Hybrid Writing and the Nonlinear Story
The author of The Body Alone: A Lyrical Articulation of Chronic Pain contemplates how hybrid writing can capture the nonlinear chronology of pain.
Jump to navigation Skip to content
The author of The Body Alone: A Lyrical Articulation of Chronic Pain contemplates how hybrid writing can capture the nonlinear chronology of pain.
Dedicated to “boundary-breaking prose,” Split/Lip Press is on the hunt for work that raises questions about the status quo and fits their punk aesthetic. The press publishes four titles a year, all selected from open submissions.
The first lines of a dozen noteworthy books, including You Bury the Birds in My Pelvis by Kelly Weber and Irregular Heartbeats at the Park West by Russell Brakefield.
The first lines of a dozen noteworthy books, including Orders of Service: A Fugue by Willie Lee Kinard III and I Would Meet You Anywhere by Susan Kiyo Ito.
An introduction to three new anthologies, including Another Last Call: Poems on Addiction and Deliverance and Black Punk Now: Fiction, Nonfiction, and Comics.
The first lines of a dozen noteworthy books, including As If She Had a Say by Jennifer Fliss and So to Speak by Terrance Hayes.
The first lines of a dozen noteworthy books, including Any Other City by Hazel Jane Plante and Thinning Blood: A Memoir of Family, Myth, and Identity by Leah Myers.
A look at three new anthologies, including A Darker Wilderness: Black Nature Writing From Soil to Stars and Infinite Constellations: An Anthology of Identity, Culture, and Speculative Conjunctions.
The first lines of a dozen noteworthy books, including Welcome Me to the Kingdom by Mai Nardone and Feast by Ina Cariño.