Genre: Creative Nonfiction

Kirkus Prize Winners Announced

Last night at a ceremony in Austin, Texas, Kirkus Reviews announced the winners of the third annual Kirkus Prize. Three awards of $50,000 each are given for a book of fiction, nonfiction, and young readers’ literature published in the previous year.


C. E. Morgan won the fiction award
for her second novel, The Sport of Kings (Farrar, Straus and Giroux). Fiction writer Claire Messud, bookseller Annie Philbrick, and Kirkus Reviews critic Gene Seymour judged.

Pulitzer Prize–winning journalist Susan Faludi took home the nonfiction prize for In the Darkroom (Metropolitan). Writer Jim Piechota, bookseller Chris Schoppa, and journalist and novelist Héctor Tobar judged.

Jason Reynolds won the young readers’ literature prize for his novel As Brave As You (Caitlyn Dlouhy). Bookseller and author Elizabeth Bluemle, Kirkus critic and librarian Deborah D. Taylor, and National Book Award–winning author Jacqueline Woodson judged. 

The winners were selected from 1,154 titles that received a Kirkus starred review between November 1, 2015, and October 31, 2016, for fiction and nonfiction, and between October 1, 2015, and September 30, 2016, for young readers’ literature.

One of the world’s richest literary awards, the Kirkus Prize was established in 2014 to honor the eighty-first anniversary of Kirkus Reviews, a publication that today provides review coverage of more than seven thousand commercially published books, as well as more than three thousand self-published books, each year. For more information about the prize, as well as a list of finalists in each category, visit the Kirkus Reviews website.

(Photos from left: C. E. Morgan, Susan Faludi, Jason Reynolds)

Writing for a Broken World

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“I didn’t understand that I had to be ruthless. I didn’t understand that my job as a writer wasn’t to coddle my characters and create these fairy tales for them to live.” At Brown University's Center for the Study of Race and Ethnicity in America, Jesmyn Ward and Edwidge Danticat discuss writing about their homes and the power of place.

Risky Humor

11.3.16

“Sometimes the humor is a way to mask all that, so the reader won’t know that what I’m writing about is me, or figure out what side of the argument I stand on. Then there’s a risk in just trying to say what you mean to say…. Writing is a risk no matter what.” In a 2015 interview with Chris Jackson for the Paris Review, Paul Beatty, who was awarded the 2016 Man Booker Prize for his novel The Sellout last week, speaks about the risks of criticizing and including heated topics in his writing. Think of a topic or stance you are personally drawn to—but also afraid of—writing about. Write a personal essay in which you gradually expose this risky issue or opinion in a humorous way. How can offbeat humor, satire, or a generally funny approach allow you to tackle difficult subjects in a more oblique way?

Memory of the Vietnam War

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At Yale University, Viet Thanh Nguyen discusses his award-winning novel, The Sympathizer (Grove Press, 2015), and his latest book, Nothing Ever Dies: Vietnam and the Memory of War (Harvard University Press, 2016), which is a finalist for the 2016 National Book Award in nonfiction.

Upcoming Creative Nonfiction Contest Deadlines

Are you a nonfiction writer? Looking to publish an essay, or in search of funding to finish your book? If so, there’s a writing contest for you—and several of them have deadlines within the next few days. So get to work this weekend, and check out these contests with November 1 deadlines.

If you’re an emerging writer looking for experience and mentorship in New York City, A Public Space’s annual Emerging Writer Fellowships might be right for you. Each fellowship includes $1,000, publication in A Public Space, a six-month mentorship with an established author, and optional workspace in the journal's Brooklyn, New York, office from March 2017 to September 2017. There is no application fee.

Looking to publish an essay? Reed Magazine’s Gabriele Rico Challenge in Creative Nonfiction offers an annual prize of $1,333 and publication of an essay of up to 5,000 words (with a $15 entry fee). Similarly, the Briar Cliff Review offers an annual prize of $1,000 and publication for an essay of up to 5,000 words (with a $20 entry fee).

Want to travel abroad to finish your book? There’s a contest for that. The American-Scandinavian Foundation offers annual writing fellowships of up to $23,000 and grants of up to $5,000 to creative nonfiction writers for study and research in Scandinavia. The application fee is $60. Meanwhile, the American Academy in Rome’s annual Rome Prize— which includes a $28,000 stipend, lodging, workspace, and most meals—allows writers to spend eleven months at the American Academy in Rome. It’s open to nonfiction writers who have published either a book or at least five essays or memoir excerpts in two or more literary journals, magazines, or anthologies. The application fee is $40.

For study in the United States, Washington College’s Patrick Henry Writing Fellowship confers a nine-month fellowship, which includes a stipend of $45,000, at the C. V. Starr Center for the Study of the American Experience at Washington College in Chestertown, Maryland, to a nonfiction writer working on a book that addresses the history or legacy of the American Revolution and the nation’s founding ideas. There is no application fee.

Visit the contest websites for complete guidelines and submission details. For more upcoming contests, check out our Grants & Awards database and Submission Calendar.

Love and Shame and Love

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“Upon moments like these, time never stops gnawing its little beaver teeth and the dialogue never stops even after we stop listening.” In this 2012 video, Peter Orner reads from his novel Love and Shame and Love (Little, Brown, 2011). His first essay collection, Am I Alone Here? Notes on Living to Read and Reading to Live (Catapult, 2016), is featured in Page One in the November/December issue of Poets & Writers Magazine.

Forecasts

10.27.16

“He walked warily, stopping often to scan the clouds for clues to an impending downpour...” A recent article in the New York Times explores why the National Weather Service is not able to better predict and track storms like this fall’s Hurricane Matthew, and speaks to a meteorologist and professor of atmospheric sciences about the need for improvement. Write an essay exploring an experience that disrupted plans in your life—perhaps an illness, a breakup, or an unexpected opportunity—that you were not able to predict. How did you respond to the challenge? In retrospect, were there signs or clues of the change to your forecast?

Legs Get Led Astray

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“Never in my mind did I think I was writing about love. Now I look at it and there’s no question, it’s all about the intimacies of love...” Chloe Caldwell reads from and talks about her first collection of essays, Legs Get Led Astray (Future Tense Books, 2012). Caldwell’s second essay collection, I’ll Tell You in Person (Emily Books, 2016), is featured in Page One in the November/December issue of Poets & Writers Magazine.

Chloe Caldwell’s Women

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“‘Sometimes on American Idol, Nicki Minaj says I’m obsessed with you,’ she says. ‘I’m obsessed with you right now,’ I say.” Chloe Caldwell, whose second essay collection, I’ll Tell You in Person (Emily Books, 2016), is featured in Page One in the November/December issue of Poets & Writers Magazine, reads from her novella, Women (Short Flight/Long Drive Books, 2014).

Queer Futures

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“Do we always go and attend funerals and then after the funerals you go home and wait for another funeral, what? You have to document. You are forced to document.” In this video from the 2015 PEN World Voices Festival, Shireen Hassim moderates a conversation with Kehinde Bademosi, Zanele Muholi, and Binyavanga Wainaina to survey today's African gay rights landscape.

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