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Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
With so many good books being published every month, some literary titles worth exploring can get lost in the stacks. Page One offers the first lines of a dozen recently released books, including Aimee Bender's The Particular Sadness of Lemon Cake and Joshua Mohr's Termite Parade, as the starting point for a closer look at these new and noteworthy titles.
The Rolex Mentor and Protégé Arts Initiative recently announced that this year’s mentor in literature, German writer Hans Magnus Enzensberger, has chosen as his protégée American poet Tracy K. Smith. This is the fifth year a mentorship has been awarded to a writer, and the first time the winning writer has hailed from the United States.
Small Press Points highlights the happenings of the small press players. This issue features Blue Hour Press, an independent poetry publisher in Tuscaloosa, Alabama, that is “dedicated to bridging the gap between the beauty and tradition of print and the accessibility and possibility of the Web, releasing digital chapbooks that are satisfying, respectable, and innovative.”
On the fifth anniversary of Hurricane Katrina, several local and national arts organizations, including the Pirate’s Alley Faulkner Society and the Poetry Society of America, are presenting readings in New Orleans to commemorate all that was lost—the lives, homes, businesses, and communities—and to celebrate a flourishing of the literary arts in the area since the storm.
Small Press Points highlights the happenings of the small press players. This issue features CityLit Press, an independent publisher based in Baltimore that provides a venue for writers who might otherwise be ignored by larger independent or commercial publishers.
The Poetry Society of America, the oldest poetry organization in the country, is marking its centennial this year with a number of special events that are being held across the country.
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features Little Star, Still Crazy, the Paris Review, the Southwest Review, Alaska Quarterly Review, DIAGRAM, and Linebreak.
Broadsided, a monthly literature-and-art project that brings poetry and prose into people's everyday lives by posting it in public spaces, reaches beyond local schools, streets, and shops to take open-air publishing global.
Curbstone Press, the independent, nonprofit publisher that for more than three decades published international literature in Willimantic, Connecticut, and Northwestern University Press in Chicago agreed late last year to form a partnership.
With so many good books being published every month, some literary titles worth exploring can get lost in the stacks. Page One offers the first lines of a dozen recently released books, including Dorothea Lasky's Black Life and Travis Nichols's Off We Go Into the Wild Blue Yonder, as the starting point for a closer look at these new and noteworthy titles.
In this feature, we offer a few suggestions for podcasts, smartphone apps, Web tools, newsletters, museum shows, and gallery openings: a medley of literary curiosities that you might enjoy. And if you don't? Quit complaining, they're free.
A look at a sculpture by U.K. artist Su Blackwell, one of the thirty-three artists showcased in the art book and craft guide Playing With Books: The Art of Upcycling, Deconstructing, and Reimagining the Book, published by Quarry Books in April.
Since last fall, an Alameda, California–based start-up has been blending digital text, images, video, and social networking to produce what it calls "vooks" (a portmanteau word formed from video and book), which can be accessed through any Web browser or downloaded to mobile devices via Apple's iTunes Store.
Advancements in print-on-demand technology, such as the Espresso Book Machine, are offering publishers and authors alike new opportunities to bridge the still-pronounced divide between electronic and "tangible" publishing.
A look at one of the images from Fallen Books—a collection of photographs from earthquake-rattled libraries, published by the Paris-based independent Onestar Press in 2008—which will be on display at the BRIC Rotunda Gallery in Brooklyn, New York, from March 25 to May 1.
Beginning this year New Poets for Peace, the New York City branch of Poets for Peace—a grassroots group that for the past decade has held free, donation-optional readings across the country to raise funds for international relief organizations—plans to host an event every six weeks in Manhattan, including a special reading and silent auction on March 21 in observance of the seventh anniversary of the U.S. military's invasion of Iraq.
After six years of running Soul Mountain Retreat at her own home in East Haddam, Connecticut, founder and executive director Marilyn Nelson speaks about her experience as she enters her final year at the helm of the unique retreat.
Small Press Points highlights the happenings of the small press players. This issue features Ampersand Books, an independent publisher based in Gulfport, Florida.
When wildfire tore through Dorland Mountain Arts Colony in the spring of 2004, nearly everything, aside from some tall oak trees, was destroyed. Now, after almost six years of fund-raising, brainstorming, architectural planning, and construction, Dorland is once again welcoming writers.
With so many good books being published every month, some literary titles worth exploring can get lost in the stacks. Page One offers the first lines of a dozen recently released books, including Dan Chiasson's Where's the Moon, There's the Moon and Monika Fagerholm's The American Girl, as the starting point for a closer look at these new and noteworthy titles.
In this new feature, we offer a few suggestions for podcasts, smartphone apps, Web tools, newsletters, museum shows, and gallery openings: a medley of literary curiosities that you might enjoy. And if you don't? Quit complaining, they're free.
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features Creative Nonfiction, Spinning Jenny, the Beloit Poetry Journal, Natural Bridge, Free Lunch, Abe's Penny, Flurry, and Shape of a Box.
The latest casualty in the ongoing siege of academic presses and literary magazines in the economic downturn was recorded last fall when Northwestern University announced plans to end the forty-five-year run of its prize-winning journal TriQuarterly as a print publication. After the magazine's final print issue this spring, it will become an online-only, student-run publication.
A look at one of the handcrafted books from Somewhere Far From Habit: The Poet and the Artist's Book, an exhibition opening at the Longwood Center for Visual Arts in Farmville, Virginia, which presents thirty collaborations between some of the country's most inspiring poets and accomplished book artists.
It may not have been The Year Print Died, but 2009 will undoubtedly go down as the year digital literature became impossible to ignore. From celebrity authors' crowdsourcing stories through Twitter, to the proliferation of online publishing platforms, to the bruiting discord over the Google Book Search settlement, something new is plainly afoot in the publishing world, even if the ramifications for writers are still more a matter of conjecture than measurement.
