Jump to navigation Skip to content
“My friend Michael and I are walking home arguing about the movie. / He says that he believes a person can love someone / and still be able to murder that person.” Marie Howe reads her poem “After the Movie,” which appears in her collection The Kingdom of Ordinary Time (Norton, 2008), in this 2014 video for the Page Meets Stage series in New York City.
In Ross Gay’s poem “To the Fig Tree on 9th and Christian,” neighbors gather around “the canopy / of a fig its / arms pulling the / September sun to it” and relish in the riches of the tree’s bounty, an uncommon occurrence for a typical city street corner. Gay writes, “soon there were / eight or nine / people gathered beneath / the tree looking into / it like a / constellation pointing / do you see it.” This week, inspired by autumn as the season of the harvest, write a poem in which you describe a joyful scene centered around a fruit-bearing plant or tree. How does this experience serve as an escape from the worries of your daily life?
“I’m not a writer, I’m a receiver for something I don’t always understand.” —James Cagney, author of Martian: The Saint of Loneliness
The author of Selected Books of the Beloved illuminates the power of narrative to move a poem forward.
Though the temperature outside is starting to drop, you can stoke the fires of your writing practice by submitting to contests with deadlines of October 15, 16, 17, and 18! Poets, there are multiple awards to win, including a prize of approximately $66,500 for a year of travel and study outside of North America, and $5,000 plus publication of a poetry collection by Alice James Books. All contests offer a cash prize of $1,000 or more and two are free to enter. Keep those literary fires burning!
Alice James Books
Alice James Award
A prize of $5,000 and publication by Alice James Books is given annually for a poetry collection by a poet residing in the United States. All entries are considered for publication. Deadline: October 16. Entry fee: $30.
Amy Lowell Poetry Traveling Scholarship
An award of approximately $66,500 is given annually to a U.S. poet for a year of travel and study outside of North America. Deadline: October 15. Entry fee: none.
Copper Nickel
Jake Adam York Prize
A prize of $2,000 and publication by Milkweed Editions is given annually for a first or second poetry collection. Amaud Jamaul Johnson will judge. Deadline: October 15. Entry fee: $25, which includes a subscription to Copper Nickel.
John Pollard Foundation
International Poetry Prize
A prize of €10,000 (approximately $10,732) is given annually for a debut poetry collection published during the current year. Deadline: October 18. Entry fee: none.
Pulitzer Prizes
Prizes in Books
Six prizes of $15,000 each are given annually to honor books of poetry, fiction, general nonfiction, U. S. history, biography, and memoir or autobiography published in the United States during the current year. American authors only are eligible for the poetry, fiction, general nonfiction, biography, and memoir or autobiography categories. Deadline: October 17. Entry fee: $75.
San Diego Entertainment & Arts Guild
Steve Kowit Poetry Prize
A prize of $1,000 and publication in San Diego Poetry Annual is given annually for a single poem. The winner will also receive an invitation to read at an award ceremony in April 2023. Deadline: October 15. Entry fee: $15.
Silverfish Review Press
Gerald Cable Book Award
A prize of $1,000, publication by Silverfish Review Press, and 25 author copies is given annually for a first poetry collection. All entries are considered for publication. Deadline: October 15. Entry fee: $25, which includes a copy of the winning book.
TulipTree Publishing
Humor Story Contest
A prize of $1,000 and publication in the Fall/Winter issue of TulipTree Review is given annually for a humorous poem, story, or essay. Deadline: October 17. Entry fee: $20.
Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, creative nonfiction, and translation.
“I’ll dig in, / into my days, having come here to live, not to visit.” The late Denise Levertov reads poems from her collections Evening Train (New Directions, 1992) and Sands of the Well (New Directions, 1996) in this video from a 1993 event at the Lannan Foundation in Los Angeles.
In this Strand virtual event, Farrar, Straus, and Giroux president Jonathan Galassi and editor-at-large for poetry Robyn Creswell speak about editing The FSG Poetry Anthology, which celebrates the publisher’s seventy-fifth anniversary, and introduce poets Maureen N. McLane, Ishion Hutchinson, and Carl Phillips who read their poems.
In her poem “The Quiet,” which appears in a recent issue of the London Review of Books, Jorie Graham disrupts traditional expectations of a poem by aligning the text to the right of the page. Graham creates an atmosphere of tension by describing a metaphysical storm, and later in the poem, a literal one. She writes: “as wind comes up and we feel our soul turn frantic / in us, craning this way and that, yes the soul can twist, can winch itself into knots, / why not, there is light but no warmth.” This week, write a poem that creates visual tension by aligning the text to the right. Is there a storm in your life that could serve as inspiration?
“They are not just a challenge in an individual school system or library, but legislation being introduced in statehouses that would affect the availability of books all over the state in every school and library.” In this PBS NewsHour video, Jeffrey Brown speaks with PEN America CEO Suzanne Nossel about the intensifying efforts across the United States to ban specific books related to LGBTQIA+ issues, race, and freedom of speech.
The author of Selected Books of the Beloved explores enumeration as a source of poetic possibility.
