Ten Questions for Paul Lisicky
“Work that’s good, that’s itself, eventually gets seen.” —Paul Lisicky, author of Later
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Read weekly interviews with authors to learn the inside stories of how their books were written, edited, and published; insights into the creative process; the best writing advice they’ve ever heard; and more.
“Work that’s good, that’s itself, eventually gets seen.” —Paul Lisicky, author of Later
“The greatest challenge was in recognizing which poems belonged to this book and which did not.” —Carolyn Forché, author of In the Lateness of the World
“I find the notion of being ‘a writer’ ephemeral and fraught, while ‘someone who wrote today’ feels straightforward and manageable.” —Jordan Kisner, author of Thin Places
“There’s no shortcut. Not for anything.” —Kawai Strong Washburn, author of Sharks in the Time of Saviors
“At the heart of it, writing is about connection—to yourself, to those you love, and then, hopefully, to others.” —Nancy Krygowski, author of The Woman in the Corner
“For a while, I was most productive at night, then mornings. Now it’s just whenever there’s a moment.” —Brandon Taylor, author of Real Life
“It wasn’t until the final year or so that I felt I had some control over the shape and content, that I understood how the pieces worked together.” —Mark Bibbins, author of 13th Balloon
“I didn’t understand how important Chicago and South Shore were to me until I left.” —Gabriel Bump, author of Everywhere You Don't Belong
“I had a substantially different version of this book that just wasn’t working, scrapped it, did that again, and then the third time was a charm.” —Charles Yu, author of Interior Chinatown
“The book didn’t announce itself to me until 2017, when I went looking for it. I scanned over the poems I had been writing, scanning to see what my brain had been up to without me noticing.” —Danez Smith, author of Homie
“I spent much of 2016 and 2017 not just trying to find my way back into the book but also trying to convince myself that art still mattered.” —Meng Jin, author of Little Gods
“It was important to me to err on the side of generosity in writing this book.” —Anna Wiener, author of Uncanny Valley
“I write every day when I am in the middle of a novel. And I write intensely when I am in the middle of a short story or a poem. At all other times I blame myself for not writing.” —Amanda Michalopoulou, author of God's Wife
“The most challenging thing every time I sit down to write is to make the poem on the page as alive as the poem in my head.” —Barbara Crooker, author of Some Glad Morning
“Fridays I would slash and burn upwards of 80 percent of that week’s word haul. Anything that stayed had to earn its keep.” —Tommy Pico, author of Feed
“I had to imagine the life of characters who shared some of my own history but had their own unique ways of being in the world.” —Jeffrey Colvin, author of Africaville
“Writing—the writing it down—has increasingly become the least important part of the process. Living in the world of the novel, existing as the characters, viewing the day-to-day from their perspective, is the most important thing.” —Jeff VanderMeer, author of Dead Astronauts
“Sometimes at the end of an eight-hour day I’d have a single paragraph to show for it.” —Dexter Palmer, author of Mary Toft; or, The Rabbit Queen
“Much of the book I had no recollection of writing, and it was strange to be confronted with what I’d done, as though I was getting access to parts of my mind I hadn’t known existed.” —Nina MacLaughlin, author of Wake, Siren
“Don’t be afraid to cut it if it’s not working.” —Elaine Equi, author of The Intangibles
“My preferred notebook is a sharp-cornered, hardcover Roaring Spring black marble composition book with 20# paper, item number 77461, college ruled—I’m a Pisces and need a line to keep me grounded.” —Malcolm Tariq, author of Heed the Hollow
“I don’t trust any readers! And readers shouldn’t trust any writers. We’re all scoundrels, down to the last.” —Kai Cheng Thom, author of I Hope We Choose Love
“In college I had a fiction teacher tell me to make every sentence so good that the reader would have to read the next one. So basic and obvious but I needed to hear it.” —Jami Attenberg, author of All This Could Be Yours
“I sometimes wish the writing process for me was faster, but things need to percolate in their own time.” —Mimi Lok, author of Last of Her Name
“Read like your work depends on it. It does.” —Adrienne Brodeur, author of Wild Game