Ten Questions for Alison C. Rollins
“I think writing should be connected to the constant ever-evolving work of discovering, (re)imagining, and (re)claiming one’s own selfhood.” —Alison C. Rollins, author of Library of Small Catastrophes
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Read weekly interviews with authors to learn the inside stories of how their books were written, edited, and published; insights into the creative process; the best writing advice they’ve ever heard; and more.
“I think writing should be connected to the constant ever-evolving work of discovering, (re)imagining, and (re)claiming one’s own selfhood.” —Alison C. Rollins, author of Library of Small Catastrophes
“Look for beauty and grace even in the challenging material, whenever possible.” —Kenji C. Liu, author of Monsters I Have Been
“If what you’re writing begins to scare you, don’t stop—it’s about to get real good.” —Gala Mukomolova, author of Without Protection
“There’s a lot of mystery in my writing process, and I have the suspicion that I’m doing all the steps out of order.” —Emily Skaja, author of Brute
“My best work, regardless of genre, often happens in one big burst.” —Namwali Serpell
“It’d be nice if the American literary community’s obsession with signal-boosting the optics of diversity were solidified into a tangible, fiscally remunerative reality for minority writers.” —Bryan Washington
“I’d love the community of contemporary writers to read each other with the freedom and rigor (vigor) we bring to hearing the music we love the most.” —Ed Pavlić
“A good portion of Gingerbread was written sitting on the floor, in a chair with no legs but excellent back support.” —Helen Oyeyemi, author of Gingerbread
“The literary community is too small—I’d create lots more thoughtful and appreciative readers like the ones who read interviews in Poets & Writers Magazine.” —Brian Kimberling, author of Goulash
“Go there. When the work takes you somewhere deep, it can be difficult not to swim back up out of fear or squeamishness.” —Lindsay Stern, author of The Study of Animal Languages
“I’m always trying to do something new, which is usually something I’m afraid of.” —Shane McCrae, author of The Gilded Auction Block
“I do not allow rules and regulations to dictate my writing—it’s one thing I can control.” —Paige Ackerson-Kiely, author of the poetry collection Dolefully, a Rampart Stands
“I usually wait until I need to write, which makes for a really thrilling, cathartic experience of creation.” —Hala Alyan, author of The Twenty-Ninth Year
“I think a lot of contemporary editors, myself included, push too much for clarity when sometimes a little muddiness is just the thing.” —Juliet Lapidos, author of Talent
“You must find pleasure in the work itself—doing the work. Otherwise, what’s the point?” —Sarah McColl, author of Joy Enough.
“Butt in chair, do the work. It’s the most basic and important writing advice there is.” —Laura Sims, author of Looker
“I come up with a form and then find a way to ‘translate’ my thoughts into the form. It wasn’t always like that, but that’s the way it is now. I used to think in lines.” —Elisa Gabbert, author of The Word Pretty
“There is something about your own subconscious that is far more perceptive than whatever your conscious mind can conjure up.” —Guy Gunaratne, author of In Our Mad and Furious City
“No writing is good enough until you, as an author, make a small contribution, the size of a drop, into the ocean of the world’s literature.” —Nuruddin Farah, author of North of Dawn
“I pay attention to what requires courage to say, and I do my best to try to say it.” —Andrea Gibson, author of Lord of the Butterflies
“I have learned that it isn’t wise to wait for inspiration; inspiration will meet me at my desk.” —Oyinkan Braithwaite
“The best poems I’ve written (or at least my favorite poems) have been the ones that have been the most honest.” —Claire Wahmanholm, author of Wilder
“Writing is a form of manual labor and should be approached in that spirit.” —Wesley Yang, author of The Souls of Yellow Folk
“To sit down and write requires a degree of optimism. You have to trust that there is relief to be found in placing one word after another.” —Idra Novey, author of Those Who Knew
“I move between language, history, and worldviews—it’s always place between that gives me the most insight into my creative process.” —Sherwin Bitsui, author of Dissolve