Ten Questions for Lan Samantha Chang
“It took me more than a year to put aside my fear of attempting it.” —Lan Samantha Chang, author of The Family Chao
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“It took me more than a year to put aside my fear of attempting it.” —Lan Samantha Chang, author of The Family Chao
The author of Nobody’s Magic reflects on writing in African American Vernacular English.
“It’d be easier for me to stop talking than to stop writing.” —Tochi Onyebuchi, author of Goliath
The author of Nobody’s Magic shares lessons from writing an unlikable nonnormative character.
“I will miss thinking about Joan and her world every second of every day.” —Weike Wang, author of Joan Is Okay
“Make it so good they can’t reject it.” —Edgar Gomez, author of High-Risk Homosexual
“Everything fell out of me in five intense sleepless weeks.” —Xavier Navarro Aquino, author of Velorio
Ten writers, including Alex Dimitrov and Kaitlyn Greenidge, share the best writing advice they’ve ever heard.
Since 2015 this indepedent press in Richmond, Virginia, has been championing “offbeat books” of poetry and lyrical nonfiction by queer and trans writers.
A look at the growing number of online scams that lure writers with offers of speaking engagements or by posing as an agent or editor online. Two writers directly affected by scams share their experiences.
After collecting poetry books to lend to students, poet and educator Hiram Sims opened the Sims Poetry Library in Los Angeles. Today the library boasts a collection of over six thousand books and serves as a home base for poets in the community.
The author recalls being pregnant in the early days of the pandemic and asks: How we can continue to create in times of uncertainty?
Ten debut poets who published in 2021, including Threa Almontaser and Shangyang Fang, discuss the inspiration for their books, their writers block remedies, and advice for other poets.
The first lines of a dozen noteworthy books, including Manifesto: On Never Giving Up by Bernardine Evaristo and To Paradise by Hanya Yanagihara.
Launched in New York City in 2015, the Lambda Literary Writers in Schools Program celebrates queerness by bringing LGBTQ authors to meet local students. Thanks to increased funding, the initiative is now reaching even more schools.
The author reflects on five journals that published essays from their debut collection, Dark Tourist.
Anitra Budd got her start at Coffee House Press as an intern and now serves as publisher and executive director of the press. She discusses her approach to leadership and putting people before profit.
The agent answers questions about attracting agents using self-published books and whether to use a summary or a writing sample to pitch a memoir.
“If you feel that the story is good and that it needs to be read, then keep at it until you’re happy with it.” —Obed Silva, author of The Death of My Father the Pope
The translator of Migratory Birds and Permafrost shares how growing up between different languages and countries has led her to challenge conventional wisdom about the art of translation.
“This was the book I was meant to write my whole life.” —Neel Patel, author of Tell Me How to Be
The translator of Migratory Birds and Permafrost expresses the limits of translation when it comes to culturally specific institutions and terms.
“Thinking is really about 90 percent of the work.” —James Hannaham, author of Pilot Impostor
The translator of Migratory Birds and Permafrost uses Google Maps to immerse herself in the settings of her translation projects.
“I wrote this book with the constraint of honesty.” —Truong Tran, author of book of the other