Genre: Poetry

Words on Terror

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I feel like I must muzzle myself, / I told my psychiatrist. / ‘So you feel dangerous?’ she said. / Yes. / ‘So you feel like a threat?’ / Yes. / Why was I so surprised to hear it?” At the Asian American Writers' Workshop, Solmaz Sharif reads from her debut poetry collection, Look (Graywolf Press, 2016), which is longlisted for the 2016 National Book Award in poetry. Sharif is joined by poets Rickey Laurentiis, Mariam Ghani, and Cathy Park Hong, who they read her work and their own, and join in a discussion.

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Conspiracy: A Suite by Angel Nafis

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“Here go a paycheck with your / name spelled right. Here go trees that applaud. Here go / what your whole body remember.” In this video, Angel Nafis reads a poem for the WordXWord Festival's Tuesday Project. Nafis is the author of BlackGirl Mansion, which was published by Red Beard Press/New School Poetics in 2012.

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Road Dog for Poetry

Craig Czury has spent three decades conducting poetry, life-writing, and writing as healing workshops in schools, universities, community centers, juvenile detention centers, homeless shelters, and mental hospitals. Czury is a lecturer at Albright University, an editor, publisher, tireless arts advocate, and the author of over twenty books of poetry, most recently, Thumb Notes Almanac: Hitchhiking the Marcellus Shale (FootHills Publishing, 2016), a poetry documentary woven from his hitchhiking interviews and observations taken while hitchhiking through the heart of "fracking" in his home region of Northeastern Pennsylvania. He is the cohost and artistic director of the Old School Poetry Series at the Springville Schoolhouse Art Studios, where he lives, works, and plays bocce.

ROAD DOG FOR POETRY
By Craig Czury

BECAUSE

Because I will never know where it is you find
your courage to speak without fear of punishment
   fear of ridicule  or invasion

Because I am always a stranger  new in town
                        new in school  new among best friends

But when we speak to each other from that place
inside ourselves where we're not afraid
      even if it's the kitchen where we don't sleep at night
our words don't turn back on us like a cracked mirror
in the world that wears masks

Because

Because when your voice sifts through me
I need to talk with you from a familiar table
               table set by the silenced  not allowed voices

so we can sit  talk and find out where we are

I’ve been a road dog for poetry ever since I was awarded the First Book Award from the Montana Arts Council in 1980. Invitations to conduct poetry writing workshops in schools began coming in and I found out that I was really good at stepping into a classroom and exciting students with language, getting them to write their own poems. For the next twenty-five years I made my living as an itinerant poet in schools, prisons, homeless shelters, mental hospitals, and community centers through various state arts councils and arts foundations, until No Child Left Behind knocked us all out of the water. In 2005 I went back to school to get an MFA in creative writing at Wilkes University and began teaching as an adjunct professor at Albright College, a small private school in Pennsylvania—not at all the same game as stepping into a room, making it spontaneously combust with poetry, and driving off to my next unknown excitement.

With the publication of my new book, Thumb Notes Almanac: Hitchhiking the Marcelus Shale, I took a leave of absence from my college teaching, bought a ’99 Volvo station wagon to bunk in, and, thanks to my publisher Michael Czarnecki of FootHills Publishing for introducing me to Poets & Writers, and my agent Kimberly Crafton, I set up a reading series throughout upstate New York. Within six months, I rolled into Cuba, Peru, Rome, Macedon, Utica, Bath, Endicott—global names of towns fitting the global consciousness of poetry. The salary I earned from my P&W–sponsored workshops and readings, afforded me airfare to Italy for a reading tour in May and June, where Thumb Notes Almanac had been translated and published into Italian. And when I returned, P&W kept me afloat to not only work on my next book of poems, but to encourage others, in out-of-the-way communities, to explore and take more seriously their own writing.

In the words of poet Carol Elaine Deys at Books Etc. in Macedon:

Expansive, eternal and occasionally soundless
in the world of choice - the every day world -
the world which requires us to sustain.
We write.
We determine as whole and well on Planet Earth.
We sustain, because we must.
The Voice of the Poet remains intact despite all
rumors to the contrary -
and we shall be blessed because of it.

Photos: Craig Czury.  Photo credit: Kimberly Glemboski

Support for the Readings & Workshops Program in New York  is provided, in part, by public funds from the New York State Council on the Arts, with additional support from Friends of Poets & Writers.

Dear President

10.11.16

Taking inspiration from the “Dear President” feature in the September/October issue of Poets & Writers Magazine, in which fifty American poets and writers were asked to write several sentences addressing the next president, write a short poem of address that starts with the words, “Dear President.” Touch upon one or two of the most important issues to you about contemporary society and/or government. Share any advice, wisdom, wishes, or requests.

Finalists for National Book Awards Announced

The National Book Foundation has announced the finalists for the 2016 National Book Awards. The annual prizes are given for books of poetry, fiction, creative nonfiction, and young people’s literature published in the previous year. The winners receive $10,000; each finalist receives $1,000. The winners will be announced on November 16 at an awards ceremony in New York City.

The finalists in poetry are:
Daniel Borzutzky, The Performance of Becoming Human (Brooklyn Arts Press)
Rita Dove, Collected Poems 1974–2004 (Norton)
Peter GizziArcheophonics (Wesleyan University Press)
Jay Hopler, The Abridged History of Rainfall (McSweeney’s)
Solmaz SharifLook (Graywolf Press)

Mark Bibbins, Jericho Brown, Katie Ford, Joy Harjo, and Tree Swenson judged.

The finalists in fiction are:
Chris Bachelder
The Throwback Special (Norton)
Paulette JilesNews of the World (William Morrow)
Karan MahajanThe Association of Small Bombs (Viking)
Colson WhiteheadThe Underground Railroad (Doubleday)
Jacqueline Woodson, Another Brooklyn (Amistad)

James English, Karen Joy Fowler, T. Geronimo Johnson, Julie Otsuka, and Jesmyn Ward judged.

The finalists in nonfiction are:
Arlie Russell HochschildStrangers in Their Own Land: Anger and Mourning on the American Right (The New Press)
Ibram X. KendiStamped From the Beginning: The Definitive History of Racist Ideas in America (Nation Books)
Viet Thanh Nguyen, Nothing Ever Dies: Vietnam and the Memory of War (Harvard University Press)
Andrés Reséndez, The Other Slavery: The Uncovered Story of Indian Enslavement in America (Houghton Mifflin Harcourt)
Heather Ann ThompsonBlood in the Water: The Attica Prison Uprising of 1971 and Its Legacy (Pantheon Books)

Cynthia Barnett, Masha Gessen, Greg Grandin, and Ronald Rosbottom judged. 

The longlists for the awards were announced in September. Established in 1950, the National Book Awards are among the literary world’s most prestigious prizes. The 2015 winners were Robin Coste Lewis in poetry for Voyage of the Sable Venus (Knopf), Adam Johnson in fiction for Fortune Smiles (Random House), and Ta-Nehisi Coates in nonfiction for Between the World and Me (Spiegel & Grau).

All the Thoughts at a Football Game

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“but she / notices distant jagged / zones on fire where the Company battles...” U.S. Poet Laureate Juan Felipe Herrera reads his poem “All the Thoughts at a Football Game” as part of Dear Poet, the Academy of American Poets’ educational project for National Poetry Month.

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Juan Felipe Herrera on the Art of Revision

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“You’re gonna pierce the page and you’re gonna pierce infinity.” U.S. poet laureate Juan Felipe Herrera discusses the art of revision at Poets Forum 2014 with Naomi Shihab Nye and C. D. Wright, as part of the Academy of American Poets’ Chancellors Conversations.

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An Amorous Discourse in the Suburbs of Hell

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“I decided that she was a cross between Tina Turner and maybe Walter Benjamin or Baudelaire, perhaps a little bit of Angela Carter’s wonderful aerialist in Nights at the Circus...” Deborah Levy, whose novel Hot Milk (Bloomsbury, 2016) is shortlisted for the 2016 Man Booker Prize, reads from and talks about her inspiration and the characters in her dramatic verse book, An Amorous Discourse in the Suburbs of Hell (And Other Stories, 2014).

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