Genre: Poetry

Moving Movements

“I remember what it did to me. I got up and I began to wave my hands above my head, alone in the dark,” writes Moeko Fujii in the New Yorker about watching the final scene of Claire Denis’s 1999 movie Beau Travail, in which the protagonist bursts into dance while alone at a nightclub—a captivating glimpse of a private exuberance rising momentarily to the surface. Think of a memorable scene from a favorite movie that has a character joyfully engaged in a physical activity—dancing, running, singing, cooking—that has made you feel something resonant, and perhaps inspired you to move your own body. Write a poem about this connection and the impact it had on you.

Cafe con Libros

Cafe con Libros is an intersectional feminist bookstore welcoming of all who stand with and on behalf of the full human rights of womxn and girls. Located in the Crown Heights neighborhood of Brooklyn, this bookstore and café hosts a regular reading series and community book clubs.

Deadline Approaches for Spoon River Poetry Review Editors’ Prize

Submissions are currently open for the Spoon River Poetry Review Editors’ Prize Contest. The annual contest awards $1,000 and publication in the journal to a single poem. The winning poet will also be invited to read at the annual Lucia Getsi Reading Series held in Bloomington, Illinois. Two runners-up will also each receive $100.

Using the online submission system, submit up to three previously unpublished poems totaling no more than 10 pages with a $20 entry fee, which includes a yearlong subscription to the review. The deadline is April 15. All entries will be considered for publication. Visit the website for complete guidelines.

The judge, who will write an introduction to the winning poem, will be announced after the winner is selected. Recent judges include G. C. Waldrep, Rachel Zucker, Joshua Corey, Juliana Spahr, David Baker, and C. S. Giscombe. Last year, Li-Young Lee selected Mark Svenvold’s poem “Immigration Algorithm (Application Form D (3) b (1) a)” as the winning entry.

Founded in 1976, Spoon River Poetry Review is housed at Illinois State University and celebrates “a poetics of emplacement: writing that reveals the borders of our comfort zones as sites of connection rather than irreconcilable difference.” Kirstin Hotelling Zona has been editor since 2010.

Tomatoes on Your Eyes

TED Talks have been translated into over one hundred languages, and their translators are often challenged by peculiar turns of phrase. Inspired by this predicament, TED asked translators from around the world to share their favorite idioms along with baffling literal English translations such as “the thief has a burning hat,” a Russian phrase that means, “he has an uneasy conscience that betrays itself.” This week, write a poem that incorporates one or more of these eccentric sayings and create a world in which the literal interpretation holds water. Use the five senses—sight, hearing, taste, smell, touch—to help illustrate these verbal expressions and your interpretation of them.

Ten Questions for Emily Skaja

by
Staff
4.2.19

“There’s a lot of mystery in my writing process, and I have the suspicion that I’m doing all the steps out of order.” —Emily Skaja, author of Brute

A Thriving Writing Workshop in San Bernardino

Romaine Washington, MEd., is the author of the poetry collection, Sirens in Her Belly (Jamii Publishing, 2015), and a fellow of the Inland Area Writing Project at the University of California in Riverside and the Watering Hole in South Carolina. She writes about her experience as the workshop facilitator for the San Bernardino Inlandia Writing Workshop sponsored by the Inlandia Institute. The library workshop is one of many free writing workshops organized by the Inlandia Institute in California’s Inland Empire region, and cosponsored by Poets & Writers.

Over a year ago, I began attending the San Bernardino Inlandia Institute workshop located in the cozy Howard M. Rowe Branch Library. Facilitator Allyson Jeffredo shared her vision of creating a workshop steeped in honest conversation and a safe space. We were instructed to discuss the heart of the work which primed us to be receptive to constructive critique. Her mission of guiding us to our best writing selves was the perfect example of an effective workshop leader.

When Allyson moved, I was invited to be the facilitator and inherited a healthy workshop with friendly, patient, and creatively curious people like former social worker Charlotte LeVecque, who taught us about her love of horses in a poem titled “The Jump”:

He takes off
                         not a foot on the ground
My horse and I take wing

Our haiku guru, Cynthia Charlwood Pringle, transported us to a mini-retreat with these lines:

ocean inhales, holds
its breath – pauses – releases
foamy crescent domes

Our workshop participants range in age from mid-twenties to eighties, from college students to retirees. The octogenarian from Germany and the dancer in her twenties who works with at-risk youth have a mutual admiration for each other’s poetry and joie de vivre. The creative process, natural flow in fellowship, and mutual respect makes each meeting memorable.

We’ve had visits from guest presenters like Marilyn Kallet, the poet laureate of Knoxville, Tennessee, whose dynamic presentation focused on “Joy in Everyday Things.” We went on a library scavenger hunt for inspiration and read impromptu lines with Kallet, but we were all most deeply moved when she read from her work.

For our next meeting, we will have guest presenter and local author Isabel Quintero, whose debut novel, Gabi, a Girl in Pieces (Cinco Puntos Press, 2014), won the 2015 Morris Award for Debut YA Fiction. She will speak to us about expressing our authentic voice. I am excited to see how this will impact our writing.

With each meeting I see growth in what is produced and the quality of constructive comments. Having inherited such a wonderful workshop, my mission is to see each person continue to thrive.

Support for Readings & Workshops in California is provided by the California Arts Council, a state agency, and the National Endowment for the Arts, a federal agency. Additional support comes from the Friends of Poets & Writers.

Photos: (top) Romaine Washington (Credit: Romaine Washington); (middle) Workshop participants with Romaine Washington (center), guest presenter Marilyn Kallet (left of center), and Inlandia Institute executive director Cati Porter (right of center) (Credit: Romaine Washington); (bottom) San Bernardino Inlandia workshop (Credit: Alex Arteava).

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