and force us to stand up.” This week, make a list of influential people in your life who have either helped you grow or challenged you. Write a series of linked essays that reflects on how these relationships are all connected.

Between Two Succulents With Brian Broome

Caption: 

Charm City Books bookseller Brandon Rashad Butts hosts this episode of Between Two Succulents with poet and screenwriter Brian Broome who speaks about his debut memoir, Punch Me Up to the Gods (Mariner Books, 2021). Broome is featured in “The New Nonfiction 2021” in the September/October issue of Poets & Writers Magazine.

Pages

Subscribe to Creative Nonfiction