Genre: Creative Nonfiction

Upcoming Contest Deadlines

The first literary deadlines of the summer are approaching! If you are at work on a book-length manuscript of poetry, fiction, or nonfiction, or have recently published a first book, take note of the following contests, which close on June 15, June 17, or June 23. There is also a special fellowship opportunity for writers based in Maine. All offer a cash prize of $500 or more.

42 Miles Press 42 Miles Poetry Award: A prize of $1,000, publication by 42 Miles Press, and 30 author copies is given annually for a poetry collection. Current and former students of Indiana University in South Bend are ineligible. David Dodd Lee will judge. Deadline: June 15. Entry fee: $25.

Autumn House Press Literary Prizes: Three prizes of $1,000 each and publication by Autumn House Press are given annually for a poetry collection, a book of fiction, and a book of creative nonfiction. Each winner also receives a $1,500 travel and publicity grant. Eileen Myles will judge in poetry, Deesha Philyaw will judge in fiction, and Steve Almond will judge in nonfiction. All entries are considered for publication. Deadline: June 15. Entry fee: $30.

Bitter Oleander Press Library of Poetry Award: A prize of $1,500 and publication by Bitter Oleander Press is given annually for a poetry collection. Deadline: June 15. Entry fee: $28.

Great Lakes Colleges Association New Writers Awards: Three prizes are given annually to a poet, a fiction writer, and a creative nonfiction writer to honor their first books. The winners each receive an all-expenses paid trip to several of the 13 GLCA colleges, each of which pays an honorarium of at least $500, to give readings, meet with students, and lead discussions and classes. Books published in 2020 and 2021 are eligible. Faculty members of the colleges will judge. Submissions are to be made by the book’s publisher. Deadline: June 23. Entry fee: none.

Maine Arts Commission Maine Artist Fellowship: A fellowship of up to $5,000 is given annually to a poet, a fiction writer, a creative nonfiction writer, or a writer working in a genre beyond these categories who has lived in the state of Maine for at least one year. The fellow is expected to reside in the state for the year of the fellowship. Writers enrolled in a degree-granting program are ineligible. Deadline: June 17. Entry fee: none.

University of Akron Press Akron Poetry Prize: A prize of $1,500 and publication by University of Akron Press is given annually for a poetry collection. Erika Meitner will judge. Deadline: June 15. Entry fee: $25.

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, and creative nonfiction.

Writing Contests

Black Warrior Review
Entry Fee: 
$15
Deadline: 
September 1, 2021
Three prizes of $1,000 each and publication in Black Warrior Review are given annually for a poem, a short story, and an essay. Eduardo C. Corral will judge in poetry, K-Ming Chang will judge in fiction, and Su Cho will judge in nonfiction. Using only the online submission system, submit up to three poems of any length or a story or essay of no more than 7,000 words with a $15 entry fee, which includes a subscription to Black Warrior Review, by September 1. There is no entry fee for the first 600 Black and/or Indigenous writers who submit. All entries are considered for publication. Visit the website for complete guidelines.

Pamela Sneed With Tommy Pico

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“If we are always the threat / To whom or where do we turn for protection?” In this Litquake festival video from 2020, Pamela Sneed reads from her book Funeral Diva (City Light Books, 2020), for which she won the 2021 Lambda Literary Award’s lesbian poetry prize, and speaks with Tommy Pico about breaking apart genres and writing about pandemics.

Punctuation

In an article published by Literary Hub, Emily Temple compiles statements by famous writers on what their most loved and hated punctuation marks are, including Donald Barthelme on hating the semicolon, R. L. Stine on loving the em-dash, and Toni Morrison fighting over commas. In each, there is a distinct preoccupation the writers have with the technical and emotional resonances the given punctuation mark has on their prose, often revealing how they compose their sentences. Write a statement for each punctuation mark listed in the article—the semicolon, the exclamation point, the em-dash, the comma, the hyphen, and the period—characterizing the effect they have on your work. Do you use one more than the other? What does this say about your writing?

Pop Song: Larissa Pham With R. O. Kwon

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“It’s a book about being present to the world and accepting the complexity of the world.” In this virtual event hosted by the Asian American Writers’ Workshop, Larissa Pham speaks about her new book, Pop Song: Adventures in Art and Intimacy (Catapult, 2021), and the subjects addressed in her essays, including relationships and the differences of expression through visual art and writing, in a conversation with R. O. Kwon.

Shelf Life

5.27.21

On Elle.com’s books column Shelf Life, Ling Ma, author of Severance (Picador, 2019), answers a questionnaire about her favorite books, including the one that made her weep (A Sorrow Beyond Dreams by Peter Handke), the one she would pass on to a kid (Jesus’s Son by Denis Johnson), and the one she considers literary comfort food (Kitchen by Banana Yoshimoto, among others). This week, answer the questionnaire for yourself, then write an essay that focuses on one of these questions and the book you recommended. What was happening in your life when you read this book and why are you still so deeply connected to it?

Goodbye to All That

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“There’s always going to be something to say about the push-pull that New York City exerts on its inhabitants,” says Sari Botton, editor of the revised edition of Goodbye to All That: Writers on Loving and Leaving New York (Seal Press, 2021), in this Books Are Magic virtual event with author Isaac Fitzgerald and contributors to the anthology Leslie Jamison, Lisa Ko, Emily Raboteau, and Rosie Schaap.

Saidiya Hartman Reading at Politics and Prose Bookstore

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“I had written two books on slavery, and writing about slavery is to be in the center of a very difficult psychic territory, and so when I started doing the research for this project, I was very hungry for beauty—and I think I discovered it here,” says Saidiya Hartman about writing her book Wayward Lives, Beautiful Experiments: Intimate Histories of Riotous Black Girls, Troublesome Women, and Queer Radicals (Norton, 2019), winner of the 2019 National Book Critics Circle Award in Criticism, in this 2019 reading at Politics and Prose Bookstore in Washington, D.C.

Olivia Laing on Everybody

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“I was really interested in the idea of the body as a place of imprisonment but also, the body as a place of liberation.” Olivia Laing speaks about her latest book, Everybody: A Book About Freedom (Norton, 2021), and how she addresses the themes of illness, sexual violence, and incarceration with imagery and by including historical figures of the past century in this conversation with author Maggie Nelson for the Center for Fiction.

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