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Having received fewer submissions than they have in the past, the journal opted to accept entries until April 15.
Judging this year's entries will be poet Lia Purpura, author of King Baby (Alice James Books, 2009); fiction writer Adrianne Harun, author of the story collection The King of Limbo (Mariner Books, 2002); and creative nonfiction writer Ira Sukrungruang, author of Talk Thai: The Adventures of a Buddhist Boy (University of Missouri Press, 2010).
Last year's winners were Jennifer Perrine for her poem "When the Dazzle Isn't Gradual," Jacob Appel for his story "Bait and Switch," and Angela Tung for her essay "An Old Man on the Frontier Loses His Horse," selected by Allison Joseph, Jess Walter, and Rebecca McClanahan, respectively.
Complete guidelines for entry and samples of work published in the journal are available on the Bellingham ReviewWeb site.
In this 2011 video, poet Kevin Young reads from his collection Ardency: A Chronicle of the Amistad Rebels (Random House, 2011) at the Greenlight Bookstore in Brooklyn, New York.
Just before National Poetry Month kicked off last week, word began to spread about a major new poetry prize out of Canada. The fifty-thousand-dollar Montreal International Poetry Prize, funded by an anonymous donor, isn't honoring a poet's lifetime achievement or a major new book, but a single poem.
The prize purse is highly unusual for a single-poem competition—similar contests tend to offer a few thousand dollars, at most. (The winning poem and forty-nine finalists will also be published in a "global anthology" by Véhicule Press in the fall, and an e-book featuring one hundred additional poems is planned, as well.) We asked prize director Len Epp how he might respond to writers skeptical of the magnitude of this new contest, which Epp hopes will be able to offer the same amount annually.
"I would tell them that single works of art are often given a much greater value than fifty thousand dollars," Epp wrote in an e-mail, "and that we're trying to tell the world that a poet who can produce an excellent poem deserves an excellent reward as much as any other artist. To doubt this is to undervalue poetry in a very unfortunate way."
He added that the prize organization has "done a lot of work to establish our credentials, and we are proud of our advisory and editorial boards," which include international poets Valerie Bloom, Stephanie Bolster, Frank M. Chipasula, Fred D'Aguiar, Michael Harris, John Kinsella, Sinéad Morrissey, Odia Ofeimun, Eric Ormsby, Don Paterson, and Anand Thakore, and fiction writer Ben Okri. Former U.K. poet laureate Andrew Motion will judge.
The contest, looking to cull entries from international poets writing in "the various Englishes of the world," will charge an entry fee based on a sliding scale (writers in designated developing countries may pay a lower rate) ranging from fifteen to twenty-five dollars. When asked why the competition is charging a fee, Epp responded, "While we are actively seeking traditional forms of support through big sponsors and patrons, we are also committed to a self-sustaining community funding model, which would maximize our independence. As with all other poetry competitions that charge fees, entry fees go towards covering our costs, improving the prize, and guaranteeing its future."
In addition to awarding the prize, the organization has long term ambitions to provide direct funding to poets and establish a global poetry center.
More information about the Montreal International Poetry Prize and details on how to enter are available on the prize Web site. The deadline is July 8, and a discounted entry fee is available for poems submitted by April 22.
In the video below, Motion reads two poems at the 2006 Dodge Poetry Festival.
Take a cue from Raymond Queneau's Exercises in Style, which tells a single narrative in ninety-nine ways, and write a poem based on what happened just after you got up this morning. Then use one or more of these filters to revise the poem: onomatopoeia (integrating the sounds of your morning into the language of its telling), litotes (a supremely understated start to the day), overstatement (embellishing every detail), olfactory (emphasizing the morning's smells), tactile (emphasizing the morning's physical feel), gustatory (emphasizing the morning's particular taste).
Last week the National Book Foundation presented the panel discussion "Lineage: American Poetry Since 1950," moderated by Katie Peterson and featuring Elizabeth Alexander, Stephen Burt, Tony Hoagland, James Longenbach, Maureen McLane, and Susan Stewart. The aim of the discussion was "to use the National Book Awards as a point of departure to assess post-War poetry trends and achievements."
The movie Poetry, which was written and directed by South Korean filmmaker Lee Chang-Dong, recently won the Regard d'Or Award at the Fribourg International Film Festival in Switzerland. The movie, about a woman in her sixties who decides to take a poetry class at an adult-education center, also took honors for best screenplay at the 2010 Cannes Film Festival.
Spend a few moments examining an old photograph—a found image, a photo from childhood, an iconic shot from history—and give it a title. Then put the photo aside and write a poem using this title.
In this clip Daniel Pogue adds stop-motion sewing animation to section 22 of Lawrence Ferlinghetti's "A Coney Island of the Mind." Ferlinghetti turned ninety-two on Thursday.
The Vilcek Foundation has selected poet Charles Simic and fiction writer Dinaw Mengestu as recipients of the sixth annual Vilcek Prizes honoring foreign-born writers, artists, and scientists now living in the United States. Former U.S. poet laureate and recent Robert Frost Medal–winner Simic, born in the former Yugoslavia, received the one-hundred-thousand-dollar prize for lifetime achievement, and Mengestu, born in Ethiopia, won the twenty-five-thousand-dollar prize for creative promise.
Author of twenty poetry collections, Simic's most recent work is Master of Disguises (Houghton Mifflin Harcourt, 2010). Mengestu is the author of the novels How to Read the Air (Riverhead Books, 2010) and the widely praised The Beautiful Things That Heaven Bears (Riverhead Books, 2007), which won the Guardian First Book Award.
The finalists for the prize for emerging writers, each receiving five thousand dollars, are poet Ilya Kaminsky (born in the former Soviet Union) and fiction writers Simon Van Booy (born in England), Téa Obreht (born in Croatia), and Vu Tran (born in Vietnam).
The literature honorees will participate in a panel, The New Vernacular: Immigrant Authors in American Literature, at New York City's Housing Works Bookstore Café on April 5. The event is free and open to the public, but RSVPs are appreciated.
In the video below, Mengestu discusses his latest novel.