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Since our founding in 1970, Poets & Writers has served as an information clearinghouse of all matters related to writing. While the range of inquiries has been broad, common themes have emerged over time. Our Top Topics for Writers addresses the most popular and pressing issues, including literary agents, copyright, MFA programs, and self-publishing.
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Find details about every creative writing competition—including poetry contests, short story competitions, essay contests, awards for novels, grants for translators, and more—that we’ve published in the Grants & Awards section of Poets & Writers Magazine during the past year. We carefully review the practices and policies of each contest before including it in the Writing Contests database, the most trusted resource for legitimate writing contests available anywhere.
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The author of several novels, including The Hours, Flesh and Blood, and By Nightfall, has had it with readers who "stand in front of the bullet train of history" and insist that books must be made out of paper—as this video from inReads makes abundantly clear. "The world changes; things move on," the Pulitzer Prize-winning author says.
The author of The Buddha in the Attic, who was profiled by Renée H. Shea in the September/October 2011 issue, talks about her novel's nomination for this year's National Book Award in fiction. "I feel lucky to even have an audience," she says. "A prize is something I never really thought about. Usually my concerns are very local, like 'Can I make it through this sentence or through this paragraph?'"
Chip Kidd, the associate art director at Knopf and Pantheon, talks about his cover design for Haruki Murakami's novel 1Q84. Note the Spirograph drawings behind his desk (three of them were featured in Kidd's design of the January/February 2010 cover of Poets & Writers Magazine). And read Ken Gordon's take on the girth of Murakami's huge book and others in the current issue.
Richard Nash, the former head of Soft Skull Press and currently the CEO of Cursor and publisher of Red Lemonade who's interviewed by Gabriel Cohen in the current issue's special section, is shown here at this year's BookExpo America, where he discussed the ongoing changes in the publishing industry.
The Man Booker Prize was awarded last night to British author Julian Barnes, who had been a contender for the honor on three previous occasions. The author, who once called the prize "posh bingo," won this year for his best-selling novel The Sense of an Ending, published earlier this month in the United States by Knopf (the original U.K. publisher is Jonathan Cape).
Barnes, who was a finalist in 1984, 1998, and 2005, says he stands by his earlier assessment of the award as a sort of game whose outcome is dependent on the fluctuating tastes of the judging panel. For shortlisted authors full of "hope and lust and greed and expectation" he suggests treating the award as a lottery—that is, until you win and "realize that the judges are the wisest heads in literary Christendom."
This year's chair of judges, Stella Rimington, whose Booker jury faced criticism earlier this year about its prioritization of accessible books over those of high literary merit, called Barnes's book "very readable, if I may use the word." She added that it has "the markings of a classic of English literature. It is exquisitely written, subtly plotted and reveals new depths with each reading."
Barnes received fifty thousand pounds (approximately seventy-nine thousand dollars). The shortlisted authors each took home twenty-five hundred pounds (approximately thirty-nine thousand dollars).
Author Naomi Wolf was arrested last night at an Occupy Wall Street protest; Denis Leary's hosting Ploughshares upcoming fortieth anniversary gala; Hunter S. Thompson's correspondence; and other news.
"My father, he'd say, 'You have to have a career.' I said, 'I want to be a writer.'" Born in Brooklyn in 1911, Ruth Gruber became the youngest PhD in the world before going on to become an international foreign correspondent and photojournalist at age twenty-four. "Ahead of Time," a documentary by Bob Richman, tells the story of how Gruber defied tradition in an extraordinary career that has spanned more than seven decades.
The eighth annual Story Prize, the twenty-thousand-dollar award given for a short story collection, will be judged by an award-winning fiction writer, a translator and international literature scholar, and a memoirist who curates a celebrated reading series.
Sherman Alexie, whose most recent story collection, War Dances (Grove Press, 2009), won the PEN/Faulkner Award, will be joined by Indiana University professor Breon Mitchell, who has translated the fiction of Heinrich Böll, Günter Grass, and Franz Kafka, among others. Completing the jury is Louise Steinman, curator of the Los Angeles Public Library's ALOUD reading and conversation series and author of the memoir The Souvenir: A Daughter Discovers Her Father’s War. The three will select the winner from a trio of finalists chosen by prize director Larry Dark and founder Julie Lindsay.
The Story Prize is still accepting entries of story collections published during the second half of 2011. Submissions must be made by November 15.
Finalists will be announced in January, and the winner announcement will follow an evening of readings and interviews with the finalists in New York City on March 21.
The first volume of The Letters of Ernest Hemingway, published last month by Cambridge University Press, collects the correspondence of the Nobel Prize winner, including postcards, telegrams, and drafts of letters, written between 1907 and 1922 and never intended for publication.