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“If you don’t know where to start, remember that every single thing that happened to you is yours and you get to tell it.” In this TED Talk, Anne Lamott, author of Bird by Bird: Some Instructions on Writing and Life (Anchor Books, 1995), shares twelve truths she’s learned from life and her writing.
The Whiting Foundation is accepting submissions for its annual Creative Nonfiction Grants. Given to writers “in the process of completing a book-length work of deeply researched and imaginatively composed nonfiction,” up to ten grantees will receive $40,000 each. The grant is meant to help sustain multiyear book projects that are mid-process and require a significant amount of focused research. Writers who have a project under contract with a publisher in the United States, the United Kingdom, or Canada are eligible to apply.
Using only the online submission system, submit a completed application, which includes uploading a fully executed publishing contract, the original project proposal that led to the contract, a writing sample of up to 25,000 words from the nonfiction book-in-progress, a résumé, a statement about the funds and time will be spent, a list of all sources of funding received for the book to date, and a letter of support from the book’s editor or publisher, by April 25. There is no entry fee. Visit the website for complete guidelines.
Through this grant the Whiting Foundation aims to support nonfiction books “written with an artful sensitivity to complexity and nuance,” with the belief that these works are essential “in shaping the way we understand the world.” The 2022 grantees will be announced in the fall. Recent creative nonfiction grantees include Rebecca Clarren, Ashley D. Farmer, Kevin González, Sangamithra Iyer, Albert Samaha, Brandon Shimoda, Walter Thompson-Hernández, and Salamishah Tillet. Through this grant the Whiting Foundation aims to support nonfiction books “written with an artful sensitivity to complexity and nuance,” with the belief that these works are essential “in shaping the way we understand the world.” The 2022 grantees will be announced in the fall. Recent creative nonfiction grantees include Rebecca Clarren, Ashley D. Farmer, Kevin González, Sangamithra Iyer, Albert Samaha, Brandon Shimoda, Walter Thompson-Hernández, and Salamishah Tillet.
In “The Romans in Films,” an essay from his 1957 book Mythologies, Roland Barthes analyzes Joseph L. Mankiewicz’s 1953 film Julius Caesar by focusing on the presence of fringes in the hair of the characters. “Some have them curly, some straggly, some tufted, some oily, all have them well combed, and the bald are not admitted, although there are plenty to be found in Roman history,” he writes. “What then is associated with these insistent fringes? Quite simply the label of Roman-ness.” Inspired by Barthes’s cheeky analysis of the believability of this ancient Roman period film, write an essay about a film you have criticized. Describe scenes of the film using unique details to illustrate what inspires your argument.
“My mother thought that if she taught me to read, I would become interested to read my books and leave her alone,” says Jamaica Kincaid about her experience reading as a child and how it influenced her as a writer in this interview from the 2021 Louisiana Literature Festival at the Louisiana Museum of Modern Art in Denmark.
“I have dogs who get me outside on walks every day, but otherwise I generally feel like I should be writing whenever I’m not.” —Maud Newton, author of Ancestor Trouble
April’s first writing contest deadlines include several stellar book prizes for poets. Other opportunities include a writing fellowship for poets, a humor writing prize, and awards honoring short works of fiction and nonfiction. All of these contests have a deadline of April 1 and a cash prize of at least $1,000. Good luck!
Just Buffalo Literary Center Poetry Fellowship: A fellowship, which includes a stipend of $1,500 and a monthlong residency in Buffalo, will be given annually to a poet. The fellowship includes lodging at a private apartment for the month of August 2022 and an invitation to read at a Just Buffalo Literary Center event. Entry fee: $20.
Nimrod International Journal Literary Awards: Two prizes of $2,000 each and publication in Nimrod International Journal are given annually for a group of poems and a work of fiction. A runner-up in each category receives $1,000 and publication. The winners and runners-up will also participate in a virtual awards ceremony and conference in October. Entry fee: $20 entry fee (includes a subscription to Nimrod International Journal).
North American Review Terry Tempest Williams Creative Nonfiction Prize: A prize of $1,000 and publication in North American Review will be given annually for an essay. Lyric essays, memoir, personal essays, and literary journalism are eligible. Lacy M. Johnson will judge. Entry fee: $23.
Orison Books Prizes in Poetry and Fiction: Two prizes of $1,500 each and publication by Orison Books are given annually for a poetry collection and a book of fiction. Rajiv Mohabir will judge in poetry and Tania James will judge in fiction.
Saturnalia Books Poetry Prize: A prize of $1,500, publication by Saturnalia Books, and 20 author copies is given annually for a poetry collection. Roberto Tejada will judge. All entries will also be considered for the Editors Prize, which awards $1,000 and publication. Entry fee: $30.
Southeast Missouri State University Press Cowles Poetry Book Prize: A prize of $2,000, publication by Southeast Missouri State University Press, and 30 author copies is given annually for a poetry collection. Entry fee: $25.
Winning Writers Wergle Flomp Humor Poetry Contest: A prize of $2,000, a two-year gift certificate for membership to the literary database Duotrope, and publication on the Winning Writers website is given annually for a humorous poem. A second-place prize of $500 is also awarded. Jendi Reiter will judge. Unpublished and previously published works are eligible. Entry fee: None.
Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, and creative nonfiction.
From William Shakespeare to Dr. Seuss, this episode of Otherwords, a PBS Storied web series hosted by sociolinguist Dr. Erica Brozovsky, digs deep into verbal innovations and the history of words created by writers.
“Yes, I’m from rural Michigan. My people are those of TV dinners and bad luck. My landscape, silos, pissed-off cows, and the Elks Lodge Friday Fish Fry sign lighting up the night instead of the moon,” writes Diane Seuss in her commencement address to the Bennington Writing Seminars earlier this year, which was published on Literary Hub. “I invented myself, or a version of myself that could resurrect out of a cow pasture and become a poet. Unlikely, unlikely that I am here at all, and that you, indeed, are there,” she writes. Write an essay about your own “resurrection” into becoming a writer. What is the landscape you associate with home, and how does it influence your writing style?
“When I fell for the video girl in Omarion’s ‘Touch,’ I never thought I would come to know her name,” reads Carina del Valle Schorske from the first chapter of her debut essay collection, The Other Island, forthcoming from Riverhead Books, in this Poetry Project reading with poet Sheila Maldonado, author of that’s what you get (Brooklyn Arts Press, 2021).
Submissions are open for the Terry Tempest Williams Creative Nonfiction Prize. Offered by North American Review to “recognize the finest essay writing,” the prize welcomes submissions across the spectrum of creative nonfiction subgenres. This includes personal essays and lyric essays, as well as work in modes such as nature writing, travel writing, and literary criticism, so long as the work has a “personal component.” The winning writer will receive $1,000. Lacy M. Johnson, whose most recent book is The Reckonings (Scribner, 2018), will judge.
Using only the online submission system, submit an essay of 500 to 8,500 words with a $23 entry fee by April 1. All entries are considered for publication. Visit the website for complete guidelines.
North American Review, the oldest literary magazine in the United States, was founded in Boston and is currently run by the University of Northern Iowa. Editors particularly invite submissions to the Terry Tempest Williams Prize that “push boundaries.” The 2021 winner of the contest was Kate McGunagle for “Passive Voice.”
