Genre: Cross-Genre

Submissions are open for the inaugural Stockholm Writers Prize, which offers an emerging writer the “time, space, and inspiration to focus on social justice-themed creative writing.” Writers working in all genres and styles may apply, so long as their writing is “tied to a social justice issue.” The winner will receive a weeklong residency from May 21 to May 27 in Stockholm, Sweden, which includes accommodation, tuition to the Stockholm Writers Festival, a one-on-one meeting with an agent, and individual feedback from the contest judge. A $1,000 stipend is granted to help cover travel costs.

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Using only the online submission system, submit a sample of creative writing in any genre of up to 1,5000 words and a personal statement of up to 1,000 words with a $25 entry fee by February 15. Writers who are currently unagented and who have not published a full-length work of creative writing are eligible. Visit the website for complete guidelines. 

The Stockholm Writers Prize is sponsored by the Stockholm Writers Festival, which was established as a nonprofit in 2017. The organization hosts an annual festival dedicated to “developing the skills and business knowhow essential to navigate the world of publishing, while fostering an ever-expanding community of international writers.”

Every place has writers that reflect its culture. Literary place-making, I call it. If you want to know more about a place, you need to hear its stories. There are so many books to choose from, but here are just a few that celebrate New Orleans culture by writers who live, breathe, and love this city.

From a Bend in the River: 100 New Orleans Poets (Runagate Press, 1998) edited by Kalamu ya Salaam. This anthology captures the diverse voices of New Orleans, celebrating the multi-ethnic tapestry of the city. Established and emerging writers of all ages are included in this extensive collection of poetry.

Monday Nights: Stories From the Creative Writing Workshop at the University of New Orleans (University of New Orleans Press, 2016) edited by Fredrick Barton and Joanna Leake. The University of New Orleans MFA program in creative writing has produced some fantastic writers. The writers in this anthology took part in a Monday night workshop that has lasted over twenty-five years, where they met to share and discuss their work. Included are stories by graduates of the program, such as Rebecca Antoine, Maurice Carlos Ruffin, and Che Yeun, as well as faculty members, such as Fredrick Barton, Amanda Boyden, and M. O. Walsh.

N.O. Lit: 200 Years of New Orleans Literature (Lavender Ink, 2013) edited by Nancy Dixon. This book highlights the literature of New Orleans over the past two hundred years including prominent writers like Truman Capote, Eudora Welty, and Tennessee Williams, but also historic writers like the poets of Les Cenelles, French Creoles of color who published the first anthology of African American literature in 1845. The book was made possible by grants from the Louisiana Endowment for the Humanities and the New Orleans Jazz & Heritage Foundation.

The Booklover’s Guide to New Orleans (LSU Press, 2013) by Susan Larson. For years, Susan Larson was the book editor for the New Orleans Times-Picayune and now hosts WWNO’s public radio program The Reading Life. Susan shares her wealth of knowledge for local bookstores, historic landmarks, current literary festivals, and more.

Congo Square: African Roots in New Orleans (University of Louisiana at Lafayette, 2011) by Freddi Williams Evans. This book explores the history of the Sunday gatherings of enslaved Africans at Congo Square beginning in the eighteenth century. Included are stories and descriptions of the songs, dances, and musical instruments of these gatherings. Congo Square is often considered the birth place of American music and continues to be a prominent venue for music festivals and community gatherings.

This past September, the Writers for Migrant Justice campaign readings focused on raising funds for detained and formerly detained migrants on a national level. Here in Houston, we want to continue this effort on a local level. On October 3 the Houston Writers Coalition organized a second reading, Writers for Families Together. The goal was to raise money for two local organizations—Familias Immigrantes y Estudiantes en la Lucha (FIEL) and Kids in Need of Defense (KIND)—which both aid immigrant families facing human rights violations at the Texas–Mexico border.

There were over seventy people in attendance at the reading, which was held at St. Paul’s United Methodist Church in the Museum District. It was a blessed evening as we got to hear from over thirty writers—including poet and teacher Natasha Carrizosa, translator and former Houston poet laureate Robin Davidson, slam poet Loyce Gayo, novelist Daniel Peña, and myself—reading in English and Spanish. It was a truly beautiful night and we hope to continue efforts to support and aid immigrant families in our community.

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