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Publishing around half a dozen novellas, poetry collections, and graphic novels yearly, Driftwood Press resists narrowing itself to a specific niche; instead, the press is defined by its diversity in stories, styles, and perspectives.
“Take pleasure in publishing work you love,” says Ander Monson, founder of New Michigan Press. Steered by this guidance and a taste for the off-kilter, the press has produced chapbooks and the magazine Diagram for over twenty years.
For more than ten years, Meekling Press has been producing artist books, blending text and visual design to make unique literary-art objects with a playful punk sensibility.
Founded seventeen years ago to support poetry from the Pacific Northwest, Airlie Press is a nonprofit publisher guided by a unique rotating editorial board of poets from Oregon, Washington, and Idaho.
Dedicated to “boundary-breaking prose,” Split/Lip Press is on the hunt for work that raises questions about the status quo and fits their punk aesthetic. The press publishes four titles a year, all selected from open submissions.
With an all-volunteer staff and a “pay what you want” policy for select titles, Bull City Press is dedicated to concise expression and making great books available to anyone who wants to read them.
A nonprofit founded to strengthen the American South’s reputation as a home for great literature and art, April Gloaming publishes books that push limitations in medium and genre.
Founded to support the work of marginalized poets, Get Fresh Books publishes one to three poetry collections each year, selecting manuscripts from a pool of no-fee submissions and solicited work.
Dedicated to finding the voices and stories audiences most need to hear, Book*hug Press reads beyond borders as a Canadian press with international influences, representationally and aesthetically.
Guided by a mandate to seek out and amplify underrepresented voices, the Feminist Press publishes twelve to fifteen books a year in multiple genres and holds open submission periods twice annually.
