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The publishing industry is unique in letting retailers return unsold stock—a practice with enormous costs for indie presses. The editor of Orison Books breaks down the logistics of fulfillment and suggests ways to reimagine book returns.
A novelist describes her exposure to a multitude of scientific disciplines as the writer-in-residence at the Wisconsin Institute for Discovery and shares how exploring something completely new has lent fresh energy to her work.
As the Common celebrates its fifteenth anniversary, founder and editor in chief Jennifer Acker delves into the thinking behind creating a literary organization and magazine devoted to place.
In response to the unauthorized use of books to train large language models, the developers of Created by Humans propose a solution: negotiation between authors and AI companies to help writers control how their work is used.
In the hostile climate of the current U.S. administration, queer authors persevere through writing and community building, continuing a culture of resistance and defiance that is radically, emphatically, grounded in joy and love.
Superstar literary agent Nicole Aragi talks about what stands out to her in a query, the importance of finding the right agent, and the art of following your nose.
When your work is being judged with all identifying information removed, an artist statement enables you to share who you are as a writer, your motivation, and your influences—creating a map from your now to a dreamed-of future.
Inspired by the possibility of providing complete strangers an opportunity for creativity and catharsis, the Unsent Letter Mailbox started as an interactive urban art project and has now grown into a salon reading series.
Author Jehanne Dubrow recommends rituals to help protect yourself when writing about trauma.
Wherever you are on your personal journey as a writer, a stop at the home of a literary hero can be a revelation, inspiring and invigorating your writing in ways you might not expect.
