Genre: Creative Nonfiction

A Reading With Lilly Dancyger, Gina Frangello, and Jeannine Ouellette

Caption: 

In this virtual reading hosted by Magers & Quinn Booksellers, authors Lilly Dancyger, Gina Frangello, and Jeannine Ouellette read from their memoirs and discuss the similarities between their writing processes. Dancyger’s Negative Space (Santa Fe Writers Project, 2021) and Frangello’s Blow Your House Down: A Story of Family, Feminism, and Treason (Counterpoint Press, 2021) are featured in Page One in the May/June issue of Poets & Writers Magazine.

Italics

4.22.21

“I love italics. They make me feel as if the author is whispering tremulous secrets to me,” writes Susan Stinson in her Craft Capsule essay “In Praise of Italics.” In the spirited and humorous essay, Stinson writes about all the different kinds of italics used in literature—from descriptions in Herman Melville’s Moby-Dick to epigraphs to the poetry of Adrienne Rich—arguing that the queerness of italics “is both in the way it looks—that tilt—and in how it brings attention to that which gets set aside.” Write an essay that explores your favorite aspect of the written word. Whether it be specific punctuation, a particular syntactical structure, or a grammatical mood, write about what excites you and why.

Rovering

4.15.21

Last summer a ten-minute video released by ElderFox Documentaries, a YouTube channel devoted to space exploration, went viral as users responded to its remastered and stitched-together images of the planet Mars, rendered in 4K resolution and captured by NASA’s high-tech rovers. What has been described as “the most lifelike experience of being on Mars” includes clear panoramas of the planet’s landscape—including the Gale crater, Cape Verde, the Santa Maria crater, and the entrance to the Marathon Valley, all named by NASA for their distinctive spaces, color schemes, and geological properties—as well as evidence pointing to possible signs of life. Using the landscape of Mars as inspiration, write an essay exploring uncharted territory from your past. Consider writing short vignettes that mimic the cut-and-paste techniques employed in the video.

Arts + Literature Laboratory

Arts + Literature Laboratory is a community-based contemporary arts center in Madison, Wisconsin. The center supports visual and literary arts, music and performance, and youth and adult arts education through an active calendar of exhibitions, readings, concerts, and educational programs, including a monthly reading series. The 10,500 square foot space in Madison’s downtown Capitol East District houses galleries and performance space, a writing center and small press library, artist studios, and a dedicated education studio.

Wildflowers

“I was enamored with the notion that all I had to do to drive the sadness away, to have something to look forward to, was open a can of meadows,” writes Kathy Davis in her essay “There’s No Simple Way to Make it OK,” published in Guernica, in which she meditates on cultivating a meadow of wildflowers after the death of her parents. “But as the blooms started to fade, nothing I’d planted could ward off the midsummer takeover of weeds and wiregrass,” writes Davis. “Gardening, I was learning, is not easy. Like grief, it’s a process.” Write an essay about an activity, like gardening, that helped you come to terms with a difficult time in your life.

Annual Writing Competition

Writer’s Digest
Entry Fee: 
$35
Deadline: 
June 7, 2021
A prize of $5,000, an interview in Writer’s Digest, and an all-expenses paid trip to the Writer’s Digest Annual Conference held in New York City in July is given annually for a poem, short story, essay, article, or script. Five prizes of $1,000 each and publication on the Writer’s Digest website are also given for a rhyming poem, a non-rhyming poem, a short story, a genre short story, and a personal essay. Using only the online submission system, submit a poem of up to 40 lines, a story of no more than 4,000 words, or an essay of up to 2,000 words by June 7. The entry fee for poetry is $20 ($15 for each additional poem) before May 7 and $25 thereafter ($20 for each additional poem); the entry fee for prose is $30 ($25 for each additional entry) before May 7 and $35 thereafter ($30 for each addition entry). Visit the website for complete guidelines.

Dorothea Lange–Paul Taylor Prize

Center for Documentary Studies
Entry Fee: 
$60
Deadline: 
May 15, 2021

A prize of $10,000 and publication in the Center for Documentary Studies digital publication is given annually for a documentary project that incorporates images and text in any genre. The winning piece will also be placed in the Archive of Documentary Arts at Duke University’s Rubinstein Library. Independent and collaborative fieldwork projects are eligible. Using only the online submission system, submit a writing sample of up to 15 pages and no more than 19 images or 10 minutes of video or audio, along with a project description, a personal statement, a curriculum vitae or biography, and a $60 entry fee by May 15. Visit the website for complete guidelines.

Travel Writing Contest

Nowhere Magazine
Entry Fee: 
$20
Deadline: 
June 30, 2021
A prize of $1,000 and publication in Nowhere Magazine is given twice yearly for a poem, a short story, or an essay that “possesses a powerful sense of people, place, and time.” Unpublished and published pieces that have not previously been chosen as a contest winner are eligible. Porter Fox will judge. Using only the online submission system, submit a poem of any length or a group of themed poems or a story or essay of 800 to 5,000 words with a $20 entry fee by June 30. All entries are considered for publication. Visit the website for complete guidelines.

Pages

Subscribe to Creative Nonfiction