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“Take a microscope to the face of a beautiful woman and tell me it isn’t grotesque. Poetry is such a broad genre, it covers so many ways of looking.” Kim Hyesoon talks about her newest collection, Autobiography of a Death (New Directions, 2018), translated from the Korean by Don Mee Choi, what it means to be a female poet, and why she thinks poetry is disappearing in this 2018 interview with the Literature Translation Institute of Korea.
Catherine Barnett, Dante Micheaux, and Meredith Stricker have been chosen as the finalists for the 2019 Four Quartets Prize. The annual $20,000 prize, sponsored by the T. S. Eliot Foundation and the Poetry Society of America, is given for a “unified and complete sequence of poems” published in the United States in 2018. The winner will be named at a ceremony in New York City on April 30.
Poets Rowan Ricardo Phillips, Carmen Giménez Smith, and Rosanna Warren judged. “The three finalists for the 2019 Four Quartets Prize represent how the long poem continues to delight, attract, and sustain readers and fellow poets alike into the twenty-first century,” says Phillips. “These poems are daring, expertly crafted, alluring, and infused with a sense of poetic purpose. They rose to the top of an incredibly competitive field of submissions.”
Barnett is nominated for her sequence “Accursed Questions” from her collection Human Hours (Graywolf Press); Micheaux is nominated for his book Circus (Indolent Books); and Stricker is nominated for her chapbook anemochore (Newfound Press). “That the finalist list comprises three different modes of the long poem—the book-length poem, the extended lyric passage, and the chapbook—speaks to the vital diversity of the form,” says Phillips, “for they suggest, rather emphatically, that the American long poem sequence is in good health and in good hands today and going forward into the future.”
Alice Quinn, the executive director of the Poetry Society of America, agrees. “The recent proliferation of chapbook publication in America and of journal publication of sequences of poems has fostered an extraordinary climate for this prize, which is becoming a beacon, holding out hope of significant recognition and reward for achievement in this area of poetic endeavor.”
The London-based T. S. Eliot Foundation and the New York City–based Poetry Society of America established the prize last year on the seventy-fifth anniversary of the publication of T. S. Eliot’s Four Quartets in America. Clare Reihill, the director of the T. S. Eliot Foundation, says the two organizations launched the award because she “sensed T. S. Eliot’s presence in the land of his birth and early life had somewhat fallen away.” Born in Saint Louis, Eliot spent the majority of his life in the England, where he wrote two of the most important long poems of the twentieth century, The Waste Land and Four Quartets.
Danez Smith won the inaugural prize for their lyric sequence “summer, somewhere” from Don’t Call Us Dead (Graywolf Press).
Photos (left to right): Catherine Barnett, Dante Micheaux, Meredith Stricker
As we head into the end of March, consider submitting to these writing contests for poets and prose writers. Each contest offers a prize of at least $1,000 and has a deadline of March 31.
Arts & Letters Prizes: Three prizes of $1,000 each and publication in Arts & Letters are given annually for a group of poems, a short story, and an essay. GennaRose Nethercott will judge in poetry, Peter Nichols will judge in fiction, and Pam Houston will judge in nonfiction. Entry fee: $20. Deadline: March 31.
Bellingham Review Literary Awards: Three prizes of $1,000 each and publication in Bellingham Review are given annually for works of poetry, fiction, and creative nonfiction. The 49th Parallel Award for Poetry is given for a poem or group of poems; Nickole Brown will judge. The Tobias Wolff Award for Fiction is given for a short story; Robin Hemley will judge. The Annie Dillard Award for Creative Nonfiction is given for an essay; Ira Sukrungruang will judge. Entry fee: $20. Deadline: March 31.
Black Lawrence Press Hudson Prize: A prize of $1,000, publication by Black Lawrence Press, and 10 author copies is given annually for a collection of poems or short stories. The editors will judge. Entry fee: $25. Deadline: March 31.
Bosque Press Fiction Prize: A prize of $1,000 and publication in bosque is given annually for a short story or a novel excerpt by a writer over the age of 40. Julie Williams will judge. Entry fee: $22. Deadline: March 31.
Elixir Press Antivenom Poetry Award: A prize of $1,000 and publication by Elixir Press is given annually for a first or second poetry collection. Ariana-Sophia Kartsonis will judge. Entry fee: None. Deadline: March 31.
Fish Publishing Poetry Prize: A prize of €1,000 (approximately $1,180) and publication in the Fish Publishing anthology is given annually for a single poem. The winner is also invited to read at the anthology launch event at the West Cork Literary Festival in July. Billy Collins will judge. Entry fee: $17. Deadline: March 31.
Florida Review Editors’ Awards: Three prizes of $1,000 each and publication in Florida Review are given annually for a group of poems, a short story, and an essay. The editors will judge. Entry fee: $25. Deadline: March 31.
Indiana Review Poetry and Fiction Prizes: Two prizes of $1,000 each and publication in Indiana Review are given annually for a group of poems and a story. Entry fee: $20. Deadline: March 31.
Lascaux Review Poetry Prize: A prize of $1,000 and publication in Lascaux Review is given annually for a single poem. Entry fee: $15. Deadline: March 31.
Narrative Winter Story Contest: A prize of $2,500 and publication in Narrative is given annually for a short story, a short short story, an essay, or an excerpt from a longer work of fiction or creative nonfiction. A second-place prize of $1,000 is also awarded. The editors will judge. Entry fee: $26. Deadline: March 31.
Press 53 Prime Number Magazine Awards: Two prizes of $1,000 each and publication in Prime Number Magazine are given annually for a poem and a short story. Ginger Murchison will judge in poetry and Pinckney Benedict will judge in fiction. Entry fee: $15. Deadline: March 31.
Red Hen Press Nonfiction Award: A prize of $1,000 and publication by Red Hen Press is given annually for an essay collection, memoir, or book of narrative nonfiction. Nikki Moustaki will judge. Entry fee: $25. Deadline: March 31.
Willie Morris Award for Southern Poetry: A prize of $2,500 will be given annually for poem that exudes the American South in spirit, history, landscape, or experience. The winner will also receive an all-expenses-paid trip to New York City in October. Susan Kinsolving will judge. Entry fee: None. Deadline: March 31.
Visit the contest websites for complete guidelines, and check out the Poets & Writers Grants & Awards database and Submission Calendar for more contests in poetry, fiction, and creative nonfiction.
“I have to wait a long time / for the softer voice of his own / to come through.” In this 2012 reading, the late Mary Oliver reads a selection of poems from her book A Thousand Mornings (Penguin Press, 2012) at the 92nd Street Y.
“Sometimes people love us in ways we do not understand how to be loved.” In this Button Poetry video, Blythe Baird, author of the debut poetry collection, If My Body Could Speak (Button Poetry, 2019), reads her poem “An Invitation.”
“I’ve always been interested in a bigger form, one that doesn’t just rest quietly on the page,” Anne Waldman said in a 2017 Wire interview in which she talked about mixing forms and incorporating song and chant into her work. “Rather than reading quietly, I feel the physical need to do something bigger.” In a New York Times review of Waldman’s most recent collection, Trickster Feminism (Penguin, 2018), Daisy Fried wrote, “The metaphor that comes to mind is of a river, its great volume washing by,” noting Waldman’s coverage of matters “ancient and contemporary, local and global.” Try writing a dynamic poem that washes by like a loud river, flowing through a wide range of topics. Don’t be afraid to mix the public with the personal, the ancient with the contemporary, the magical or spiritual with the mundane or mechanical. Imbue your lines with a playfully performative quality; read them out loud for rhythm as you compose them.
The Academy of American Poets announced today that Li-Young Lee has chosen Leah Naomi Green as the winner of the 2019 Walt Whitman Award for her collection, The More Extravagant Feast. Green will receive $5,000, a six-week all-expenses-paid residency at the Civitella Ranieri Center in Umbria, Italy, and publication of her collection by Graywolf Press in April 2020. The Academy will also purchase and distribute thousands of copies of her book to its members.
“This book keeps faithful company with the world and earns its name,” says Lee. “The darkness and suffering of living on earth are assumed in this work, woven throughout the fabric of its lineated perceptions and insights, and yet it is ultimately informed by the deep logic of compassion (is there a deeper human logic?) and enacts the wisdom of desire and fecundity reconciled with knowledge of death and boundedness.”
Green lives in the Shenandoah Mountains where she teaches at Washington and Lee University. The author of the chapbook The Ones We Have (Flying Trout Press, 2012), she has published poems in Tin House, Southern Review, and Pleiades.
Established in 1975, the annual Walt Whitman Award is considered one of the most prestigious first-book contests in poetry. Recent winners of the prize include Emily Skaja for Brute, Jenny Xie for Eye Level, and Mai Der Vang for Afterland.
A residency of two weeks or one month in November is offered to a poet, a fiction writer, or a nonfiction writer at a private apartment in Brooklyn, New York. The resident is provided with some meals. Writers over the age of 24 who are not residents of New York City are eligible. Submit via postal mail a writing sample of 7 to 10 poems or one to two stories or essays of up to 30 pages, a project description, a brief bio, and a résumé with a $10 application fee by August 30. Visit the website for complete guidelines.
Writers at the Eyrie, 118 North Ninth Street, Brooklyn, NY 11249. Margot Farrington, Director.
“The freedom an oak tree knows. / That is built at night by stars.” In this video, Linda Gregg reads “The Weight” and “Alone With the Goddess” from her poetry collection All of It Singing (Graywolf Press, 2008) at the 2006 Dodge Poetry Festival. Gregg died at the age of seventy-six on March 20, 2019.
At a ceremony tonight in New York City, the Whiting Foundation announced the recipients of its 2019 Whiting Awards. The annual $50,000 awards are given to emerging poets, fiction writers, nonfiction writers, and dramatists on the basis of “early-career achievement and the promise of superior literary work to come.”
The ten winners are poets Kayleb Rae Candrilli, Tyree Daye, and Vanessa Angélica Villarreal; fiction writers Hernan Diaz, Nafissa Thompson-Spires, and Merritt Tierce; nonfiction writers Terese Marie Mailhot and Nadia Owusu; and dramatists Michael R. Jackson and Lauren Yee. Find out more about the winners at the Whiting Foundation website, and read excerpts of their work at the Paris Review.
Since establishing the awards in 1985, the Whiting Foundation has awarded $8 million to 340 emerging writers. Previous winners include poets Terrance Hayes and Jorie Graham and fiction writers Colson Whitehead and Denis Johnson. Last year’s winners included poets Anne Boyer and Tommy Pico, fiction writers Patty Yumi Cottrell and Weike Wang, and nonfiction writer Esmé Weijun Wang.
The annual awards are not open to submissions. A group of writers, professors, editors, agents, critics, booksellers, and other literary professionals nominate writers; a smaller panel of writers, scholars, and editors select the winners. In addition to the Whiting Awards, the Whiting Foundation administers grants to creative nonfiction writers, scholars in the humanities, literary magazines, and people who work “to preserve, document, and disseminate the timeless cultural heritage that is under threat around the world.”
Photos clockwise from top left: Kayleb Rae Candrilli, Tyree Daye, and Vanessa Angélica Villarreal; fiction writers Hernan Diaz, Nafissa Thompson-Spires, Lauren Yee, Michael R. Jackson, Nadia Owusu, Terese Marie Mailhot, and Merritt Tierce.
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