Ten Questions for Keetje Kuipers

“I’m a firm believer these days in discomfort on the page, whether it’s sonic, tonal, metaphorical, or imagistic.” —Keetje Kuipers, author of Lonely Women Make Good Lovers
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“I’m a firm believer these days in discomfort on the page, whether it’s sonic, tonal, metaphorical, or imagistic.” —Keetje Kuipers, author of Lonely Women Make Good Lovers
Jehanne Dubrow offers advice to writers wondering whether they are ready to process traumatic experience on the page.
“Editing down is something I dread in the abstract because I know I can lose motivation easily. But this book has ingrained the lesson in me fully.” —Dennis E. Staples, author of Passing Through a Prairie Country
“The magic happens in the writing, on the page. That’s the high.” —Mariam Rahmani, author of Liquid: A Love Story
“This isn’t writer-stuff, it’s life-stuff that bears on the poems.” —Lesley Wheeler, author of Mycocosmic
“I had many beginnings and several endings, and I tried to arrange the poems in a way that might ask why that was.” —Austin Araujo, author of At the Park on the Edge of the Country
“Nothing makes a clunky sentence more obvious than saying it out loud.” —Margie Sarsfield, author of Beta Vulgaris
“All you can do is pay attention to the process, the practice, and see what it does to you, what it does to the people around you, what it does to your dear readers.” —Latif Askia Ba, author of The Choreic Period
Ten authors answer the question: What’s the best piece of writing advice you’ve ever received?
The author of Mothertrucker: Finding Joy on the Loneliest Road in America (Little A, 2021) offers advice on how to make a personal narrative resonate with the wider world.