Genre: Poetry

Deadline Nears for Courage to Write Grants

Do you have a manuscript that needs some cash to reach the finish line? Apply for the de Groot Foundation’s Courage to Write Grants, which offer $7,000 to each of seven emerging poets, fiction writers, and creative nonfiction writers with works-in-progress and “for whom a monetary boost could help further or complete the project.” Awardees will meet virtually to discuss their projects and share ideas. 

Using only the online submission system, submit a brief bio of up to 120 words, a completed application form, and five pages of a current, unpublished poetry or prose manuscript with a $22 entry fee by February 12. Visit the website for complete guidelines.

Previous winners of the Courage to Write Grants include Zahir Janmohamed for his memoir, The Permitted Hours; Campbell Walmsley for her novel, Burn Rate; and Jefferey Spivey for his story collection, The Birthright of Sons.

In addition to the Courage to Write Grants, the de Groot Foundation will offer the Lando Grants, which award $7,000 to each of three writers exploring immigrant/refugee issues in any genre; applications are also due on February 12. Up to ten Writer of Note Grants of $1,500 each will be awarded to writers selected from the pool of finalists for the Lando and Courage to Write grants. 

Founded in 2010, the de Groot Foundation is a private family foundation that aims “to support high impact, sustainable innovation, education and cultural projects” worldwide. Funding from the organization has helped finance the first women’s hospital in Cambodia; a library in Nianiar, Senegal; and individual artistic projects. The foundation has recently amplified its attention to the literary arts: “Because of our love of literature and the power of story, we’re passionate about focusing the de Groot Foundation’s initiatives on discovering new voices and encouraging emerging writers,” says the foundation’s website.

Arbor for Butch by Terrance Hayes

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“Nowhere else does the sky do what the sky does there / where the graves are filled with dirt the color of fire.” Terrance Hayes reads his poem “Arbor for Butch,” which appears in his National Book Award–winning collection, Lighthead (Penguin Books), for this 2010 reading at the 92nd Street Y in New York City.

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Page as Canvas

1.24.23

In a recent installment of our Agents & Editors Recommend series, Kristina Marie Darling, editor in chief of Tupelo Press, suggests taking risks with form in order to stand out from other poetry manuscripts. “Do something interesting with the space of the page,” writes Darling. “Be creative with how language is laid out on the page. Take risks with typography. Use white space as a unit of composition.” This week approach the page like a canvas. Let the visual element of your poem help tell the story and expand your language.

Nikki Giovanni and Renée Watson

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In this video, Nikki Giovanni and Renée Watson speak about their love of libraries, the writers who have influenced them, and Maya’s Song (HarperCollins, 2022), a picture book for young readers about the life and work of Maya Angelou written by Watson and illustrated by Bryan Collier.

Upcoming Contest Deadlines

There’s no better way to beat the winter slump than by staying warm indoors and submitting to contests with deadlines of January 31 and February 1! Opportunities include fellowships for writers working on a biography of an important African American figure (or figures); publication of novels-in-stories, novels-in-poems, and hybrid forms; and an award for a story written in Japanese that takes place in the Little Tokyo district of Los Angeles. All contests offer a cash prize of $1,000 or more and four are free to enter. May the work you do this winter, writers, bring you spring and summer rewards! 

American Short Fiction
American Short(er) Fiction Prize

A prize of $1,000 and publication in American Short Fiction is given annually for a work of flash fiction. Karen Russell will judge. All entries are considered for publication. Deadline: February 1. Entry fee: $18.

Biographers International Organization
Frances “Frank” Rollin Fellowship

Two prizes of $5,000 each will be given annually to writers “working on a biographical work about an African American figure (or figures) whose story provides a significant contribution to our understanding of the Black experience.” Biographers may be at any stage in the writing process. The winners will also receive publicity through the Biographers International Organization (BIO) website, registration to the annual BIO Conference in May, and a one-year BIO membership. Adam Henig, Tamara Payne, and Eric K. Washington will judge. Deadline: February 1. Entry fee: none.

Black Lawrence Press
Big Moose Prize

A prize of $1,000, publication by Black Lawrence Press, and 10 author copies is given annually for a novel. The contest is open to traditional novels as well as “novels-in-stories, novels-in-poems, and other hybrid forms that contain within them the spirit of a novel.” The editors will judge. Deadline: January 31. Entry fee: $27.

Ghost Story
Screw Turn Flash Fiction Competition

A prize of $1,000 and publication on the Ghost Story website and in the 21st Century Ghost Stories anthology is given twice yearly for a work of flash fiction with a supernatural or magical realism theme. Deadline: January 31. Entry fee: $15.

Iowa Review
Iowa Review Awards

Three prizes of $1,500 each and publication in Iowa Review are given annually for works of poetry, fiction, and creative nonfiction. All entries are considered for publication. Deadline: January 31. Entry fee: $20.

Little Tokyo Historical Society
Imagine Little Tokyo Short Story Contest
 
Two prizes of $1,000 each and publication in Rafu Shimpo and on the Discover Nikkei and Little Tokyo Historical Society websites are given annually for short stories that take place in the Little Tokyo district of Los Angeles and “capture the cultural spirit” of the neighborhood. One prize is given for a story written in English; the other is given for a story written in Japanese. Deadline: January 31. Entry fee: none.

PEN America
Emerging Voices Fellowship

Twelve fellowships of $1,500 each and participation in a virtual five-month mentorship program, which includes one-on-one mentorship with an established writer; introductions to editors, agents, and publishers; a professional headshot; and a one-year PEN America membership are given annually to emerging poets, fiction writers, and creative nonfiction writers “from communities that are traditionally underrepresented in the publishing world.” Fellows will also participate in workshops on editing, marketing, and building a professional platform. Writers who have not yet published a book and who do not hold an advanced degree in creative writing are eligible to apply. Deadline: January 31. Entry fee: $25.

Poetry Center at Passaic County Community College
Paterson Poetry Prize

A prize of $2,000 is given annually for a poetry collection published in the previous year. The winning poet is expected to participate in an awards ceremony, give a reading, and teach a workshop at the Poetry Center in Paterson, New Jersey. Books of at least 48 pages are eligible. Deadline: February 1. Entry fee: none.

Southern Indiana Review
Michael Waters Poetry Prize

A prize of $5,000 and publication by Southern Indiana Review Press is given annually for a poetry collection. Michael Waters will judge. All entries are considered for publication. Deadline: February 1. Entry fee: $30, which includes a subscription to Southern Indiana Review

Stadler Center for Poetry & Literary Arts
Philip Roth Residencies

Two four-month residencies, which include a stipend of $5,000 each, at the Stadler Center for Poetry & Literary Arts at Bucknell University are given annually to writers in any literary genre, including poetry, fiction, creative nonfiction, hybrid works, and graphic novels, working on a first or second book. Deadline: February 1. Entry fee: none.

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, creative nonfiction, and translation.

The Voice at 3 A.M.

1.17.23

Award-winning and former U.S. Poet Laureate Charles Simic, who died last week at the age of eighty-four, was best known for his surrealist and often devastatingly funny poems. His poem “The Voice at 3 A.M.” reads in its entirety: “Who put canned laughter / Into my crucifixion scene?” In “Eyes Fastened With Pins,” Simic depicts a scene in which death is looking for “Someone with a bad cough, / But the address is somehow wrong, / Even death can’t figure it out.” Inspired by Simic, write a poem that mixes dark humor with a serious subject matter. How does integrating humor help balance and enliven the voice in your poem?

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