Genre: Poetry

Travel Verse

7.10.18

Although we often associate travel writing with essays about journeys or road-trip novels, poetry has had a long, rich history of association with travel. Many nineteenth- and twentieth-century poems explore wanderlust and faraway locales and new modes of transportation, which can be seen in the exoticism of John Masefield’s “Cargoes” and Rudyard Kipling’s “Mandalay” and the romanticization of rail travel in Thomas Hardy’s “On the Departure Platform” and Edna St. Vincent Millay’s “Travel.” More recent poems, such as Khaled Mattawa’s “The Road From Biloxi,” Jenny Xie’s “Rootless,” Naomi Shihab Nye’s “The Burn,” and Roger Reeves’s “Brazil,” explore themes of identity, migration, and diaspora. Write a poem based on a favorite travel memory that brings to mind a rich mixture of emotions and a connection with contemporary issues, perhaps touching on ideas of alienation and belonging, or the allure and repulsion of a certain mode of transit. Consider the binaries of travel and home, movement and stillness, the foreign and the familiar. Where have you been and, perhaps more important, where are you going?

Kevin Young’s Brown

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“I think poetry should be part of popular culture, in the sense that poetry should be something we reach to.” Kevin Young, director of the Schomburg Center for Research in Black Culture, speaks about how his childhood in Topeka, Kansas influenced his new poetry collection, Brown (Knopf, 2018), with PBS NewsHour’s Jeffrey Brown.

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Poets & Writers’ Connecting Generations Seventeenth Annual Intergenerational Reading

Readings & Workshops (East) director Bonnie Rose Marcus writes about Poets & Writers’ Connecting Generations seventeenth annual Intergenerational Reading held at Barnes & Noble at Union Square in New York City.

On Saturday, June 23, Poets & Writers held its seventeenth annual Intergenerational Reading at Barnes & Noble at Union Square, where we’ve held the reading for the past seven years. As I listened to the thirty-six writers from the ages of eleven to eighty-six, I thought back to the beginnings of this celebratory reading, when we were given a grant in 2001 from the Louis and Anne Abrons Foundation to conduct writing workshops at senior and teen community centers. Visiting the programs, I was moved by the diversity of voices, and the similarities and differences in the generations. I thought it would be inspiring to bring these generations together. The first Intergenerational Reading was held in a community room at the Goddard Riverside Community Center’s NORC Program, with about six readers and an audience of about twenty.

This year’s writers were from six programs funded by our Readings & Workshops program: senior writers from the Goddard Riverside Community Center, Grand Street Settlement, the Center for Black Literature at Medgar Evers College in collaboration with Siloam Presbyterian Church, Kew Gardens Community Center, and the Stanley Isaacs and Lincoln Square Neighborhood Center. The teen and young adult writers were from Kamit Preparatory Institute, the National Domestic Writers Alliance, Leslie-Lohman Museum of Gay and Lesbian Art, Newtown Literary Alliance, Concourse House, and Office Hours Poetry Workshop.

Hosting our event was veteran host Regie Cabico, a recipient of a Poets & Writers’ Writers for Writers Award in 2006. A pioneer of spoken word, and the first openly queer and Asian slam poet to take top prizes, Regie continues to perform his unique blend of poetry, stand-up comedy, and theater, and teaches writing workshops throughout North America and the United Kingdom.

Regie’s enthusiasm was contagious. It was evident that each reader felt honored and respected, and was cheered on by Regie and the audience, a full house of about seventy-five people. The writers shared work about loss, abuse, and love: a Tibetan woman read a poem about the suffering in her country, another writer shared a prose poem featuring Noah (and his ark) and Donald Trump, and there were many moving pieces about the challenges and celebrations on life’s journey.

Perhaps the best way to sum up the flavor and value of this reading is to hear from some of the writers themselves:

“It is an extraordinary event for so many reasons. It is an opportunity to hear young and old from so many different vantage points. Many of us may never have that chance of hearing stories from the LGBTQ community, the senior community, or inner-city youth, most of whom are passionate, wistful, angry, and gifted. To see that many participants, some who are facing an audience for the first time, pour out their most intimate feelings with pride and receive kudos for their efforts, is a humbling and inspiring experience.”
—Joyce Berger, Kew Gardens Community Center

“This year, I finally shed a lifelong struggle with stage fright and enjoyed myself at the reading! I also relished everyone’s spoken words, especially those of the younger poets who infuse me with creative energy.”
—Suzanne Pavel, Goddard Riverside Community Center

“I have always felt that one never stops learning. Young folks can learn from seniors and vice versa. This year I had the chance to let young folks know about the real situation in Tibet, because they are our future. Afterwards some of the young folks hugged me and commented on the power of my poem. I also think my poem was timely because of the current situation at our southern borders. What struck me most were the young people who spoke so honestly and showed that poetry is an outlet for all of us.”
—Chukie Wangdu, Stanley Isaacs Neighborhood Center

“Young talents lyrically reported their passions from today’s frontlines while older writers arranged those puzzle pieces left on youth’s table. The reading reminded me that poetry is an instrument played to remember, berate, reveal, coax, question, love, revolt, heal, and most significantly, to witness and connect. Thank you for creating space for all of us!”
—Marty Correia, Office Hours Poetry Workshop

Support for the Readings & Workshops Program in New York City is provided, in part, by public funds from the New York State Council on the Arts, and the New York City Department of Cultural Affairs, with additional support from the Frances Abbey Endowment, the Cowles Charitable Trust, and the Friends of Poets & Writers.

Photos: (top) Dena Igusti, Aaliyah Daniels, Solomon Mussings, and Shakeva Griswould from Urban Word NYC (Credit: Christian Rodriguez). (bottom) Participants of the 2018 Intergenerational Reading (Credit: Christian Rodriguez).

Submissions Open for Sewanee Review Contest

The Sewanee Review is currently accepting submissions to its inaugural Fiction & Poetry Contest, given for a short story and a group of poems. The winners will receive $1,000 and publication in the Winter 2019 issue. Dan Chiasson will judge in poetry, and Danielle Evans will judge in fiction.

Using the online submissions system, submit one to three poems or a story of up to 10,000 words with a $30 entry fee, which includes a one-year subscription to Sewanee Review, by is July 31. Visit the website for complete guidelines.

Poetry judge Dan Chiasson is the poetry critic at the New Yorker and the author of four poetry collections, most recently Bicentennial (Knopf, 2014). Fiction judge Danielle Evans is the author of the story collection Before You Suffocate Your Own Fool Self (Riverhead Books, 2010).

Established in 1892, the Sewanee Review is one of the oldest literary quarterlies in the country. The review, which publishes poetry, fiction, and nonfiction, has recently published work by poets Erin Adair-Hodges and Heather McHugh and fiction writers Andrea Lee and Justin Taylor.

Read more about the journal’s editorial focus and redesign under editor Adam Ross in the Poets & Writers online exclusive “The Sewanee Review at 125.”

Small Shoes

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“If there are fewer stars now / than when I was a child, / I can’t say / which are missing, / who was the last to see them.” Maggie Smith’s poem “Small Shoes” is adapted into a short film by director Kate Dolan for Motionpoems. Smith is the author of the poetry collection Good Bones (Tupelo Press, 2017), the title poem of which went viral on social media after it was first published online in the literary journal Waxwing.

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