Genre: Poetry

Urban Word NYC’s Youth Board Meets Poets & Writers

Dora Palacios, a Latina poet born in Queens, New York, in 1999, has been writing since the seventh grade. Her drive to keep writing was inspired by her English teachers throughout high school. After graduating high school, Dora joined the Youth Leadership Board at Urban Word NYC. She aspires to become a better writer with the help of her mentors and people who surround her.

The Youth Leadership Board (YB) at Urban Word NYC focuses on bringing together young creative artists to express themselves and, through their work, send social, political, and personal messages into New York City’s communities. Urban Word NYC has received funding from the Readings & Workshops program since 2005, and our program director Shanelle Gabriel was interested in exposing the youth board to literary organizations in New York City. On August 15, the youth board met with some of the staff at Poets & Writers, including Readings & Workshops (East) director Bonnie Rose Marcus, Readings & Workshops (East) program assistant Ricardo Hernandez, Poets & Writers Magazine senior editor Melissa Faliveno, and senior online editor Jessica Kashiwabara.

The youth board had many questions that probably every writer has, but in particular we wanted to know: “How can I get my work published?” We learned that Poets & Writers, in addition to funding writers who participate in literary readings and conduct workshops through its Readings & Workshops program, has many resources for writers who are just beginning, as well seasoned and professional writers. The magazine’s July/August 2017 issue includes a special section on literary agents who are seeking writers and eager to read new work. Included in every issue, and on the website, is information about contests and awards with upcoming deadlines. Poets & Writers Magazine and pw.org will be your best friend when looking for resources!

After meeting with the staff at Poets & Writers, a few of us YB members were talking about publishers and publishing. We came to the conclusion that it is really worthwhile to submit your work to journals and contests. It can boost your mood, whether you receive feedback or not, and will get your work out to the public. It also motivates you to keep writing and attend workshops. If you ask me, trying to get your poem published in a magazine is just a step closer to winning first place!

As a young poet, I often lose focus and it becomes arduous to gain that drive back. Seeking motivation in the wrong places, I force myself to come up with a poem that I am not really satisfied with. In reality, the motivation I need is found in my everyday routine—waking up, waiting for the F train to arrive—or how I feel that day. For me, taking one simple action and trying to connect it to the other images around me helps to create a poem, like comparing a melancholy day to the flourishing blue sky.

Poets & Writers has inspired me to keep trying to get my poetry published, no matter how many times I lose my way on the path. Now that I have met with the encouraging staff at Poets & Writers, I don’t think it’ll be as difficult to stay motivated.

Thank you to our youth engagement coordinator Shannon Matesky, and our program director Shanelle Gabriel for reaching out to Poets & Writers. The youth board looks forward to working more with the organization! Thank you for having us!

Support for the Readings & Workshops Program in New York City is provided, in part, by public funds from the New York State Council on the Arts, and the New York City Department of Cultural Affairs, with additional support from the Frances Abbey Endowment, the Cowles Charitable Trust, and the Friends of Poets & Writers. 

Photos: (top) Dora Palacios (Credit: Shannon Matesky). (bottom) Urban NYC Youth Leadership Board members with Poets & Writers staff.

Mary Oliver’s Wild Geese

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“Whoever you are, no matter how lonely, / the world offers itself to your imagination.” In this video poem, produced by We Are Wildness and Live Learn Evolve, Mary Oliver reads her classic poem “Wild Geese.” Devotions: The Selected Poems of Mary Oliver (Penguin Press, 2017) is featured in Page One in the November/December 2017 issue of Poets & Writers Magazine.

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Forty-Three

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Erika L. Sánchez reads her poem “Forty-Three,” which reflects on the 2014 abduction of forty-three students in Guerrero, Mexico, as Ashley Rockwood interprets the poem through dance for this video produced in partnership with Chicago magazine. The poem is from Sánchez’s debut collection, Lessons on Expulsion (Graywolf Press, 2017), and her debut novel, I Am Not Your Perfect Mexican Daughter (Knopf Books for Young Readers, 2017), is a finalist for the 2017 National Book Award in young people’s literature.

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2 Elizabeths Love & Romance Contest

Feeling amorous? Submissions are currently open for the 2017 2 Elizabeths Love & Romance Contest. An award of $1,000 and publication in the inaugural 2 Elizabeths Anthology will be given annually for a group of poems or a work of short fiction with romantic themes.

Using the online submission system, submit 3 to 10 pages of poetry or 1,000 to 6,000 words of short fiction with a $22.50 entry fee by November 1. All entries are considered for publication. The editors will judge.

2 Elizabeths is a mother-daughter-run online literary magazine that publishes short stories, flash fiction, and poetry, as well as interviews, writing prompts, and other practical writing resources for writers.

Visit the contest website for more information, and check out our Grants & Awards database and Submission Calendar for more upcoming contests in poetry, fiction, and nonfiction.

Banes and Boons

10.17.17

Those inclined toward superstitious beliefs may be relieved that last Friday marked the second and last Friday the thirteenth of this year. Whether you are a believer or not, a study by behavioral scientist Jane Risen reveals that superstitions can affect both believers and nonbelievers. Though it may not be considered rational, the feeling of being cursed can be relieved if some sort of ritual is performed, like throwing salt over one’s shoulder or knocking on wood. Write a poem that begins with the presentation of a mysterious or inexplicable anxiety. Then in the latter half of the poem, present a ritual to reverse the effects, perhaps in the form of a physical ritual, lucky objects, or an incantation. Does the act of creating or poeticizing a ritual to lessen worries of a bad outcome have a soothing effect of its own?

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