Genre: Creative Nonfiction

Love Letter to an Era

1.27.22

Hanif Abdurraqib’s essay collection Go Ahead in the Rain: Notes to A Tribe Called Quest (University of Texas Press, 2019) chronicles the founding, legacy, and dissolution of the iconic rap group A Tribe Called Quest and their influence on countless fans. In the essays, Abdurraqib incorporates historical facts and anecdotes to tell a gripping story of the rap music industry in the nineties while emphasizing the personal connections he has with each member of the group. In a key section of the book, Abdurraqib uses the epistolary form to address each member resulting in an intimate, one-way conversation. This week, use the epistolary form to directly address the members of an influential music group. What place did their music have in your life, and how do their struggles align with your own?

Reading Habits

1.20.22

During the pandemic, people have been forced to change their habits. Some have found peace in picking up new skills while others have valued the chance to return to old ones. Perhaps some readers have finally had time to finish their “to-read” pile of books or turned to new genres to enjoy. How have your reading habits changed during the pandemic? Have you read more than you used to, or are you having trouble getting through a book? Write an essay about your relationship to reading during difficult times. Are there certain books you gravitate towards or avoid?

Upcoming Contest Deadlines

Close out the first month of the new year by applying to contests with deadlines of January 30 or January 31. Eight of these opportunities are for fiction writers looking to submit anything from a short story to a novel-in-poems to flash fiction with a supernatural theme! All contests offer a cash prize of $1,000 or more, with one contest awarding a debut poet, age 70 or older, $3,000.

AKO Caine Prize for African Writing: A prize of £10,000 (approximately $13,794) is given annually for a previously published short story by a writer of African descent. Shortlisted writers will receive £500 (approximately $690). Writers who were born in Africa, who are African residents, or who have a parent who is African by birth or nationality are eligible. Deadline: January 31. Entry fee: None.

Black Lawrence Press Big Moose Prize: A prize of $1,000, publication by Black Lawrence Press, and 10 author copies is given annually for a novel. The contest is open to traditional novels as well as “novels-in-stories, novels-in-poems, or other hybrid forms that contain within them the spirit of a novel.” The editors will judge. Deadline: January 31. Entry fee: $27. 

Crazyhorse Writing Prizes: Three prizes of $2,000 each and publication in Crazyhorse are given annually for a poem, a short story, and an essay. Aimee Nezhukumatathil will judge in poetry, Venita Blackburn will judge in fiction, and Matt Ortile will judge in nonfiction. All entries are considered for publication. Deadline: January 31. Entry fee: $20.

Ghost Story Screw Turn Flash Fiction Competition: A prize of $1,000 and publication on the Ghost Story website and in the 21st Century Ghost Stories anthology is given twice yearly for a flash fiction piece with a supernatural or magical realism theme. Tara Lynn Masih will judge. Deadline: January 31. Entry fee: $15. 

Iowa Review Awards: Three prizes of $1,500 each and publication in Iowa Review are given annually for works of poetry, fiction, and nonfiction. Donika Kelly will judge in poetry, Louisa Hall will judge in fiction, and Inara Verzemnieks will judge in nonfiction. All entries are considered for publication. Deadline: January 31. Entry fee: $20. 

Money for Women/Barbara Deming Memorial Fund Individual Artist Grants for Women: Grants of up to $1,500 each are given in alternating years to feminist poets, fiction writers, and nonfiction writers who are citizens of the United States or Canada. This year grants will be awarded to fiction writers. Deadline: January 31. Entry fee: $25.

New Millennium Writings Awards: Four prizes of $1,000 each and publication in New Millennium Writings are given twice yearly for a poem, a short story, a work of flash fiction, and a work of creative nonfiction. Previously unpublished works or works that have appeared in a journal with a circulation of under 5,000 are eligible. The editors will judge. Deadline: January 31. Entry fee: $20.

North Carolina Writers’ Network Thomas Wolfe Fiction Prize: A prize of $1,000 is given annually for a short story or a self-contained novel excerpt. Crystal Wilkinson will judge. Deadline: January 30. Entry fee: $25 ($15 for NCWN members).

Passager Books Henry Morgenthau III First Book Poetry Prize: A prize of $3,000 and publication by Passager Books will be given annually for a first book of poems by a writer age 70 or older. David Keplinger will judge. Deadline: January 30. Entry fee: $25. 

Poetry Northwest James Welch Prize: Two prizes of $1,000 each and publication in Poetry Northwest will be given annually for a single poem by an Indigenous poet. The winners will also receive an all-expenses paid trip to read with the judge in the fall. Writers who have published no more than one full-length book and who are community-recognized members of tribal nations within the United States and its territories are eligible. Elise Paschen will judge. All entries are considered for publication. Deadline: January 31. Entry fee: None.

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, and creative nonfiction. 
 

Relics

1.13.22

“I did not want to die without being married to her, for forty-nine or seventy-nine or preferably a thousand and ninety-nine years. Deathbeds, sickrooms, a smudge of ashes on her brow: I would wait forever,” writes Kathryn Schulz in “How I Proposed to My Girlfriend,” published in the New Yorker and excerpted from her memoir, Lost & Found (Random House, 2022). The heartwarming essay tells the story of Schulz wanting to propose to her girlfriend while reflecting on the history of the wedding ring that once belonged to her late father. “He was seventy-four when she took it off. Life had grown on it, grown into it; for as long as I could remember, the grooves of the pattern had been charcoal, the surface a flat deep bronze.” Write an essay about a prized possession with a storied history to it. How did you come to acquire it, and what new life does it breathe?

Chris Abani: When Strangers Meet

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“The only time I meet a stranger is when I confront myself. Any time I meet new people, they’re not strangers.” Poet, novelist, and essayist Chris Abani tells a story about meeting strangers in the airport, learning from their kindness, and how these experiences have influenced his writing for this 2016 House of SpeakEasy event at Joe’s Pub at the Public Theater in New York.

Ellen Meloy Fund Desert Writers Award Accepting Submissions

The deadline is approaching for the Ellen Meloy Fund Desert Writers Award. The $5,000 prize is intended to enable a nonfiction writer to spend creative time in a desert environment. The fund specifically seeks to support projects that will contribute “new perspectives and deeper meaning to the body of desert literature.” Writers must detail a literary or creative nonfiction book project that they hope to develop through the fund in their application. The award is open to both U.S. and international applicants, and writers may seek to travel to any desert in the world.

Using only the online submission system, submit up to 10 pages of creative nonfiction, a project proposal, and a biographical statement of up to one page with a $15 entry fee by January 15. Visit the website for the required entry form and complete guidelines.

The Ellen Meloy Fund was founded in honor of the accomplished essayist and desert writer Ellen Meloy, who died in 2004. The Desert Writer Award was first given in 2006. Then $1,000, the grant size has steadily increased over the years. Victoria Blanco of Minneapolis received the most recent award and is at work on a book project involving the Chihuahuan Desert.

Victoria Chang With Anjali Enjeti

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“For me, the whole book is about questions and having no answers.” In this Charis Circle video, Victoria Chang reads from her book Dear Memory: Letters on Writing, Silence, and Grief (Milkweed Editions, 2021) and speaks about filling in silence with imagination in a conversation with Anjali Enjeti.

Keep Going

“I have formed new strategies to prevent burnout by consistently creating achievable goals and, more important, celebrating when I reach them,” writes Crystal Hana Kim in “How to Keep Going,” featured in the January/February 2022 issue of Poets & Writers Magazine. To get through the frustration and disappointment sometimes felt during the writing process, Kim emphasizes recognizing the small moments of joy, which for her include “a lit candle, a cocktail with friends, a bag of candy that will rot my teeth, a new book to read.” Write an essay inspired by a time you felt burned out from writing. What factors caused this slump and how did you find your way out?

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