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"When I was little, I would always be inspired by books that my mom gave me and I always wanted to be a writer. And that dream has come true, at a really young age!" Students, volunteers, and cofounders Nínive Calegari and Dave Eggers of 826 Valencia talk about the opening of a second branch in the Tenderloin district in San Francisco. The center will offer free creative writing and tutoring programs for young writers.
As the month of May winds down, the deadlines for several book contests in poetry and fiction are quickly approaching. Each prize compiled below offers at least $1,000 and publication of the winning manuscript.
For fiction writers, the BOA Editions Short Fiction Prize and the University of Georgia Press Flannery O’Connor Short Fiction Award both offer a prize of $1,000 and publication for a short story collection. Peter Conners will judge the BOA Short Fiction Prize, while Lee K. Abbott will judge the Flannery O’Connor Short Fiction Award. The deadline for both contests is May 31.
Meanwhile, the Elixir Press Fiction Award offers $2,000 and publication for a short story collection or novel. The press’s editors will judge; the deadline is May 31. The annual Gival Press Novel Award offers publication and $3,000 for a novel; the judge is anonymous and the deadline is May 30.
On the poetry side, three contests—the Anhinga Press Anhinga–Robert Dana Prize for Poetry, the Backwaters Press Backwaters Prize, and the Oberlin College Press FIELD Poetry Prize—each offer publication of a full-length poetry manuscript. Evie Shockley will judge the $2,000 Anhinga–Robert Dana Prize for Poetry; the deadline is May 30. Henri Cole will judge the $2,000 Backwaters Prize, and the editors of Oberlin College Press will judge the $1,000 FIELD Poetry Prize; the deadline for both contests is May 31.
For a look at more writing contests with upcoming deadlines, visit our Grants & Awards database and submission calendar. Full submission details, including eligibility guidelines, manuscript length requirements, and entry fees, are available on the contest websites.
"You get to the end of a line in a poem, and you have no idea what's going to happen." In this TEDx Talk, Jericho Brown reads a selection of his poems, and speaks about his childhood, his ideas on faith, and what being a poet means to him. Brown is a recipient of the Whiting Writers Award and a fellowship from the Guggenheim Foundation.
"In the spleen, an oasis / an oasis as mirage / all my people burned / on either side of me." Listen to poet Charif Shanahan, along with Matt Petronzio, Hafizah Geter, Rachel Eliza Griffiths, and Danniel Schoonebeek read for a National Poetry Month event called Writing and Resistance, presented by MashReads and the Strand Book Store.
Get out of town. Take a drive, a train, or a bus. It doesn’t matter how. It doesn’t have to be far. Just get away. Once you’re there, buy a postcard, address it to yourself, and write a poem on it. Fill up the whole card. Don’t edit yourself too much, just let it roll, then drop it in the mail. When it finally arrives back home, transcribe it onto a notebook and see if you can build from it. It may already be well on its way to a finished product, or it may only have one or two lines worth keeping. Regardless, stepping away from what’s familiar and writing a poem to your future self can help guide you to new images and thoughts that the daily writing life may not inspire.
"Nothing can ever happen twice." Listen to a selection of poems by Nobel laureate Wislawa Szymborska, read by her translator Clare Cavanagh, as well as poets Charles Simic and Krystyna Dabrowska, at a celebration of her life and work hosted by the 92nd Street Y. The event also celebrated the publication of Szymborska's posthumous collection, Map: Collected and Last Poems (Houghton Mifflin Harcourt, 2015).
Beginning next week, a collection of Marilyn Monroe’s personal possessions—including handwritten notes and receipts, an address book, lipstick and cigarettes—will be displayed on a worldwide tour before being put on auction. Choose one of Monroe’s items and write a poem imagining the story behind her connection to the item. You might even want to try writing from the point of view of the inanimate object.
Jyothi Natarajan is an editor and writer based in New York City who has worked in publishing and journalism for the past ten years. She is now managing editor at the Asian American Writers' Workshop, where she edits the Margins and runs a fellowship for emerging writers. As someone invested in the intersection of writing, social justice, and education, she helps run IndyKids, a social justice-oriented newspaper written by youth ages nine to thirteen.
The Poets & Writers' seventh annual Connecting Cultures Reading took place on April 27, 2016, before a generous audience at the Asian American Writers’ Workshop. Ten writers representing P&W–supported organizations Jack Arts, Inc., Kundiman/Adhikaar, National Domestic Workers Alliance, Union Square Slam, and Women Writers in Bloom Poetry Salon gathered to celebrate the diverse literary communities of New York City and Poets & Writers' Readings & Workshops program.
When K Sloan, a singer-songwriter hailing from Detroit, opened the reading with a song, the audience fell into a stunned silence—her voice was just that powerful. "Down, down, down, bring it down," began the lyrics to "Ancestor Song," which Sloan wrote as part of Jack Arts, Inc.’s writing workshop Creating Dangerously. “I wrote these lyrics in response to a prompt asking us, ‘What would it look like to walk with your ancestors? What would you say to her?'” said Sloan.
Joining K Sloan on stage was Sara Abdullah, an indigenous Arab/Iranian/Pin@y mestiza queer Muslima living the diasporic hustle, whose stunning poems were also generated from the Creating Dangerously workshop.
An experimental, performance-based writing workshop for women of color led by a rotating cadre of instructors including Virginia Grise and Kyla Searle, Creating Dangerously received support from Poets & Writers’ Readings and Workshops program, which has provided fees to writers who lead workshops that serve underrepresented audiences since Poets & Writers was founded in 1970. The Connecting Cultures Reading brought together writers who had participated in five such workshops. This year’s reading marked the first time Poets & Writers has featured work from multilingual workshops, bringing writers together with translators to help share immigrants’ stories, like Babita Chhetri.
Chhetri grew up in Darjeeling, India and had been doing childcare and housework for a family in Singapore for nearly a year when she decided she needed to escape from her employer’s exploitation and abuse. Underpaid and overworked, Chhetri did something most workers wouldn't have the strength or courage to do: She ran away from her employer. She had accompanied the family on a summer holiday in New York City and at the crack of dawn, Chhetri crept out of the building they were staying in, forced to leave her flip-flops behind.
"I felt everyone's eyes on me: here was a scared woman in wet pajamas, barefoot, carrying a small bag in her hand. Where could she be going?” Chhetri, who has been in the United States for the past nine years, read on stage from a letter she wrote in Nepali addressed to her daughter and son in Darjeeling. The audience was in tears. Her story was one of ten that were told through letters as part of a workshop called A Letter Home, organized by Kundiman and Adhikaar and led by writers Meera Nair and Muna Gurung.
Through the workshop, Nepali and Tibetan women expressed their experiences as domestic workers, immigrants, mothers, sisters, and daughters. Dolly Sharma joined Chhetri on stage to read her own letter, while the audience followed along with English translation printouts, all the while dabbing their eyes with tissues.
The night shifted from Nepali to Spanish when Adriana Mora, from Aguascalientes, México, and María Guaillazaca, who moved to New York from Ecuador nine years ago, read before the packed audience. Both women participated in a writing program organized by the National Domestic Workers Alliance in which they wrote in Spanish, responding to the idea of home—whether it was where they feel at home, other people’s homes, or the experience of working in someone’s home.
Other highlights from the evening included poet Sam Rush, who began writing poems after developing progressive hearing loss. Rush, who has been a part of Union Square Slam’s writing workshops, read poems that played with their realization of how many words each word could be, leaving the crowd dizzy with the emotional heft of their wordplay. Also a part of Union Square Slam, poet, screenwriter, and essayist Taylor Steele stepped on stage and immediately moved the mic aside. Her slam poems filled the room and left goose bumps in their wake.
Closing the evening were two writers from the Women Writers in Bloom Poetry Salon (WWBPS): Amber Atiya and Jacqueline Johnson. WWBPS, which is now celebrating its fifth anniversary, offers women writers of all levels space to create and share poetic work.
By the end of the evening the room felt much smaller. The stories and words shared so courageously gave even the audience members the strength to say hello to strangers, and share words with the writers who had moved them to tears.
Photo: (top) Readers from the Seventh Annual Poets & Writers' Connecting Cultures Reading. (middle) Dolly Sharma and Babita Chhetri. (bottom) Sam Rush. Photo credit: Alycia Kravitz.
Support for Readings & Workshops in New York City is provided, in part, by public funds from the New York State Council on the Arts, and the New York City Department of Cultural Affairs, with additional support from the Louis & Anne Abrons Foundation, the Axe-Houghton Foundation, the A.K. Starr Charitable Fund Trust, and the Friends of Poets & Writers.
"A dark woman, head bent, listening for something..." Adrienne Rich reads from her collection An Atlas of the Difficult World (Norton, 1991) at a ceremony in 1995 honoring her as the Santa Cruz County Artist of the Year.
The Poetry Foundation announced today that Ed Roberson has won the 2016 Ruth Lilly Poetry Prize. The annual award of $100,000 honors the outstanding lifetime achievement of a living U.S. poet.
“In both language and in life (his studies have taken him to Alaska, South America, Africa and Bermuda), Ed Roberson is an explorer,” says Poetry magazine editor Don Share. “Working at a healthy remove from the precincts of professional critics and tastemakers, but admired deeply by them, Roberson’s ten books of poetry take readers, as they have taken the poet himself, to every corner of the vivid labyrinth of life.”
Based in Chicago, Roberson has written several poetry collections, most recently To See the Earth Before the End of the World (Wesleyan University Press, 2010). His experimental poetry is influenced by visual art, spirituals and the blues, as well as his extensive travels: Roberson has climbed mountains in the Peruvian and Ecuadorian Andes, explored the upper Amazon jungle, and motorcycled across the United States, amongst many other travels. He has received the Lila Wallace Writers’ Award, the Poetry Society of America’s Shelley Award, and the 2016 PEN/Voelcker Award for Poetry.
Established in 1986 by Ruth Lilly and sponsored by the Chicago-based Poetry Foundation, the Ruth Lilly Prize is one of the most prestigious American poetry awards and among the largest literary honors for English language works. Adrienne Rich won the inaugural award, and recent winners have included Alice Notley, Nathaniel Mackey, and Marie Ponsot.
At the Poetry Foundation website, listen to an audio recording of Ed Roberson discussing his work.
Photo credit: Anya Schultz for the Daily Californian.
