Genre: Poetry

Primavera

3.16.21

Springtime, the season between the barrenness of winter and the exuberant heat of summer for those in the northern hemisphere, has always been a source of inspiration for poets as it signals new life and change. From T. S. Eliot’s famous first line in “The Waste Land” (“April is the cruellest month”), to contemporary poems such as “Instructions on Not Giving Up” by Ada Limón, “Lilacs” by Amy Lowell, and “Crisscross” by Arthur Sze, spring can bring to mind themes of rebirth and transformation. This week, write a poem inspired by spring. Challenge yourself by writing about how springtime is personally significant to you.

Upcoming Contest Deadlines

After a dreary winter, spring is finally on the horizon. With deadlines of March 14 or March 15, these contests include opportunities for poets, fiction writers, and nonfiction writers alike. One awards a monthlong residency in Slovenia. All offer a cash prize of $500 or more.

Airlie Press Airlie Prize: A prize of $1,000 and publication by Airlie Press is given annually for a poetry collection. The editors will judge. Deadline: March 15. Entry fee: $25.

Bellingham Review Literary Awards: Three prizes of $1,000 each and publication in Bellingham Review are given annually for works of poetry, fiction, and creative nonfiction. The 49th Parallel Award for Poetry is given for a poem or group of poems. The Tobias Wolff Award for Fiction is given for a short story. The Annie Dillard Award for Creative Nonfiction is given for an essay. All entries are considered for publication. Jessica Jacobs will judge in poetry, Kristiana Kahakauwila will judge in fiction, and Sarah Einstein will judge in creative nonfiction. Deadline: March 15. Entry fee: $20 ($10 for each additional entry).

Colorado Review Nelligan Prize for Short Fiction: A prize of $2,000 and publication in Colorado Review is given annually for a short story. T. Geronimo Johnson will judge. All entries are considered for publication. Deadline: March 14. Entry fee: $15 ($17 for online submissions).

Fourth Genre Steinberg Essay Prize: A prize of $1,000 and publication in Fourth Genre is given annually for an essay. Xu Xi will judge. All entries are considered for publication. Deadline: March 15. Entry fee: $20.

Hidden River Arts Eludia Award: A prize of $1,000 and publication by Hidden River Publishing is given annually for a debut novel or story collection by a woman age 40 or older. Deadline: March 15. Entry fee: $20.

James Jones Literary Society First Novel Fellowship: A prize of $10,000 is given annually for a novel-in-progress by a U.S. writer who has not published a novel. Two runners-up will each receive $1,000. Deadline: March 15. Entry fee: $33.

Livingston Press Tartt Fiction Award: A prize of $1,000, publication by Livingston Press, and 100 author copies is given annually for a first collection of short stories by a U.S. citizen. Deadline: March 15. Entry fee: none.

National Poetry Series Open Competition: Five prizes of $10,000 each and publication by participating trade, university, or small press publishers are given annually for poetry collections. The 2021 publishers are Beacon Press, Ecco, Milkweed Editions, Penguin Books, and University of Georgia Press. Deadline: March 15. Entry fee: $35.

Prairie Schooner Raz-Shumaker Book Prizes: Two prizes of $3,000 each and publication by University of Nebraska Press are given annually for a poetry collection and a short story collection. Kwame Dawes will judge. Deadline: March 15. Entry fee: $25.

Robinson Jeffers Tor House Foundation Poetry Prize: A prize of $1,000 is given annually for a single poem. Kim Stafford will judge. Deadline: March 15. Entry fee: $10.

The Word Works Washington Prize: A prize of $1,500 and publication by the Word Works is given annually to a U.S. or Canadian poet for a poetry collection. Deadline: March 15. Entry fee: $25.

Verse Tomaž Šalamun Prize: A prize of $500 and publication by Factory Hollow Press is given annually for a poetry chapbook. The winner will also receive a monthlong residency in summer 2022 in a private apartment at the Tomaž Šalamun Center for Poetry in Ljubljana, Slovenia. Prose poetry, hybrid works, and translations of works of poetry by living writers from any language into English are also eligible. Sawako Nakayasu will judge. Deadline: March 15. Entry fee: $16 ($12 for students).

Washington College Hodson Trust–John Carter Brown Library Fellowship: A fellowship, which includes a stipend of $20,000, is given annually to a novelist or nonfiction writer working on a book relating to the literature, history, culture, or art of the Americas before 1830. The fellowship includes housing and university privileges for a two-month research period to be conducted at the John Carter Brown Library on the campus of Brown University in Providence, Rhode Island, and a two-month writing term at the Starr Center for the Study of the American Experience at Washington College in Chestertown, Maryland. Deadline: March 15. Entry fee: none.

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, and creative nonfiction.

We Won’t Turn Back: A Black History Month Reading

On February 26, I was honored to take part in a virtual reading event celebrating Black poets and Black History Month. We Won’t Turn Back was presented by the Youth Advisory Board (YAB) at InsideOut Literary Arts, which curates literary events focused for teens in Detroit. This event featured members of the YAB and special guests, all of whom are Detroit natives: Nandi Comer, Wes Matthews, and Imani Nichele with host LaShaun phoenix Moore.

Each poet shared powerful work that investigated culture and community. While the work was strong, what stood out most for me was what Moore stated: “There are so many ways to be Black.” This was highlighted in the experiences and perspectives shared in the writing. Each poem proved that there are many layers to being Black and being from Detroit, and that there is much more still to be written.

As we move into Women’s History Month, make sure to check out Page to Stage: Bel Canto, a discussion on the inspiration behind Ann Patchett’s opera-centered novel Bel Canto presented virtually by Pages Bookshop and Michigan Opera Theatre on March 16, and Ain’t I a Woman presented virtually by the Secret Society of Twisted Storytellers on April 16. These are sure to be great shows.

Watch the We Won’t Turn Back reading here:

Justin Rogers is the literary outreach coordinator for Poets & Writers in Detroit. Contact him at Detroit@pw.org or on Twitter, @Detroitpworg.

Jane Hirshfield on Transitions

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“When you’re looking at the transitions in your own poetry, one of the things to do is feel as you’re reading over your poem, ‘Am I bored? Do I feel lectured at?’” says Jane Hirshfield in this video from a 2011 Poets House event. “Take out some of the transitions. Allow more mystery. Allow things to stand on their own two feet.” Hirshfield is the author of nine books of poetry, including her most recent collection, Ledger (Knopf, 2020).

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Aubade

“In this city / each door I cross / in search of your room / grows darker / than the sky,” writes Aldo Amparán in “Aubade at the City of Change,” published in the Academy of American Poets’ Poem-a-Day series. In The Essential Poet’s Glossary by Edward Hirsch, an aubade is defined as a poem or song for the dawn expressing the regret of parting lovers at daybreak that dates back to Europe at the end of the twelfth century. In Amparán’s poem, he uses the form to meditate on the mourning of a loved one and conjures images of light to illustrate how loss can leave one feeling “suspended in time” even as the world continues to shift and change. This week, write an aubade. Use the dawn as an image to illustrate the theme of change in the poem.

Aracelis Girmay on Writing Your Story

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“I wanted to hear the histories that were not taught to me in books, I wanted to know what I didn’t know.” In this 826NYC video, Aracelis Girmay speaks about how reading and hearing her family’s stories inspired her to become a poet. A Q&A with Girmay on becoming the first editor-at-large of BOA Editions’ line of poetry books written by women of color appears in the March/April issue of Poets & Writers Magazine.

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PEN America Emerging Voices Fellowship Open for Applications

The deadline is approaching for the PEN America Emerging Voices Fellowship. While previously designated for Los Angeles writers, the fellowship is now open to poets, fiction writers, and nonfiction writers from across the United States. Twelves fellows will receive $1,000 and participate in a five-month mentorship program, which includes one-on-one mentorship, introductions to various industry leaders, professional development workshops, and more. Designed for “early-career writers from communities that are traditionally underrepresented in the publishing world,” the program is open to writers who have not yet published a book and who do not hold an advanced degree in creative writing.

Using only the online submission system, submit a series of personal statements, a writing sample, a curriculum vitae, and the contact information for two references with a $25 entry fee by March 17. A committee of established writers, former fellows, and PEN America staff will judge. Visit the website for complete guidelines.

The Emerging Voices Fellowship was first established by PEN America Los Angeles in 1996, with the aim to serve “writers seeking financial and creative support to pursue their craft professionally.” Last year the program was disrupted as the pandemic swept the country, and in August 2020, PEN America indicated it would not open the 2021 fellowship application. The following month, however, the organization announced it would be able to redirect funding to the program and reenvision it on a national scale.

Line / Break With Natalie Scenters-Zapico

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“Talking about poetry, especially in the U.S. context, you’re treated like you’re the village fool,” says Natalie Scenters-Zapico about identifying as a poet in this episode of Line / Break with host Laura Buccieri. “Usually, if we learn anything the fool is the one that carries most of the wisdom.” Scenters-Zapico is the author of Lima :: Limón (Copper Canyon Press, 2019), which was included on the international shortlist for the 2020 Griffin Poetry Prize.

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