Genre: Creative Nonfiction

Conditions

11.12.20

“A farmer lived, but not well. If she planted grain, it would not sprout. If she grew rice, it would rot. If she tried to raise livestock, they would gasp and choke and die before they’d seen a second dawn,” begins The Rain Heron by Robbie Arnott, a GalleyCrush pick forthcoming from FSG Originals in February. These straightforward conditional sentences help to quickly synthesize information and set the tone for conflict in the story. This week write an essay that begins with a conditional phrase expressing a conflict in your life. Start the first sentence with an “if this, then that” scenario to produce tension and set the stage for what will unfold. 

Beginner’s Mind

11.5.20

“Craft is not simply technical. If we take our craft seriously, or even if we want to play, we must realize that what we bring to craft is the world that crafted us,” writes Joy Priest in an installment of Craft Capsules published in July. “The way we work, our technique, holds all of our subconscious anxieties and desires.” What was the world like that shaped you, and how does it manifest in your writing? Write an essay describing how your childhood shaped the way you think and the choices you make as a writer. Consider the questions that Priest poses throughout her essay, such as, “What are you avoiding? What are you leaving out? What is uninterrogated?”

Julie Andrews and Stephen Colbert Exchange Limericks

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In this clip from The Late Show With Stephen Colbert, Julie Andrews speaks about her latest book, Home Work: A Memoir of My Hollywood Years (Hachette Books, 2019), which is cowritten by her daughter Emma Walton Hamilton, and exchanges personalized limericks with the host.

Erica Hunt for the New Social Environment

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In this installment of the New Social Environment series for the Brooklyn Rail recorded in April, Charles Bernstein speaks with Erica Hunt about unpacking language and how writers have reimagined ways to communicate amongst each other during the pandemic. Hunt talks about her new poetry collection, Jump the Clock (Nightboat Books, 2020), in Ten Questions.

Makeover

10.29.20

In Wesley Morris’s essay “My Mustache, My Self,” published in the New York Times earlier this month, he explores how growing a mustache during quarantine led him to deeply consider his identity as a Black man. After a friend describes him as looking like “a lawyer for the N.A.A.C.P. Legal Defense Fund,” Morris meditates on how this friend “had identified a mighty American tradition and placed [his] face within it.” Either recently or in your past, has a subtle or dramatic stylistic choice in your presentation affected the way you see yourself? Write an essay that considers how a new look can alter how you view yourself, or how others perceive you.

Upcoming Contest Deadlines

If November doesn’t already feel high stakes enough, consider submitting to some writing contests. With deadlines of either November 1 or November 2, these awards include opportunities to publish both individual stories and poems, as well as book-length works. All offer a prize of $1,000 or more.

Alice James Books Alice James Award: A prize of $2,000 and publication by Alice James Books is given annually for a poetry collection by a poet residing in the United States. All entries are considered for publication. Deadline: November 2. Entry fee: $30.

Briar Cliff Review Writing Contests: Three prizes of $1,000 each and publication in Briar Cliff Review are given annually for a poem, a short story, and an essay. The editors will judge. Deadline: November 1. Entry fee: $20 (includes a copy of the magazine).

Fiction Collective Two Catherine Doctorow Innovative Fiction Prize: A prize of $15,000 and publication by Fiction Collective Two, an imprint of University of Alabama Press, is given annually for a novel, short story collection, novella, or novella collection. U.S. writers who have published at least three books of fiction are eligible. Joyelle McSweeney will judge. Deadline: November 1. Entry fee: $25.

Fiction Collective Two Ronald Sukenick Innovative Fiction Contest: A prize of $1,500 and publication by Fiction Collective Two is given annually for a novel, short story collection, novella, or novella collection. U.S. writers who have not previously published a book with Fiction Collective Two are eligible. Vi Khi Nao will judge. Deadline: November 1. Entry fee: $25.

Gotham Book Prize: A prize of $50,000 will be given annually for a book of fiction or creative nonfiction about New York City or that takes place in New York City published in the current year. Anna Akbari, Ric Burns, Stephanie Danler, Christina Greer, Tom Healy, Mitchell Moss, Patricia Park, Melissa Rivero, Safiya Sinclair, and Dennis Walcott will judge. Deadline: November 1. Entry fee: none.

Malahat Review Open Season Awards: Three prizes of CAD $2,000 (approximately $1,490) each and publication in Malahat Review are given annually for a poem or group of poems, a short story, and an essay. Rebecca Salazar will judge in poetry, Philip Huynh will judge in fiction, and Lishai Peel will judge in creative nonfiction. Deadline: November 1. Entry fee: $40 (includes subscription).

Nina Riggs Poetry Foundation Poetry Award: A prize of at least $1,000 will be given annually for a single poem that examines relationships, family, or domestic life that was published in a book or magazine in the last three years. Deadline: November 1. Entry fee: none.

North American Review James Hearst Poetry Prize: A prize of $1,000 and publication in North American Review is given annually for a single poem. Maggie Smith will judge. All entries are considered for publication. Deadline: November 1. Entry fee: $23 (includes an issue of North American Review).

Reed Magazine Edwin Markham Prize for Poetry: A prize of $1,000 and publication in Reed Magazine is given annually for a poem or group of poems. Matthea Harvey will judge. All entries are considered for publication. Deadline: November 1. Entry fee: $20 (includes a copy of the prize issue).

Reed Magazine Gabriele Rico Challenge for Creative Nonfiction: A prize of $1,333 and publication in Reed Magazine is given annually for an essay. Suzanne Rico will judge. All entries are considered for publication. Deadline: November 1. Entry fee: $20 (includes a copy of the magazine).

Reed Magazine John Steinbeck Award for Fiction: A prize of $1,000 and publication in Reed Magazine is given annually for a short story. Rita Bullwinkel will judge. All entries are considered for publication. Deadline: November 1. Entry fee: $20 (includes a copy of the prize issue).

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, and creative nonfiction.

Daily Records

10.22.20

Weight of the Earth: The Tape Journals of David Wojnarowicz edited by Lisa Darms and David O'Neill collects the recorded diaries of the artist, activist, and writer from 1981 through 1989 examining his life, art, and dreams. The cassettes hold a string of different modes of speaking through ideas in real time—going from stream of consciousness, to searing argument, to meditations on death, to divagations between poems and phone calls—producing a record of a singular artist’s mind in a crucial moment in history. Record yourself for two minutes each day this week and untether your thoughts in real time. How do your ideas unfold without the stop-and-go of composing the right sentence? At the end of the week, transcribe and arrange your recordings into an essay of fragments surrounding a theme.

Upcoming Contest Deadlines

Trick-or-treating may not be on the table this year, but October’s final writing contests may offer their own sweet rewards. Each of these opportunities awards a prize of $1,000 or more, with a deadline of October 31. Good luck!

American Poetry Review Honickman First Book Prize: A prize of $3,000 and publication by American Poetry Review is given annually for a first poetry collection. The winning book is distributed by Copper Canyon Press through Consortium. Ada Limón will judge. Entry fee: $25.

Comstock Review Chapbook Contest: A prize of $1,000, publication by the Comstock Writers Group, and 50 author copies is given annually for a poetry chapbook. Michael McAnaney will judge. Entry fee: $30.

Conduit Books & Ephemera Minds on Fire Open Book Prize: A prize of $1,000, publication by Conduit Books & Ephemera, and 30 author copies is given annually for a book of poetry. The editors will judge. Entry fee: $25.

Elixir Press Poetry Award: A prize of $2,000 and publication by Elixir Press is given annually for a poetry collection. John Nieves will judge. Entry fee: $30.

Finishing Line Press Open Chapbook Competition: A prize of $1,000 and publication by Finishing Line Press is given annually for a poetry chapbook. All entries are considered for publication. Entry fee: $15.

Indiana Review Blue Light Books Prize: A prize of $2,000 and publication by Indiana University Press is given in alternating years for a collection of poetry or a collection of short fiction. The 2021 prize will be awarded in poetry. The winner will also receive travel expenses to read at the 2021 Blue Light Reading in Bloomington, Indiana. Entry fee: $20.

PEN/Faulkner Foundation Award for Fiction: A prize of $15,000 is given annually for a book of fiction published during the current year. Four finalists will each receive $5,000. The winner and finalists will also be invited to read in Washington, D.C., in May 2021. Entry fee: none.

Persea Books Lexi Rudnitsky First Book Prize: A prize of $1,000 and publication by Persea Books is given annually for a first poetry collection by a woman who is a U.S. citizen or permanent resident. The winner also receives a six-week, all-expenses paid residency at the Civitella Ranieri Center in Umbria, Italy. Entry fee: $30.

Poetry Society of the United Kingdom National Poetry Competition: A prize of £5,000 (approximately $6,350) and publication on the Poetry Society of the United Kingdom website is given annually for a single poem. A second-place prize of £2,000 (approximately $2,540) and a third-place prize of £1,000 (approximately $1,270) are also given. The winners will also be published in Poetry Review. Poems written in English by poets from any country are eligible. Neil Astley, Jonathan Edwards, and Karen McCarthy Woolf will judge. Entry fee: £7 (approximately $9) for one poem, £4 (approximately $5) for each additional poem.

Red Hen Press Benjamin Saltman Poetry Award: A prize of $3,000, publication by Red Hen Press, and a four-week residency at PLAYA in Summer Lake, Oregon, is given annually for a poetry collection. Jeffrey Harrison will judge. Entry fee: $25.

Red Hen Press Quill Prose Award: A prize of $1,000 and publication by Red Hen Press is given annually for a short story collection, a novel, or an essay collection by a queer writer. Amber Flame will judge. Entry fee: $10.

River Teeth Literary Nonfiction Prize: A prize of $1,000 and publication by University of New Mexico Press is given annually for a book of creative nonfiction. Megan Stielstra will judge. Entry fee: $27.

Tupelo Press Sunken Garden Chapbook Poetry Prize: A prize of $1,000, publication by Tupelo Press, and 25 author copies is given annually for a poetry chapbook. Entry fee: $25.

Tucson Festival of Books Literary Awards: Three prizes of $1,000 each are given annually for works of poetry, fiction, and creative nonfiction. The winners will also receive scholarships to attend a workshop at the Tucson Festival of Books in March 2021. Entry fee: $20. 

University of North Texas Press Vassar Miller Prize: A prize of $1,000 and publication by University of North Texas Press is given annually for a poetry collection. Entry fee: $25.

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, and creative nonfiction.

 

 

 

 

N. Scott Momaday With Robert Redford

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“I have written somewhere that there is only one story, but there are many stories in the one, and I like that idea.” In this video from PBS’s American Masters series, N. Scott Momaday speaks with Robert Redford about the oral tradition, hearing stories from his father, and the importance of language and story. Momaday’s second memoir, Earth Keeper: Reflections on the American Land (Harper, 2020), is featured in Page One in the November/December issue of Poets & Writers Magazine.

Fairy Tale

10.15.20

Sabrina Orah Mark’s Paris Review column Happily features essays inspired by fairy tales and motherhood, including “It’s Time to Pay the Piper,” which reimagines our current reality through the children’s story “The Pied Piper of Hamelin.” Through incantatory sentences and the framing of our reality through a fantastical lens, it asks whether the reason for the pandemic, corrupt leaders, and environmental collapse has a link to the story of the piper, who collects payment by robbing the village of its children. Pick a fairy tale you are familiar or enchanted with and write an essay that uses the structure of that story to explain an event in your life. How do well-known characters and themes help add meaning to the subject matter?

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