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Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
Novelist Catherine Lacey’s latest book, The Art of the Affair: An Illustrated History of Love, Sex, and Artistic Influence, maps romantic entanglements, collaborations, and friendships between famous writers and artists, and features original artwork by Forsyth Harmon.
A new literary trend is gaining traction across the country: Silent Book Clubs, parties in which a group of people gather at a bar, library, or private home to read together silently.
Literary MagNet highlights an author alongside the journals that have published that author’s work. This issue’s MagNet features Aaron Gilbreath, who takes us through five journals that first published essays appearing in his debut essay collection, Everything We Don’t Know (Curbside Splendor).
“The M Word: Muslim Americans Take the Mic,” a new series of readings and events from PEN America, aims to give voice to Muslim American writers and advance the conversation about the challenges that Muslims face today.
With so many good books being published every month, some literary titles worth exploring can get lost in the stacks. Page One highlights the first lines of a dozen recently released books, including Roxane Gay’s Difficult Women and Kevin Wilson’s Perfect Little World, offering a glimpse into the worlds of these new and noteworthy titles.
John Freeman, founder and editor of the new biannual Freeman’s, discusses his goals for the journal, including durability, an international focus, expansive themes, and superlative storytelling.
Literary MagNet highlights an author alongside the journals that have published that author’s work. This issue’s MagNet features poet Paisley Rekdal, who takes us through five journals that first published poems appearing in her forthcoming collection, Imaginary Vessels.
At community writing centers across the country, new workshop models offer sustained support for writers undertaking book-length projects, including novels and memoirs, satisfying a demand left unmet by MFA programs and shorter-term writing courses.
The New York Shakespeare Exchange is working with filmmakers and directors to produce collaborative video adaptations of Shakespeare’s sonnets, bringing the Bard’s timeless poems to a new audience.
Now in its fifth year, the Pilgrim features original writing from members of Boston’s homeless community, who come together on a weekly basis to share their stories, hone their craft, and support each other’s personal and literary growth.
With so many good books being published every month, some literary titles worth exploring can get lost in the stacks. Page One highlights the first lines of a dozen recently released books, including Zadie Smith’s Swing Time and Fanny Howe’s The Needle’s Eye, offering a glimpse into the worlds of these new and noteworthy titles.
Writer and editor Daniel Menaker compiles over one hundred amusing verbal blunders in his new book, The African Svelte: Ingenious Misspellings That Make Surprising Sense (Houghton Mifflin Harcourt, 2016), illustrated by New Yorker cartoonist Roz Chast.
Literary MagNet highlights an author alongside the journals that have published that author’s work. This issue’s MagNet features fiction writer Matt Bell, who takes us through five journals that first published pieces appearing in his latest collection, A Tree or a Person or a Wall.
Celebrating its fortieth anniversary this year, the Just Buffalo Literary Center offers workshops, youth programs, events, an international authors series, and an unmatched literary community in western New York.
At the University of Pittsburgh, poets Dawn Lundy Martin, Terrance Hayes, and Yona Harvey recently established the Center for African American Poetry and Poetics—a creative think tank dedicated to African American poets.
With so many good books being published every month, some literary titles worth exploring can get lost in the stacks. Page One offers the first lines of a dozen recently released books, including Jonathan Safran Foer’s Here I Am and Monica Youn’s Blackacre, as the starting point for a closer look at these new and noteworthy titles.
Tracy Sherrod, current editorial director of Amistad Press, discusses how the publisher of multicultural voices has changed over its thirty-year history, as well as the challenges it faces today.
Small Press Points highlights the innovation and can-do spirit of independent presses. This issue features the Salt Lake City–based Torrey House Press. Established in 2010 by Kristen Johanna Allen and Mark Bailey, the nonprofit press releases six to eight fiction titles each year that focus on the American West, specifically as it relates to human relationships and the natural world.
Now in its second year, the BinderCon professional development conference, held biannually in New York and Los Angeles, works to champion and connect women and gender nonconforming writers.
With so many good books being published every month, some literary titles worth exploring can get lost in the stacks. Page One offers the first lines of a dozen recently released books, including Tig Notaro’s memoir, I’m Just a Person, and Mangalesh Dabral’s sixth poetry collection, This Number Does Not Exist, translated from the Hindi by Arvind Krishna Mehrotra.
Small Press Points highlights the innovation and can-do spirit of independent presses. This issue features the Mobile, Alabama–based Negative Capability Press, a nonprofit publisher seeking to publish new work that embodies the Keatsian formulation that “a man is capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason….”
In his latest publishing venture, blockbuster novelist James Patterson has launched his “lightening-paced” novel series, BookShots, part of his ongoing efforts to support literacy and reach new readers.
The founders of revivalist press Emily Books talk about their recent partnership with Coffee House Press, staying true to their ethics, and sustaining the future of “weird books by women.”
Over the past decade, Scottish artist Robert Montgomery has created text and light installations across the world consisting of short poems made from neon, wood, and fire.
