Genre: Poetry

West Virginia Wesleyan College

MFA Program
Poetry, Fiction, Creative Nonfiction
Buckhannon, WV
Application Deadline: 
Tue, 10/01/2024
Application Fee: 
$0

The @ Noon Reading Series at Wayne State University

Poet and English professor Caroline Maun blogs about P&W–sponsored The @ Noon Reading Series, held at Wayne State University in Detriot. Maun's poetry collections include The Sleeping, and Cures and Poisons. She is also the editor of The Collected Poetry of Evelyn Scott

The @ Noon Reading Series began at Wayne State University during the 2010 winter semester. That first year, we paired creative writing faculty from the English department with student writers. In subsequent years we have showcased some of the finest poets and writers from the southeast Michigan region and beyond, and have continued to pair our guests with up-and-coming student writers. Since 2010, the series has enjoyed growing popularity and success with six public readings and one public workshop.

We managed to fund the first two years of the series with modest support from our department budget. This year, thanks to funding from Poets & Writers, we were able to extend the series considerably. This was helpful during a time when university budgets are shrinking, but also when creative activity in our city is burgeoning. It was great to provide this venue to wonderful artists and offer excellent programming to our students and the community. 

We have a collaborative approach to programming. Creative writing faculty select a date and a guest to invite to read and then find the student who is available and will compliment the featured guest’s work. Our students read for fifteen minutes. Our featured readers read for twenty to twenty-five minutes, and there is time for discussion afterwards. We offer coffee and snacks in our lounge where audience members continue the conversation. This semester, we regularly attracted audiences of twenty-five to fifty students, community members, faculty, and staff of the university.

Featured poets this year have included Matthew Olzmann, Vievee Francis, Keith Taylor, and Rob Halpern, and writers Lynn Crawford and Mitch and Megan Ryder. Student poets and writers have included Vincent Perrone, Aricka Foreman, John Kalogerakos, Jill Darling, Mathew Polzin, and Ricardo Castano IV.  One of the many highlights was Vievee Francis reading from Horse in the Dark, a poetry collection forthcoming from Northwestern University Press characterized by personal lyrics, which is a departure from the persona poetry in her first poetry book, Blue-Tail Fly. She was joined by student poet Aricka Foreman. Another highlight was Lynn Crawford reading from Simply Separate People, Two, accompanied by student writer Matthew Polzin. During the question-and-answer session, poets as well as fiction writers engaged with Lynn’s work enthusiastically for its condensed, lyrical style.

Jennifer LoPiccolo, one of my very talented students, commented on the series: “I make it a point to attend The @ Noon Series because I gain exposure to various forms of poetry and fiction that help me to hone my own work. Wayne’s creative writing students share a stage with our guest readers, which allows the audience to draw connections between their peers and more accomplished writers. While taking notes on both, I see the gap between my friends and the authors on my shelf narrow. It’s a rewarding hour."

We are looking forward to planning next year’s series and continuing this rich supplement to classroom experiences for our students.

Photo: Lynn Crawford and Matthew Polzin.  Credit: Caroline Maun.

Support for Readings/Workshops events in Detroit is provided by an endowment established with generous contributions from Poets & Writers Board of Directors and others. Additional support comes from the Friends of Poets & Writers.

Colm Tóibín, Farzana Doctor Among Lammy Winners

The twenty-fourth annual Lambda Literary Awards for LGBT literature, also known as the Lammys, were announced last night at a ceremony in New York City, where authors rubbed elbows with luminaries in other arts, including actress Olympia Dukakis, Broadway performer Anthony Rapp, and drag legend Charles Busch.

Dukakis and National Organization for Women founder Eleanor Pam presented Lambda's Pioneer Awards for lifetime achievement to novelist Armistead Maupin, author of the San Francisco–based Tales of the City series, and feminist writer Kate Millett. Fiction writers Stacy D'Erasmo and Brian Leung won Outstanding Mid-Career Novelist Prizes.

The Lammy for gay poetry award went to A Fast Life, the collected poems of the late Tim Dlugos (1950–1990), edited by David Trinidad and published by Nightboat Books. The prize for lesbian poetry went to Leah Lakshmi Piepza-Samarasinha for Love Cake (TSAR Publications).

In lesbian fiction, Farzana Doctor won the Lammy for her novel Six Metres of Pavement (Dundurn Press). Colm Tóibín won in gay fiction for his story collection The Empty Family (Scribner). The award in bisexual fiction went to Barbara Browning for her novel, The Correspondence Artist (Two Dollar Radio). Debut fiction writers Rahul Mehta and Laurie Weeks were also honored, Mehta for his story collection, Quarantine (Harper Perennial), and Weeks for her novel, Zipper Mouth (Feminist Press).

In lesbian memoir, Jeanne Córdova won for When We Were Outlaws: A Memoir of Love & Revolution (Spinsters Ink). Glen Retief won for gay memoir with The Jack Bank: A Memoir of a South African Childhood (St. Martin's Press). Justin Vivian Bond won the transgender nonfiction prize for Tango: My Childhood Backwards and in High Heels (Feminist Press).

For the list of winners in all categories, including erotica, young adult literature, and mystery, visit the Lambda Literary Foundation website.

In the video below, poetry awardee Piepza-Samarasinha performs a poem from her winning collection at a finalists reading held in April.

Pen to Paper

Caption: 

When you get right down to it, writing is (or used to be) all about putting marks on a piece of paper. And while there are plenty of inspiring photographs and videos celebrating the typewriter, this clip of John Mottishaw writing with a custom fountain pen (using an ink called Iroshizuku Tsuki-uo Night Sky, or Greenish Deep Blue) is oddly captivating. (The writing starts at about the 1:58 mark.)

Andrei Guruianu and Archetypes in the Unconscious

In May, P&W-supported poet Andrei Guruianu, author of Postmodern Dogma and several other books, taught a workshop sponsored by the Center for Gender, Art and Culture in Binghamton, New York. Participants Lois Westgate and Kit Hartman blog about the experience.

Andrei Guruianu led a group of writers in the process of creating poetry at the Cooperative Gallery 213. The Gallery provides a space for local artists and photographers, and has welcomed writers’ workshops. Andrei has long been an inspiration to fledgling writers in Upstate New York: He taught at Binghamton University and Ithaca College, published a journal of work by writers from his community workshops, founded The Broome Review, and served as Poet Laureate of Broome County.
 
Our Saturday workshop was a small group, which Andrei prefers “…as it promotes intimate conversations and sharing, and allows people to feel more comfortable once the group settles into the work of writing.” He recommended we try to remove our biases and allow the subject of our poetry to live on its own.

Andrei showed scenes from the movie Iris, in which Judi Dench as British writer Iris Murdock says: “Every human soul has seen, perhaps before their birth, pure forms such as justice, temperance, beauty, and all the great moral qualities which we hold in honour.” We contemplated the archetypes of the unconscious, which are sometimes impossible to convey in words.

The movie includes a montage of Iris and her husband swimming, Iris nude in youth, and in a bathing suit in old age. Andrei asked us to identify concepts this scene evoked and capture these through images in our poetry. For our second poem, he asked us to respond to a scene in which Iris, now suffering from Alzheimer’s, places beach stones on rows of blank paper from her journal, then removes the stones. The papers are swept away. 

We read our poems aloud and Andrei pointed out the strongest parts of each. His critiques were honest, but not brutal. An example of one person’s best line inspired by the stones-on-paper scene: “…her fingers remembered the need to create.”

Andrei’s philosophy is this: “I continue to enjoy leading community writing workshops because it helps me stay true to my initial impulse, [which is] to take creative writing out of the classroom. The creative space that opens up when there is no pressure to create or publish is genuine, is as close to the ‘spirit’ of the art as you can get.”

We in Binghamton felt fortunate to have the opportunity to learn from him.

Top photo: Andrei Guruianu. Credit: Kit Hartman. Lower photo: Workshop participants. Credit: Andrei Guruianu.
Support for Readings/Workshops in New York City is provided, in part, by public funds from the New York State Council on the Arts, and the Department of Cultural Affairs, with additional support from the Louis & Anne Abrons Foundation, the Axe-Houghton Foundation, the A.K. Starr Charitable Trust, and Friends of Poets & Writers.

Skylight Books

Open since 1996, Skylight Books is an independent bookstore in Los Angeles. Skylight Books hosts regular author events and book discussion group meetings, and has a large offering of literary magazines for sale along with new books.

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The Ekphrasis

5.29.12

An ekphrasis is a poem about, describing, or inspired by, a piece of art. Rather than writing a poem based on a piece of art, try writing a poem inspired by an existing ekphrasis.

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