Genre: Poetry

Silvina López Medin was born in Buenos Aires. She is the author of three books of poetry: La noche de los bueyes (Madrid, 1999), awarded the International Young Poetry Prize by the Loewe Foundation; Esa sal en la lengua para decir manglar (Buenos Aires, 2014); and 62 brazadas (Buenos Aires, 2015). Her play Exactamente bajo el sol opened at Teatro del Pueblo in 2008. With poet Mirta Rosenberg, she has also translated Anne Carson’s Eros the Bittersweet. She collaborates with Señal, a chapbook series for contemporary poetry from Latin America, published by Ugly Duckling Presse, BOMB Magazine, and Libros Antena Books.

We are very pleased to announce the Señal Tour, a set of bilingual readings and discussions with authors and translators from the Señal Series, featuring poets Luis Felipe Fabre from Mexico, Florencia Castellano and Pablo Katchadjian from Argentina, and their translators John Pluecker, Alexis Almeida, Rebekah Smith, Victoria Cóccaro, and Stalina Emmanuelle Villarreal (reading Sor Juana). The Señal Tour will take place from October 8 to October 14 in Oakland, San Francisco, Chicago, and New York, starting with a curated reading at the American Literary Translators Association (ALTA) Conference and ending at the beloved Poetry Project.

Señal is a chapbook series for contemporary poetry from Latin America in bilingual editions, published collaboratively by BOMB Magazine, Libros Antena Books, and Ugly Duckling Presse. Founded in 2015, Señal publishes two chapbooks a year, linked either thematically, conceptually, or trans-historically, troubling received ideas on what the terms “contemporary” and “Latin America” might represent.

When Señal was created, our goal was to bring more Latin American poetry to English readers, to make more porous the boundaries that bring so much English-language literature into other languages, and celebrate work not written in English, here in the United States and in many other countries. We do this with the books we publish, and in bringing together poets, translators, and editors to read, share, and discuss.

Now, with this tour, we are proud and excited to have poets and translators getting together to present, listen, and exchange ideas. In a time where things tend to be virtual, we love the prospect of all these different voices and languages actually coming together to speak and read in person, interact with an audience, and keep things live.

This is a huge international poetry event for a small press (four cities, six venues, three international poets, five translators), which means a great effort and need for resources, and we couldn’t have done it without the support of Poets & Writers. Their generous help has been essential to make it happen. Now we are eager to meet the Spanish and English-speaking members of the audience, who are, or hopefully will become, Señal readers and lovers of Latin American poetry.

RSVP on Facebook for the Señal Tour:

October 9: Señal at ATA, San Francisco

October 11: Señal at Poetry Foundation, Chicago

October 12: Señal at Sector 2337, Chicago

October 13: Señal Reading at NYU

October 14: Señal Reading at the Poetry Project

Photo: Silvina López Medin. Photo credit: Martin Sonzogni.

Support for Readings & Workshops in New York City is provided, in part, by public funds from the New York State Council on the Arts, and the New York City Department of Cultural Affairs, with additional support from the Louis & Anne Abrons Foundation, the Axe-Houghton Foundation, the A.K. Starr Charitable Trust, and the Friends of Poets & Writers.

Hollywood has a long tradition of remaking films and television shows from decades gone by, including recent or forthcoming reboots of The Magnificent Seven, Die Hard, Full House, The Fresh Prince of Bel Air, Point Break, MacGyver, Twin Peaks, Splash, and Mary Poppins. Write a remake of a poem written between the 1960s and 1980s. Select two major elements to retain from the original poem such as setting, narrative voice, overarching formal structure, or emotional progression, and then give it a fresh, new spin by altering other aspects of the poem.

This morning, the MacArthur Foundation announced the twenty-three recipients of its 2016 fellowships. Also known as “Genius Grants,” the annual fellowships of $625,000 each—which are distributed to recipients over a period of five years—are given to individuals who “have shown extraordinary originality and dedication in their creative pursuits and a marked capacity of self-direction.”

Five writers received fellowships this year, including poet Claudia Rankine, creative nonfiction writer Maggie Nelson, journalist Sarah Stillman, graphic novelist Gene Luen Yang, and playwright Branden Jacobs-Jenkins.

The author of five books, Claudia Rankine is “a poet illuminating the emotional and psychic tensions that mark the experiences of many living in twenty-first-century America,” the announcement stated. Her award-winning 2014 collection, Citizen: An American Lyric, interrogates racially charged violence through poetry, documentary prose, and images to “convey the heavy toll that the accumulation of these day-to-day encounters exact on black Americans.”

Maggie Nelson has written five books of creative nonfiction, including The Red Parts (2007), Bluets (2009), The Art of Cruelty (2011), and The Argonauts (2015), as well as several poetry collections. The MacArthur Foundation writes that Nelson is “forging a new mode of nonfiction that transcends the divide between the personal and the intellectual and renders pressing issues of our time into portraits of day-to-day lived experience.” 

Now in its thirty-fifth year, the MacArthur Fellows Program encourages exceptional individuals across a broad range of fields to pursue their creative, intellectual, and professional projects. Fellows are recommended by external nominations, and then chosen by an anonymous selection committee; there is no application process. Between twenty and thirty fellows are selected each year.

For a complete list of this year’s recipients and more details about the fellowships, visit the MacArthur Foundation website.

(Photos from left: Claudia Rankine, Maggie Nelson)