Literary Archives Rerecord History
Naropa University has established the Naropa Audio Preservation and Access Project to archive the program's vast holdings of recorded readings, lectures, panel discussions, and workshops.
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Naropa University has established the Naropa Audio Preservation and Access Project to archive the program's vast holdings of recorded readings, lectures, panel discussions, and workshops.
Wyatt Mason's Rimbaud Complete, published by Modern Library in March, is a translation of the complete writings of French poet Arthur Rimbaud (1854-1891). The book contains all of his poetry—from his earliest juvenilia to his later poems, which Rimbaud wrote in his early twenties, before he stopped writing poems altogether. The volume contains fifty pages of previously untranslated material, including all the poet's earliest verse, a school notebook, and a rough draft of his best known poem A Season In Hell.
In honor of poet Robert Bly's 75th birthday last month, the Minneapolis-based Loft Literary Center, in conjunction with the McKnight Foundation, revived Bly's innovative literary magazine—originally titled The Fifties, in honor of the decade in which it was founded—by publishing the first issue of The Thousands.
The Academy of American Poets, the 68-year-old literary nonprofit, has made headlines recently, but not for its latest party or prizewinner. In September the organization, best known for founding National Poetry Month, announced that Executive Director William Wadsworth had been asked to resign by board of directors president Henry Reath. And on November 7, the board voted to lay off eight of the Academy's seventeen employees and to subdivide its new office and rent out half of the space, which the group had renovated and moved into in August.
Elizabeth Alexander's new collection, Antebellum Dream Book, deals with the image of the body, a theme she visits often in her previous works. "If you let a body speak," she says, "it gives you access to all sorts of concrete sensations that are vital, the stuff of poetry, the way a poem convinces." In this interview with Natasha Trethewey, Alexander speaks to her use of race, urban life, history, and of course, the body.
In such a saturated culture, how can a poet clear away uninfluenced space from which to write a poem that is authentic, original?