Genre: Poetry

Deadline Approaches for Indiana Review Poetry Prize

Submissions are currently open for the 2016 Indiana Review Poetry Prize, given annually for a single poem. The winner will receive $1,000 and publication in Indiana Review. Camille Rankine will judge.

Using the online submission system, submit up to three poems totaling no more than eight pages with a $20 entry fee by April 1. The fee, which includes a one-year subscription to the review, must be mailed separately to Indiana Review, Ballantine Hall 529, 1020 East Kirkwood Avenue, Bloomington, IN 47405. All entries are considered for publication. Visit the website for complete guidelines.

Judge Camille Rankine has written one poetry collection, Incorrect Merciful Impulses (Copper Canyon Press, 2016), and is the assistant director of the MFA program at Manhattanville College. “Poetry can say all the hard things, all the things that you aren’t supposed to say in polite conversation,” says Rankine in a recent interview with Indiana Review. “I’m drawn to poems that have something to say—it can be something large or small, but I want to read a poem that feels like it needed to be written.” Rankine’s full interview is available on the journal’s website.

Eduardo C. Corral selected Caitlin Scarano as the winner of the 2015 prize for her poem “Between the Bloodhounds and My Shrinking Mouth.” Eileen Myles selected Cecilia Woloch as the winner of the 2014 prize for her poem “2006.”

Established in 1977, Indiana Review is published biannually and edited by graduate students at Indiana University. The journal publishes poetry, fiction, essays, and art.

Listen to Camille Rankine read from her debut collection as part of the Poets & Writers’ Page One podcast series below.

Gay, Beatty, Nelson, Jefferson win NBCC Awards

The winners of the 2015 National Book Critics Circle Awards were announced last night in New York City. The winners include Ross Gay in poetry for Catalog of Unabashed Gratitude (University of Pittsburgh Press), Paul Beatty in fiction for The Sellout (Farrar, Straus and Giroux), Maggie Nelson in criticism for The Argonauts (Graywolf Press), and Margo Jefferson in autobiography for Negroland (Pantheon).

Charlotte Gordon won in biography for Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft and Her Daughter Mary Shelley (Random House), and Sam Quinones won in nonfiction for Dreamland: The True Tale of America’s Opiate Epidemic (Bloomsbury). Kirstin Valdez Quade won the John Leonard Prize—given for an outstanding first book in any genre—for her story collection, Night at the Fiestas (Norton). Carlos Lozada, an associate editor and nonfiction book critic at the Washington Post, won the Nona Balakian Citation for Excellence in Reviewing. Wendell Berry, the author of eight novels, two story collections, twenty-eight books of poetry, and thirty-one books of nonfiction, received the Ivan Sandrof Lifetime Achievement Award.

The finalists in poetry were Terrance Hayes for How to Be Drawn (Penguin), Ada Limón for Bright Dead Things (Milkweed Editions), Sinéad Morrissey for Parallax and Selected Poems (Farrar, Straus and Giroux), and the late Frank Stanford for What About This: Collected Poems of Frank Stanford (Copper Canyon Press).

The fiction finalists were Lauren Groff for Fates and Furies (Riverhead), Valeria Luiselli for The Story of My Teeth (Coffee House Press), Anthony Marra for The Tsar of Love and Techno (Hogarth), and Ottessa Moshfegh for Eileen (Penguin Press).

The finalists in criticism were Ta-Nehisi Coates for Between the World and Me (Spiegel & Grau), Leo Damrosch for Eternity’s Sunrise: The Imaginative World of William Blake (Yale University Press), Colm Tóibín for On Elizabeth Bishop (Princeton University Press), and James Wood for The Nearest Thing to Life (Brandeis University Press).

The finalists in autobiography were Elizabeth Alexander for The Light of the World (Grand Central), Vivian Gornick for The Odd Woman and the City (Farrar, Straus and Giroux), George Hodgman for Bettyville (Viking), and Helen Macdonald for H Is for Hawk (Grove Press).

Established in 1974, the National Book Critics Circle Awards, which are among the most prestigious prizes for literature, are given annually for books published in the previous year. A board of twenty-four working newspaper and magazine critics and editors nominates and selects the winners each year. The 2014 winners included Claudia Rankine in poetry, Marilynne Robinson in fiction, and Roz Chast in autobiography.

Photos from left to right: Ross Gay (Jim Krause), Paul Beatty, Maggie Nelson, and Margo Jefferson

Robert Bly: A Thousand Years of Joy

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"Robert, you've wasted so much of your life / Sitting indoors to write poems. Would you / Do that again? I would, a thousand times." In Robert Bly: A Thousand Years of Joy, director Haydn Reiss tracks the evolution of the prolific, mystical poet and his impact on American poetry through interviews with Louise Erdrich, Edward Hirsch, Tracy K. Smith, and others.

Genre: 

Pandora’s Box

3.15.16

In the story of Pandora’s box in Greek mythology, Pandora, the first human woman created by the gods, opens the lid of a container, thereby allowing all of the evils stored inside to escape out into the world. In contemporary colloquial usage, to “open a Pandora’s box” refers to an action that seems small or harmless but ultimately proves to have disastrous consequences. Write a poem that starts with a seemingly innocent action, which then unexpectedly unleashes a dramatic chain of events. For inspiration, listen to Ada Limón’s poem “The Last Move.”

Fighting for the Possibility of Creative Work Featuring Jess X. Chen

Jess X. Chen is a filmmaker, multidisciplinary artist/activist and nationally-touring poet. A member of the Justseeds Artists' Cooperative, her films and artwork have been featured in the Asian American International Film Festival, the Huffington Post, the UN Human Rights Council, and the Asian Cinevision Diversity Screening at the New York Times. Her poetry has appeared in Nepantla: A Journal For Queer Poets of ColorHyphen, the Margins, and is forthcoming in the Offing. Through art, organizing and education, she is working toward a future where migrant and indigenous youth of color see themselves in stories, whole and heroic, on the big screen, and then grow up to direct their own. You can follow and support her journey at www.jessxchen.com and @jessxchen on Instagram.

When I graduated from the Rhode Island School of Design, I decided to pursue the performance of my poetry, the directing of my films, and the teaching of youth art education full time. Growing up with an immense stutter that blocked my ability to speak, and constantly being steered away from the wildness of my own imagination by family members, teachers, and mainstream expressions, I never thought this journey would be possible. Along with the father figures who have been absent from my life, I’ve been uprooted from almost every place I’ve called home, and the content of my work—queer, diasporic, and demanding of migrant and ecological justice—makes it hard for me to survive financially in this world, yet I have still found a way to pursue my art. 

Through poetry, I am reminded that if my ancestors have survived their severance from a culture, and my parents still sing the folk songs of their motherland on a karaoke machine, then the human voice must hold all the resilience in the world. Through poetry I have penned my own emotional history and examined that the human body’s ability to rise again and again holds a hope beyond the logic of our rational world. When the windstorms blow me off my feet and all the starlings in the forest take flight, I shudder to discover the eye of the storm in my own words. 

Support from Poets & Writers has played an important part in this journey. It has funded many of my poetry performances in noninstitutional spaces, women of color reading series and multidisciplinary writing workshops with youth of color across the country, regardless of their size. Poets & Writers tells me that these little poems, these workshops are worth several hundred dollars: enough money for a week of meals, a week of NYC rent, or a flight to visit a long-distance lover. In the grand scheme of things, this support is huge for emerging writers of color who constantly spend their first years struggling to balance multiple unrelated or semi-related jobs to make their creative work possible. Because there is no limit to the amount of times I can ask an organization to apply for my funding, Poets & Writers helps set a new standard urging the importance of compensating writers for their cultural work.  

Poets & Writers recently supported a reading where I had the immense honor of opening for black woman poets, Mahogany Browne and Sonia Sanchez at BRIC Arts Media’s Stoop Series. The reading was also the unveiling of a collaborative mural in the same location cocreated by artist and best friend, Jetsonorama, and I that celebrates Sonia and Mahogany’s intergenerational black sisterhood and their radiant oral tradition. Beginning with an open mic featuring local woman poets of color, this multidisciplinary reading and mural unveiling drew an audience of over three hundred people. Most of them were people of color ranging vastly in age and style. This event is amongst the imaginings of spaces I’d dreamt of as a young girl to someday grow up and be a part of.

I’m learning that dreaming cannot sustain itself without the support of community, compensation, and loving creative spaces that each honor the diverse needs of the artist. Thank you for helping with the sustainment of my dreaming. Today, I am working toward a dream where migrant, indigenous, and LGBTQ people of color can see themselves and their own imaginations, whole and heroic on the blank page and big screen, and then grow up to write and direct their own.

You can support this dream by following my art, poetry and film projects on Instagram @jessxchen. You can also check out the work of two incredible incredible queer poets and activists of color: Kay Ulanday Barrett and Sonia Guinansaca who have both taught me so much.

Support for Readings & Workshops in New York City is provided, in part, by public funds from the New York State Council on the Arts, and the New York City Department of Cultural Affairs, with additional support from the Louis & Anne Abrons Foundation, the Axe-Houghton Foundation, the A.K. Starr Charitable Trust, and the Friends of Poets & Writers.

Top photo: Jess X. Chen (Credit: Kat Waterman). Bottom photo: Sonia Sanchez and Mahogany Brown in front of a mural by Jess X. Chen and Jetsonorama (Credit: Jess X. Chen).

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