Genre: Creative Nonfiction

Revision

10.21.21

“The personal computer’s radical reshaping of the revision process is likely another reason why writers sometimes struggle to understand revision,” writes Peter Ho Davies in the first chapter of The Art of Revision: The Last Word (Graywolf Press, 2021), an excerpt of which is published on our website. In this chapter titled “Black Box,” Davies discusses the elusive and often misunderstood nature of the revision process, and explores the reasons why it is often neglected as a subject in creative writing classrooms. Write an essay that recounts a particularly arduous time you had revising a piece of work. What did you learn in the time between your first and last draft?

Breakout! Writers Prize Open for Submissions

The deadline is approaching for the fourth annual Breakout! Writers Prize, sponsored by Epiphany Magazine and the Authors Guild. Four prizes of $1,000 each, publication in the Fall/Winter 2021 issue of Epiphany, a membership with the Authors Guild, and a year-long mentorship with Rachel Lyon, Epiphany’s editor in chief, are awarded to undergraduate or graduate writers. Two prizes will be given to poets and two to prose writers. Shane McCrae, Nadia Owusu, and Rachel Lyon will judge.

Using only the online submission system, submit one short story, a novel excerpt, or a work of creative nonfiction up to 5,000 words, or five poems of any length, along with a statement of interest and a $10 entry fee, which includes a digital subscription to Epiphany, by November 1. Visit the website for complete guidelines.

Deriving their name from the “Joycean idea that an epiphany is the moment when ‘the soul of the commonest object…seems to us radiant,’” Epiphany is a semiannual literary journal and independent non-profit based in New York. The Breakout! Writers Prize is meant to celebrate the future of art by honoring and bringing visibility to college and graduate student writers. Students do not have to be enrolled in a creative writing program to apply.

 

Listing the Ways

10.14.21

The final months of the year can provide a time to reflect on and list the many things for which we are grateful. Try using the generative form of the list essay to write about what you’re grateful for or what you’re looking forward to in the coming year. Written with or without numbers, the form has proved extremely effective in works such as Maggie Nelson’s Bluets (Wave Books, 2009), Wayne Koestenbaum’s essay “My 1980s,” and Sarah Manguso’s 300 Arguments (Graywolf Press, 2017). Consider how writing such a list essay might allow you to step back and observe how gratitude and expectation are related or in opposition to each other.

Grace M. Cho With Sun Yung Shin

Caption: 

“It wasn’t until I was assigned the family tree project at the age of nine, the same age as my mother when she became a refugee, that I began to understand that she had survived a war.” In this Greenlight Bookstore virtual event, Grace M. Cho reads from her memoir, Tastes Like War (Feminist Press, 2021), which is shortlisted for the 2021 National Book Award in nonfiction, and speaks with Sun Yung Shin about breaking the conventions of writing genres.

Upcoming Contest Deadlines

Embrace sweater weather by curling up indoors and preparing to submit to one of the following writing contests, which all close on October 31. Opportunities abound for writers in all disciplines, but especially poets. Among the poetry awards are two chapbook prizes and a prize for a female translator who has translated a collection by a female poet. All contests offer a cash prize of $1,000 or more.

American Poetry Review Honickman First Book Prize: A prize of $3,000 and publication by American Poetry Review is given annually for a first poetry collection. The winning book will be distributed by Copper Canyon Press through Consortium. Jericho Brown will judge. Entry fee: $25.

Cloudbank Books Vern Rutsala Book Prize: A prize of $1,000 and publication by Cloudbank Books is given annually for a collection of poetry, flash fiction, or a combination of the two. Doug Ramspeck will judge. Entry fee: $25.

Conduit Books & Ephemera Minds on Fire Open Book Prize: A prize of $1,500, publication by Conduit Books & Ephemera, and 30 author copies is given annually for a book of poetry. The editors will judge. Entry fee: $25.

Elixir Press Poetry Award: A prize of $2,000 and publication by Elixir Press is given annually for a poetry collection. Esther Lee will judge. All entries are considered for publication. Entry fee: $30.

Finishing Line Press Open Chapbook Competition: A prize of $1,500 and publication by Finishing Line Press is given annually for a poetry chapbook. All entries are considered for publication. Entry fee: $15.

Hidden River Arts Tamaqua Award: A prize of $1,000 and publication by Hidden River Press is given annually for an essay collection. Entry fee: $20.

PEN/Faulkner Foundation Award for Fiction: A prize of $15,000 is given annually for a book of fiction published during the current year. Four finalists will each receive $5,000. The winner and finalists will also be invited to read in Washington, D.C., in May 2022. Entry fee: none.

Persea Books Lexi Rudnitsky First Book Prize: A prize of $1,000 and publication by Persea Books is given annually for a first poetry collection by a writer who identifies as a woman and who is currently living in the United States. The winner also receives an optional six-week, all-expenses paid residency at the Civitella Ranieri Center in Umbria, Italy. Entry fee: $30.

Poetry Society of the United Kingdom National Poetry Competition: A prize of £5,000 (approximately $7,075) and publication on the Poetry Society of the United Kingdom website is given annually for a single poem. A second-place prize of £2,000 (approximately $2,830) and a third-place prize of £1,000 (approximately $1,415) are also given. The winners will also be published in Poetry Review. Poems written in English by poets from any country are eligible. Fiona Benson, David Constantine, and Rachel Long will judge. Entry fee: £7 (approximately $10).

Red Hen Press Benjamin Saltman Poetry Award: A prize of $3,000 and publication by Red Hen Press is given annually for a poetry collection. Major Jackson will judge. Entry fee: $25.

River Teeth Book Contest: A prize of $1,000 and publication by University of New Mexico Press is given annually for a book of creative nonfiction. Rigoberto González will judge. Entry fee: $27 (includes subscription).

Saturnalia Books Malinda A. Markham Translation Prize: A prize of $2,000 and publication by Saturnalia Books will be given annually for a translation of a poetry collection. Translators who identify as female (including those who are assigned-female-at-birth [AFAB] nonbinary, genderfluid, agender, and intersex) and who are translating the work of a woman poet (including those who are AFAB nonbinary, genderfluid, agender, and intersex) are eligible. Entry fee: $25.

Tucson Festival of Books Literary Awards: Three prizes of $1,000 each are given annually for works of poetry, fiction, and creative nonfiction. The winners will also receive scholarships to attend a workshop on the University of Arizona campus in March 2022. Entry fee: $20.

Tupelo Press Sunken Garden Chapbook Poetry Prize: A prize of $1,000, publication by Tupelo Press, and 25 author copies is given annually for a poetry chapbook. Entry fee: $25.

University of North Texas Press Vassar Miller Prize: A prize of $1,000 and publication by University of North Texas Press is given annually for a poetry collection. Entry fee: $25.

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, and creative nonfiction.

Tips and Tricks

10.7.21

“I’ve attended plenty of workshops and lectures with writers I admire, only to leave with vague and puzzling advice about listening to your story’s truth,” writes Blair Hurley in the latest Craft Capsule essay “Tiny Doable Things.” “I treasured, instead, the writers who admitted that their writing was not always inspired and that their drafts were not always successful on the first try.” In the essay, Hurley compares writers with specific technical advice to “woodworkers or glassblowers who must learn the practical needs of their medium.” Write a list of practical writing advice you have received over the years, and reflect upon which practices have stuck with you and why.

Siskiyou Prize for Environmental Literature

Ashland Creek Press
Entry Fee: 
$25
Deadline: 
December 31, 2021

A prize of $1,000 is given biennially for an unpublished or published book of fiction or creative nonfiction that focuses on the environment, animal protection, ecology, or wild

The Question

9.30.21

Catapult’s column “How’s the Writing Going?” by Sari Botton features writers in conversation about their process and what they’re working on, offering insight and tips for writer’s block and other challenges. The column focuses on the one question “no writer wants to be asked—but which every writer wants to ask others.” Write an essay about how your writing is going. Consider the question at large and answer it in terms of how your writing process has evolved over time. What have you learned along the way?

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