Genre: Poetry

Writer Mother Monster: Stephanie Burt

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“I was raised with the expectation that I would excel in a career and have time left over for kids, rather than the reverse, because the people who raised me didn’t know I was a girl.” In this episode of the Writer Mother Monster podcast, Stephanie Burt discusses gender, motherhood, and writing with host Lara Ehrlich. Ehrlich, author of Animal Wife (Red Hen Press, 2020), speaks about the origins of her podcast in a Q&A in the May/June issue of Poets & Writers Magazine.

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Pamela Sneed With Tommy Pico

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“If we are always the threat / To whom or where do we turn for protection?” In this Litquake festival video from 2020, Pamela Sneed reads from her book Funeral Diva (City Light Books, 2020), for which she won the 2021 Lambda Literary Award’s lesbian poetry prize, and speaks with Tommy Pico about breaking apart genres and writing about pandemics.

Artists on Writers: Wayne Koestenbaum and Anthony Roth Costanzo

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“The minute I’m within a sentence, I’m within an orbit of urgencies and rules that to some extent leave me in a position of caginess and wiliness,” says poet and critic Wayne Koestenbaum about the presence of spontaneity in writing in this conversation about fables, expressions of queerness, and process with countertenor and actor Anthony Roth Costanzo. The Artists on Writers | Writers on Artists series is coproduced by Artforum and Bookforum, and sponsored by the Morgan Library & Museum.

Rita Dove Reads Ingeborg Bachmann

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“Whatever comes to pass: the devastated world / sinks back into twilight,” reads Rita Dove from the poem “My Bird” by Ingeborg Bachmann, translated from the German by Mark Anderson, at her study in Charlottesville, Virginia in this installment of the Paris Review’s Poets on Couches series. Get more inspiration from a writing prompt based on this poem in The Time Is Now.

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Owls

“Whatever comes to pass: you know your time, / my bird, you put on your veil / and fly through the mist to me,” writes Ingeborg Bachmann in her poem “My Bird,” translated from the German by Mark Anderson and published in the Summer 1984 issue of the Paris Review. In the poem, twilight passes into dawn as the narrator follows the owl through its many nightly transformations and their relationship is described by Bachmann in uncommon and evocative ways, such as “my nighttime ally,” “my ice-gray shoulder companion,” and “my weapon.” This week, write a poem about a bird that you think of as a companion. Try addressing the bird directly as Bachmann does in her poem.

Motown Spoken Word Artist of the Year: Kyle Mack

Last week I wrote about the finalists for the Motown Mic spoken word competition. This week I had the chance to connect with the 2021 Motown Spoken Word Artist of the Year, Kyle Mack. Born and raised in Novi, Michigan, he began exploring the city of Detroit after meeting his now fiancée, Ashley Adams. Adams is a poet who goes under the stage name Galaxy and Mack credits her for inspiring him to enter the contest. “I owe all the thanks to her because if it wasn’t for her pushing me to finish and submit my poem, especially when I was doubting myself, none of this would have been possible,” says Mack.

What’s even more impressive is that Mack’s winning poem is also the first spoken word poem he’s ever written. Mack is a musician and rapper (you can find his music on Spotify and Apple Music), and this was a new venture for his artistry. Mack eloquently reflected on the differences between these two genres: “To me, I feel spoken word is more raw compared to music. With music, you always have a beat or background instruments. With spoken word there is just your voice.”

For Mack, participating in the Motown Mic spoken word competition exemplifies how pushing yourself forward to try something new can be a great experience. “The competition allowed me to step outside of my comfort zone and indulge in a different form of art that I’ve always wanted to indulge in,” says Mack. It is often said that poetry and music go hand in hand. Mack has shown how these genres can connect and transition between each other.

As for the future, Mack has an album called Catholic School Bastard coming out on July 23. He is looking forward to sharing his artistry and performing once venues begin opening up. You can watch an interview with Mack on Motown Museum’s Facebook page.

Photo: Kyle Mack, winner of the 2021 Motown Mic Spoken Word Competition.
 
Justin Rogers is the literary outreach coordinator for Poets & Writers in Detroit. Contact him at Detroit@pw.org or on Twitter, @Detroitpworg.

Graduation

5.25.21

The months of May and June mark the time when most schools and universities celebrate graduations, and poetry is oftentimes relied upon for commencement speeches and congratulatory messages to express feelings of hope and possibility. From Robert Frost’s “The Road Not Taken” to Langston Hughes’s “Dreams,” poets offer timeless, thoughtful, and even funny responses applicable to this unique transition in a person’s life. Write a poem for a graduate that expresses your advice or some words of wisdom. For inspiration, browse the poems for graduation resource page from the Academy of American Poets.

Upcoming Contest Deadlines

Writers of all stripes will find opportunities in the last contests of May and the first of June. With deadlines of May 30, May 31, or June 1, these opportunities include a prize for undergraduate fiction writers, several contests awarding book publication, and grants supporting the translation of book-length works of poetry and prose. All offer a cash award of $1,000 or more and three charge no entry fee.

American Short Fiction Halifax Ranch Fiction Prize: A prize of $2,500 and publication in American Short Fiction is given annually for a short story. Deadline: June 1. Entry fee: $20.

Anhinga Press Prize for Poetry: A prize of $2,000, publication by Anhinga Press, and 25 author copies is given annually for a poetry collection. Ellen Bass will judge. Deadline: May 31. Entry fee: $25 ($28 for electronic submissions).

BOA Editions Short Fiction Prize: A prize of $1,000 and publication by BOA Editions is given annually for a short story collection. Peter Conners will judge. Deadline: May 31. Entry fee: $25.

Boulevard Emerging Poets Contest: A prize of $1,000 and publication in Boulevard is given annually for a group of poems by a poet who has not published a poetry collection with a nationally distributed press. The editors will judge. Deadline: June 1. Entry fee: $16.

Bridport Arts Centre Bridport Prizes: Two prizes of £5,000 (approximately $6,871) each and publication in the Bridport Prize anthology are given annually for a poem and a short story. Two second-place prizes of £1,000 (approximately $1,375) each and publication are given in each category. A prize of £1,000 (approximately $1,375) and publication is also given for a work of flash fiction. Raymond Antrobus will judge in poetry and Robert McCrum will judge in fiction and flash fiction. Deadline: May 31. Entry fee: £10 (approximately $14) for poetry, £12 (approximately $17) for fiction, and £9 (approximately $12) for flash fiction.

Center for Fiction New York City Emerging Writer Fellowship: Nine fellowships of $5,000 each and a one-year membership to the Center for Fiction in New York City are given annually to fiction writers living in New York City who have not yet published a book of fiction. Winners also have the opportunity to meet with editors and agents who represent new writers, and have access to the center’s writing space, the Writers Studio, for one year. Students who will be enrolled in a degree-granting program during the fellowship period, or who are currently under contract with a publisher for a work of fiction, are ineligible. Deadline: May 30. Application fee: none.

Elixir Press Fiction Award: A prize of $2,000, publication by Elixir Press, and 25 author copies is given annually for a short story collection or a novel. Ann Harleman will judge. Deadline: May 31. Entry fee: $40.

Milkweed Editions Max Ritvo Poetry Prize: A prize of $10,000 and publication by Milkweed Editions is given annually to a U.S. poet for a debut poetry collection. Henri Cole will judge. Deadline: May 31. Entry fee: $25.

PEN America PEN/Heim Translation Fund Grants: Ten grants of $3,000 each are given annually to support the translation of book-length works of poetry, fiction, and creative nonfiction that have not previously appeared in English or have appeared only in an “outdated or otherwise flawed translation.” An additional $5,000 grant, the PEN Grant for the English Translation of Italian Literature, will be given to support the translation of a book of fiction or nonfiction from Italian into English. Manuscripts with up to two translators are eligible. Deadline: June 1. Entry fee: none.

Salamander Fiction Prize: A prize of $1,000 and publication in Salamander is given annually for a short story. Yiyun Li will judge. Deadline: June 1. Entry fee: $15.

Southern Poetry Review Guy Owen Prize: A prize of $1,000 and publication in Southern Poetry Review is given annually for a single poem. Deadline: May 31. Entry fee: $20.

Stony Brook Southampton Undergraduate Short Fiction Prize: A prize of $1,000 is given annually for a short story by a college student. The winner also receives a full scholarship to attend the Southampton Writers Conference in summer 2022, and their winning work will be considered for publication in Southampton Review. Deadline: June 1. Entry fee: none.

University of Georgia Press Flannery O’Connor Award for Short Fiction: A prize of $1,000 and publication by University of Georgia Press is given annually for a collection of short fiction. Deadline: May 31. Entry fee: $30. 

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, and creative nonfiction.

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