Subway Library, Griffin Poetry Prizes Announced, and More
Osama Alomar on writing about the Syrian war; cultural exchange versus appropriation in literature; Roxane Gay on writing her memoir about fatness and trauma; and other news.
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Osama Alomar on writing about the Syrian war; cultural exchange versus appropriation in literature; Roxane Gay on writing her memoir about fatness and trauma; and other news.
Authors and independent bookstore owners Louise Erdrich, owner of Birchbark Books & Native Arts, and Emma Straub, owner of Books Are Magic, offer their recommendations for summer reading including books by Natalie Diaz, Sarah Gerard, and Lesley Nneka Arimah.
Naomi Alderman wins 2017 Baileys Women’s Prize for Fiction; University of Wisconsin student sues poetry professor over bad grade; Spanish writer Juan Goytisolo has died; and other news.
“This ignorance is like a blind spot when looking at myself.” This video poem by Danica Depenhart is featured in TriQuarterly, a literary journal that includes audio and video pieces in their online issues.
HarperCollins announces changes in its leadership team; Muslim poets Kazim Ali and Kaveh Akbar talk poetry and family; Dorothy Parker’s best quips; and other news.
Fatimah Asghar, whose debut poetry collection, If They Come For Us, was published in June by One World, talks with director Sam Bailey about the motivations behind their web series Brown Girls, which the cocreators will be adapting for HBO.
Thriller novelist Neil Gordon has died; Yiannopoulos to self-publish memoir on July 4; why fiction writers don’t write about climate change; and other news.
Something beginning with the letter D. Something metallic. Something green. Something winding. Write a poem inspired by I Spy, the guessing game popular with kids during car rides and other long periods of downtime, in which the spy offers descriptive clues that hint at a visible object for other players to guess. Use this as an exercise to expand your vocabulary and the way you observe and perceive an emotion, person, situation or an object.
Gregory Crosby is the author of Spooky Action at a Distance (The Operating System, 2014) and The Book of Thirteen (Yes, Poetry, 2016). He teaches creative writing for the College Now program at Lehman College in Bronx, New York.
The Harlem Rhymers are laying it down, beating out the rhythm of the poem with claps and snaps, a row of middle school girls in matching white T-shirts that pop against the red-curtained backdrop of the Marian Anderson Theater stage, bringing the words home and the house down with their choreographed truth:
Pretty hurts, yeah
We know
But these scars aren’t
Here just for show
Work to be skinny
Work to get money
You’re already beautiful enough
That’s the truth, honey!
After the wild applause dies down, these students from PS/IS 180 beam as they pose for photographs with author Jacqueline Woodson, the 45th Special Guest Poet at the City College of New York’s Annual Poetry Festival. Every May for nearly a half-century, students from New York City public schools have gathered to read their winning poems at this day-long celebration of the spoken word, and to hear poets and writers like Woodson (whose appearance was funded in part by the Readings & Workshops program at Poets & Writers) read their work, along with student poets in the MFA Creative Writing program at the City College of New York (CCNY), faculty, and others.
Founded by the poet Barry Wallenstein, the Poetry Festival is the culmination of a year’s work by the CCNY Poetry Outreach Center. Directed by poet and YA author Pamela Laskin, the center sends mentors into New York City schools to conduct poetry workshops; the day’s readings by elementary and middle school poets are the fruit of those sessions. In the afternoon, the winners of the citywide high school poetry contest (sponsored by Alfred K. Knopf), read their poems from the stage. In addition to reading their work aloud for peers and parents, these students enjoy the thrill of seeing their work in print. All poems read on the day of the festival are collected and published in the autumn in the annual anthology Poetry in Performance. Copies are sent to all participants as well as to school libraries around the city.
In the current educational landscape, when poetry as a subject is often sadly shunted aside in favor of mandatory (and seemingly endless) standardized test preparation, CCNY’s Poetry Outreach Center offers many students crucial exposure to the pleasures of writing poetry. Thanks to the contributions of donors, particularly the generous and stalwart support of the Poets & Writers Readings & Workshops program, the center continues its mission, adding new participating schools nearly every year and welcoming returning ones. Every year or two, a new crop of Harlem Rhymers finds the voice that only poetry can give, and takes the stage at the festival to wow another audience with the power of that voice.
Support for the Readings & Workshops Program in New York City is provided, in part, by public funds from the New York State Council on the Arts, and the New York City Department of Cultural Affairs, with additional support from the Frances Abbey Endowment, the Cowles Charitable Trust, and Friends of Poets & Writers.
Hillary Clinton talks books and bookselling at BookExpo America; how City University of New York has become a fertile ground for poetry; Yoojin Grace Wuertz on being a bilingual writer and mother; and other news.