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“I got something out of being a teacher, I had to make things understood, and that put me in the class of poets who wanted to be understood,” says Robert Frost in this rare 1952 interview for NBC with Bela Kornitzer, in which the renowned poet speaks about his childhood, early publishing career, and the development of his craft, and reads two of his poems: “Stopping by Woods on a Snowy Evening” and “The Drumlin Woodchuck.”
“I write, I free write, I type it in a computer, and then I start over from the beginning and then I add to it.” In this 2017 City of Asylum video, Yona Harvey speaks about her revision process, self-censorship, and the difference processes for writing poems, essays, and comic books. Harvey’s second poetry collection, You Don’t Have to Go to Mars for Love (Four Way Books, 2020), won the 2020 Believer Book Award in poetry.
“She seems a part of me, / and then she seems entirely like what she is: / a white dog, / less white suddenly, against the snow,” writes Carl Phillips, recipient of the 2021 Jackson Poetry Prize, in his poem “White Dog” from his collection The Rest of Love (Farrar, Straus and Giroux, 2004). In the poem, the speaker recounts walking their dog during the first snow of the year and realizing through their relationship the limits of love and loss. Inspired by Phillips, write a poem featuring a beloved pet of yours or an animal you’ve befriended in which you learn something new.
“The orchard was on fire, but that didn’t stop him from slowly / walking / straight into it, shirtless,” reads Carl Phillips from his poem “Dirt Being Dirt” in this video produced by Washington University in St. Louis where he is a professor. Phillips, author of fifteen books of poetry, most recently Pale Colors in a Tall Field (Farrar, Straus and Giroux, 2020), is the recipient of the 2021 Jackson Poetry Prize.
In this reading presented by the Kenyon Review, Shira Erlichman, Ross Gay, and Saeed Jones read poetry and present interdisciplinary work, as well as discuss their inspirations and writing processes in a discussion with the magazine’s editor Nicole Terez Dutton.
“Great blue mountain! Ghost. / I look at you / from the porch of the farmhouse / where I watched you all summer / as a boy,” reads the late Donald Hall from his poem “Mount Kearsarge” in this 2018 PBS NewsHour video commemorating his death at the age of eighty-nine. For more Hall, read “Fleeting: In Memory of Donald Hall” by Christopher Locke.
The Motown Mic spoken word competition came to an exciting conclusion with a grand finale virtual event on April 29 featuring five poets: Arrie Lane, Dizmantle, Keebie Mitchell, Kyle Mack, and Vizo. This annual poetry slam hosted by the Motown Museum in Detroit was open for submissions earlier this spring asking for pieces from poets that helped celebrate the fiftieth anniversary of Motown legend Marvin Gaye’s record “What’s Going On.”
Interviews with all five poets can be found on their Instagram page, @motownmuseum. Each poet had the unique opportunity to work with performance coaches in the Motown Museum studio to record video and audio of their poetry performances to be aired for the grand finale. Former Motown Mic winner Mikhaella Norwood hosted a beautifully curated airing of the short films and performances from each poet of their submitted piece. At the end of the event, viewers were able to use a unique link to vote for their favorite poet.
On April 30, the 2021 Motown Mic spoken word artist of the year was announced via Instagram Live: Kyle Mack! Mack is a musician and rapper and his poem “Young America” is the first spoken word poem he’s ever written. The rhythmic piece reflects on what the city of Detroit means to him. In my next blog post, I’ll be interviewing Mack about his inspirations and what this victory means to him. Looking forward to it!
You can watch the grand finale event with an introduction from Smokey Robinson here:
Justin Rogers is the literary outreach coordinator for Poets & Writers in Detroit. Contact him at Detroit@pw.org or on Twitter, @Detroitpworg.“At some level, I’m never quite sure how the poem is going to resolve itself and that I'm always in some way surprised—I make a discovery in the poem as I write it,” says former U.S. Poet Laureate Rita Dove in this 2009 interview for Big Think, in which she answers questions about poetry and her writing process.
“The only way to know tenderness is to dismantle it,” writes Diane Seuss in “White violet, not so much an image” from her 2015 poetry collection Four-Legged Girl about how the flower is “not so much an image of tenderness as an image of a memory of tenderness.” In the poem, she dissects the flower petal-by-petal, trying to capture its fragility, and associating between the metaphors and memories this act conjures. This week, write a poem about the memories a particular flower conjures for you. Like Seuss, let yourself associate as freely as possible considering all the senses and try to go beyond the traditional portrait of a flower.
“It’s in your hands: the weight of the slats. All slightly bent to one side. As someone that bends with their ear towards the other trying to hear more: what?” Silvina López Medin reads her poem “The Sound of Blinds Being Pulled Up Is the First Sound” from her book Poem That Never Ends (Essay Press, 2021) in this video for Poetry Daily.
