Editing and Revising

9.14.17

Earlier this year scientists published a study in the journal Nature detailing the first time genes with serious disease-causing mutations have been successfully edited in human embryos to produce healthy mutation-free embryos. Write a personal essay about the moral and ethical implications of gene-editing science as it continues to progress. In a hypothetical time when these advances might be a part of routine medical procedures, what decisions would you make for yourself and your family and loved ones? Read National Geographic’s “5 Reasons Gene Editing Is Both Terrific and Terrifying” for more insight.

Upcoming Poetry Book Contests

If you’ve completed a full-length poetry manuscript and want to submit it to publication contests, look no further. Below you’ll find contests with deadlines in September that offer publication and a prize of at least $1,000.

California State University in Fresno Philip Levine Prize for Poetry: A prize of $2,000 and publication by Anhinga Press is given annually for a poetry collection. C. G. Hanzlicek will judge. Deadline: September 30. Entry fee: $28.

Mad Creek Books Journal/Charles B. Wheeler Poetry Prize: A prize of $2,500 and publication by Mad Creek Books, the literary trade imprint of Ohio State University Press, is given annually for a poetry collection. Kathy Fagan will judge. Deadline: September 30. Entry fee: $38.

New Criterion Poetry Prize: A prize of $3,000 and publication by St. Augustine’s Press is given annually for a poetry collection that pays close attention to form. Roger Kimball, Charles Martin, and David Yezzi will judge. Deadline: September 30. Entry fee: $25.

New Issues Poetry & Prose Green Rose Prize: A prize of $1,000, publication by New Issues Poetry & Prose, and a reading at Western Michigan University is given annually for a poetry collection. Poets who have published at least one full-length collection of poetry are eligible. Deadline: September 30. Entry Fee: $30.

Red Mountain Press Poetry Prize: A prize of $1,000 and publication by Red Mountain Press is given annually for a poetry collection. Irena Praitis will judge. Deadline: September 15. Entry fee: $28.

University of Arkansas Press Miller Williams Arkansas Poetry Prize: A prize of $5,000 and publication by University of Arkansas Press is given annually for a poetry collection. Billy Collins will judge. Deadline September 30. Entry fee: $28.

University of Massachusetts Press Juniper Prizes: Two prizes of $1,000 each and publication by University of Massachusetts Press are given annually for a first poetry collection and a poetry collection. The creative writing faculty at the University of Massachusetts in Amherst will judge. Deadline: September 30. Entry Fee: $30.

University of Wisconsin Press Brittingham and Felix Pollak Prizes: Two prizes of $1,000 each and publication by University of Wisconsin Press are given annually for poetry collections. Deadline September 15. Entry fee: $28.

Visit the contest websites for complete guidelines and submission details. Check out our Grants & Awards database and Submission Calendar for more upcoming contests in poetry, fiction, and nonfiction.

 

 

Light the Way

9.13.17

In the past fifteen years or so, dozens of lighthouses no longer needed by the United States Coast Guard have been auctioned off to the public. Buyers have found a variety of new uses for their lighthouses, such as converting them into hotels or vacation homes, or even a concert venue. Write a short story in which your main character comes into possession of a decommissioned lighthouse. Where is it located and how does she decide to make use of it? Does it end up being a blessing or a burden? How can you play with the metaphorical potential of the lighthouse in an unexpected way?

Getting to Know You

9.12.17

“Part of the pleasure I take in being a writer and reader of poetry is this instant intimacy. By the first page, we’re practically what one would refer to as family—at this point, I’m comfortable in my nightclothes and headscarf.” In “Vagrant & Vulnerable,” Dawn Lundy Martin’s conversation with Nicole Sealey in the September/October issue of Poets & Writers Magazine, Sealey talks about feeling comfortable infusing her poems with a naked vulnerability and intimacy. What do you find yourself thinking about when the notion of outside criticism or judgment is not an issue? While envisioning your most comfortable clothing, an outfit you might wear at home with family, write a poem that embodies this level of immediate familiarity, delving into a tightly held or private subject perhaps only known by your closest loved ones. 

The Kindness of Strangers: Spencertown Academy Arts Center’s Festival of Books

Jill Kalotay has been supporting the Spencertown Academy Arts Center as a volunteer for the past ten years. In 2015 she accepted the position of cochair of the Festival of Books with David Highfill, an executive editor at William Morrow, and she joined the Spencertown Academy Board of Directors in 2016.

It is important to me to support the arts, and particularly authors, since my daughter Daphne announced at the age of three that she wanted to be a writer. She has shown me what hard work it is, and how steep the climb to success is in today’s market. The annual Festival of Books, presented by the Spencertown Academy Arts Center, is a way to feature writers and focus on books—and to help ensure that they will be here for some time to come.

Housed in a beautifully restored 1840s Greek Revival schoolhouse at 790 State Route 203 in Spencertown, New York, the Spencertown Academy Arts Center is a cultural center serving Columbia County, the Berkshires, and the Capital region. It offers a variety of free and low-cost community arts events, including concerts, readings, theater pieces, art exhibitions, and arts-related workshops and classes.

For the past twelve years, the Festival of Books has been a major fund-raising event for the Spencertown Academy Arts Center. Subtitled “All Things Literary,” the festival provides a stage for authors to talk about their new books, poets to read from their collections, and high school students to read their prizewinning short stories and essays, entered earlier in a contest we sponsor in conjunction with the festival. (You can read the winning entries here.)

The three-day event takes place over Labor Day weekend, and also features a huge book sale, with over ten thousand donated books on offer. “The best books sale in the area,” according to many visitors. All the books are culled, cleaned, and sorted by Academy volunteers—those book lovers who want to get as many books as possible out into the world and bring in money for the Academy so that we can keep our doors open for one more year. Typically all of the authors come without promise of remuneration.

This year, we hosted an amazing array of artists, and five fiction writers were generously supported by grants from the Poets & Writers’ Readings & Workshops program.

Wesley Brown read from his Dance of the Infidels, a collection of related stories about jazz musicians (mostly real) and jazz lovers (imagined) in 1930s and 1940s New York City jazz clubs.

Rebecca Morgan Frank read from her collection, The Spokes of Venus, and spoke about the inspiration for her poems, in which magicians, wig makers, sculptors, perfumers, and choreographers help conjure these works about making and observing art.

In spite of the incessant rain beating on our tent, on one of the worst days of the summer, Elinor Lipman and Louie Cronin shared the stage for a session called “If These Walls Could Talk.” Lipman’s latest book, On Turpentine Lane, is a romantic comedy about a restless woman who impulsively buys a dilapidated house that soon reveals a mysterious past. Everyone Loves You Back, Cronin’s very funny first novel, features another house in dire need of repair, this one in Cambridge. Town and gown meet again!

Patricia Park read from her novel, Re Jane, set in the disparate worlds of Queens, Brooklyn, and Seoul during the early 2000s. In the novel, Jane Re, a Korean American woman (and orphan), lives with her aunt and uncle in Queens, and feels like an outsider. Park’s animated talk provided glimpses of her own background in Flushing, Queens and described some of the difficulties in getting her novel onto the TV screen. Actor and producer Daniel Dae Kim is adapting the book as a half-hour comedy series.

For the past five years we have been operating as an all-volunteer organization. We rely totally on all the volunteers, donors, sponsors, and kind artists who support us with their valuable time and talents. We are so grateful! And especially thankful to Poets & Writers for their financial backing of writers and events such as ours.

Support for the Readings & Workshops Program in New York is provided, in part, by public funds from the New York State Council on the Arts, with additional support from the Friends of Poets & Writers.

Photo: Spencertown Academy Arts Center’s Festival of Books (Credit: Peter Blandori).

Upcoming Prose Contest Deadlines

Fiction and nonfiction writers: The weather’s changing and hopefully stirring up creative energy for you to put towards your writing. Consider submitting to the following contests with upcoming deadlines, each offering at least $1,000 and publication.

Hippocampus Magazine Remember in November Contest: A prize of $1,000 and publication in Hippocampus Magazine is given annually for an essay. The winner will also receive free admission to the annual HippoCamp Conference for creative nonfiction writers in Lancaster, Pennsylvania, in Summer 2018. Deadline: September 15. Entry fee: $12

Dzanc Books Prize for Fiction: A prize of $10,000 and publication by Dzanc Books is given annually for a novel. Lindsey Drager, Daniel A. Hoyt, and Chrissy Kolaya will judge. Deadline: September 15. Entry fee: $25

Dzanc Books Short Story Competition: A prize of $2,500 and publication by Dzanc Books is given annually for a story collection. Deadline: September 15. Entry fee: $25

Disquiet/Dzanc Books Open Borders Book Prize: A prize of $5,000 and publication by Disquiet, an imprint of Dzanc Books, will be given annually for a novel, a memoir, a collection of short stories or essays, or a cross-genre work that “exhibits a marked commitment to mutual understanding and cultural exchange across the globe.” Deadline: September 15. Entry fee: $25

TulipTree Publishing Stories That Need to Be Told Contest: A prize of $1,000 is given annually for a short story or an essay “that tells a story.” The winning work will also be published in the contest anthology, Stories That Need to Be Told. Deadline: September 16. Entry fee: $20

Visit the contest websites for complete guidelines and submission details. Check out our Grants & Awards database and Submission Calendar for more upcoming contests in poetry, fiction, and nonfiction.

State Your Beverage

Many people associate drinking apple cider with popular fall activities in the northern and eastern United States, such as apple picking and leaf peeping, but few likely know it is New Hampshire’s official beverage. The state approved the official designation in 2010 following a petition submitted by fourth-grade students. In fact, more than half the states in this country have official beverages, a trend started by Ohio, which made tomato juice its official beverage in 1965, and followed by Massachusetts (cranberry juice) and Florida (orange juice). Many other states (Wisconsin, New York, Vermont, and Oregon among them) selected milk. Write a personal essay or manifesto under the premise of petitioning for your own beverage of choice. Support your argument with personal memories, anecdotes, and research.

Poetry Foundation Announces 2017 Ruth Lilly Fellows

The Poetry Foundation and Poetry magazine have announced the recipients of the 2017 Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowships. The annual awards are given to five U.S. poets between the ages of twenty-one and thirty-one. Each winner receives $25,800.

(Photos from left: Fatimah Asghar, Sumita Chakraborty, Cortney Lamar Charleston, Roy G. Guzmán, Emily Jungmin Yoon)

This year’s fellows are Fatimah Asghar, Sumita Chakraborty, Cortney Lamar Charleston, Roy G. Guzmán and Emily Jungmin Yoon. Don Share, editor of Poetry magazine, said of the winners, “In a year during which some readers have asked ‘Why poetry?’ here are poets whose work not only provides a powerful answer, but demonstrates that the present—and future—of poetry have never been in such fine hands.”

Established in 1989 by Ruth Lilly, the fellowship program celebrates and encourages young poets to further their studies and writing of poetry. Visit the Poetry Foundation website for more information.

Back to School

The campus novel is a work of fiction that revolves primarily around an academic campus, most often a college or university. Some fall into the category of coming-of-age stories, such as Jeffrey Eugenides’s The Marriage Plot and Elif Batuman’s The Idiot, while others are more focused on faculty, such as Mary McCarthy’s The Groves of Academe and Philip Roth’s The Human Stain. Campus novels offer the opportunity to explore characters within the hierarchical structures and pressurized environment of a closed educational system and the contrasting perspectives of teachers and students because of differences in age, power, class, and social and cultural values. Write a short story that focuses on students and/or teachers in a high school or college setting, perhaps integrating elements of comedy and satire like Kingsley Amis’s Lucky Jim and Jane Smiley’s Moo, science fiction like Jonathan Lethem’s As She Climbed Across the Table, murder mystery like Donna Tartt’s The Secret History, sports like Chad Harbach’s The Art of Fielding, or supernatural Gothic horror like Joyce Carol Oates’s The Accursed.

Writing Workshops as Healing Circles

Bobby González is a nationally known multicultural motivational speaker, storyteller, and poet. Born and raised in South Bronx, New York, he grew up in a bicultural environment. González draws on his Native American (Taino) and Latino (Puerto Rican) roots to offer a unique repertoire of discourses, readings, and performances that celebrates his indigenous heritage.

At the beginning of the first in a series of six “Spoken Word 101” workshops at the Bronx Museum of the Arts, I made it clear that I wasn’t going to teach anyone to be a better poet or spoken word artist. We were gathered to support each other as we explored the world of spoken and written word. For inspiration we read and discussed some of the verses of Aja Monet, Charles Bukowski, Nanao Sakaki, Sonia Sanchez, and other authors. Also, every session included the viewing of a YouTube video of these poets reciting their works.

This was the fifth year of the summer workshops at the Bronx Museum, and the participants quickly realized that we were creating in a safe zone. They wrote and shared poetry that disclosed family secrets, personal tragedies, racial angst, and heroic triumphs. The writing and the sharing was an integral part of their ongoing healing process. Tears were shed, voices were raised in anger, and a couple of emotional recitals were reciprocated with huge hugs.

Each session of “Spoken Word 101” resulted in the formation of a family that transcended reading, writing, and performing. Like all families, losses were experienced. Within the last few months, two members of our family passed away. Steve “Latin Gorilla” Lewis and Robert Waddell both died suddenly. We paid tribute to them in open mic readings and reminded ourselves that their thoughts and spirits will live forever in our hearts and in the poetry they left behind.

Through “Spoken Word 101” we all relearned language, dramatic articulation, and the wonder of allowing ourselves to bare our vulnerabilities with friends we barely met but already knew we could trust. That’s the power of poetry. The Poets & Writers’ Readings & Workshops program provides vital financial support for a literary series in an underserved community that is greatly appreciative of this empowering experience.

Support for the Readings & Workshops Program in New York City is provided, in part, by public funds from the New York State Council on the Arts, and the New York City Department of Cultural Affairs, with additional support from the Frances Abbey Endowment, the Cowles Charitable Trust, and the Friends of Poets & Writers.

Photo: (left to right) Makeba Higgins, Dara Kalima, Damien Tillman, Bobby González, and Rosa Velez (Credit: Maria Aponte).

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