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White Whale Bookstore expands; B. J. Hollars writes in praise of Gary Paulsen’s quieter novels; Avni Vyas discusses conjuring the titular figure in Little God; and other stories.
The men who constructed “Spain’s Elena Ferrante,” Carmen Mola; coauthors Laura Blackett and Eve Gleichman discuss their complementary writing styles; Joss Lake reflects on the speculative elements in Future Feeling; and other stories.
The movement to credit translators on book covers; finalists for this year’s CHIRBy Awards; Gabrielle Drolet writes about the precarity of freelance writing; and other stories.
Three new anthologies, including The FSG Poetry Anthology.
Curious about the pleasures and sounds of nonliterary language, author Rita Bullwinkel has created Oral Florist, an online sound library in which artists and writers read recipes, user manuals, and other encountered texts.
An excerpt from The Art of Revision: The Last Word by Peter Ho Davies, published in November 2021 by Graywolf Press.
Writer Sophie Calle took a job as a maid at a Venice hotel to secretly study the lives of its guests. Her diary of observations and photos compose The Hotel, a book whose provocative methods have inspired other artists.
For one hundred years, PEN International has championed freedom of expression and the rights of writers. This fall, the organization considers its history with an online archive, a Centenary Congress, and a new book documenting their work.
The agent who represents writers TJ Alexander and K. Tempest Bradford, among others, answers questions about being ghosted by agents and how to query for nonfiction books.
In this online supplement to our annual print feature celebrating debut authors over the age of fifty, Jeffrey J. Higa, Ursula Pike, Megan Culhane Galbraith, Michael Kleber-Diggs, and Vinod Busjeet share excerpts from their first books.
