Genre: Creative Nonfiction

A Stack of Photographs

8.13.20

“If this story was a stack of photographs—the old kind, rounded at the corners and kept in albums under the glass and lace doilies of center tables in parlors across the country—it would start with Vivek’s father, Chika. The first print would be of him riding a bus to the village to visit his mother,” writes Akwaeke Emezi at the start of their second novel, The Death of Vivek Oji, out this month from Riverhead Books. Taking inspiration from this novel’s introduction, think of a transformative time from your past or an incident that resulted in a change in perspective, one that involved family or friends. If you were to tell the story of this experience as a stack of photographs, what images spring to mind? Write a personal essay that begins with descriptions of a few memorable photos—or mental snapshots you’ve retained—allowing the details in the images to provide a contextual background.

Binc All-Star Fundraiser Reading

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In this Center for Fiction video, Brian Gresko, host of Lit Hub’s Antibody: A Quarantine Reading Series, moderates this all-star fundraiser reading for the Book Industry Charitable Foundation (Binc) featuring Jericho Brown, Carmen Maria Machado, Celese Ng, and Karen Russell.

The Loneliness of the Long-Distance Cartoonist

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“I worked on the book until I was about halfway done with it before I told anyone about it.” Adrian Tomine talks about his graphic memoir, The Loneliness of the Long-Distance Cartoonist (Drawn and Quarterly, 2020), and how he was able to revert to his childhood version of making comics for his own amusement in this virtual Politics & Prose Bookstore event with critic Jason Zinoman. For more Tomine, read his answers to our Ten Questions.

Take Flight

“The realm of my own life is the quotidian, the everyday, where I sleep and eat and work and think,” writes Helen Macdonald in a New York Times Magazine essay adapted from her new collection, Vesper Flights (Grove Press, 2020). “It’s a space of rising and falling hopes and worries, costs and benefits, plans and distractions, and it can batter and distract me, just as high winds and rainfall send swifts off-course.” In the essay, Macdonald makes a connection between the flight patterns of swifts—how they ascend and descend to different altitudes, at times alone or in a flock—and her own routine movements, including those of her mind. Write a personal essay that takes a pattern or routine you observe in the natural world and applies it to your own everyday habits. You might decide to delve deeper into some scientific research, or use poetic license to draw connections from sensory observation.

It’s Cake

7.30.20

Is everything just cake? Earlier this month, prompted by viral videos of Turkish chef Tuba Geckil cutting into her ultra-realistic cakes made to look like everyday objects—such as a red Croc shoe, a roll of toilet paper, a potted aloe plant, a carton of eggs, and plastic-wrapped raw chicken drumsticks—Twitter was flooded with cake memes and the internet began to question if everything in the world might, indeed, actually be cake. Write a personal essay that recounts a past incident that made you question your reality. Perhaps you caught sight of something particularly uncanny or jarring, and suddenly so many other things seemed terrifyingly possible. How did you reconcile this shifted perception with what your mind could tolerate? Or did everything remain cake?

Ingrid Rojas Contreras at the Radar Readings Series

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“In Spanish, our stories are slow, then fast, and we cackle constantly, even when we talk about the dead.” In this 2016 Radar Reading Series video, Ingrid Rojas Contreras reads from her memoir-in-progress about her grandfather, a curandero from Colombia, and how she and her mother both experienced amnesia.

Upcoming Contest Deadlines

The end of the month and its last contest deadlines are arriving sooner than you might expect. With a deadline of July 30 or July 31, these awards include opportunities to publish single poems and flash fiction, as well as longer projects. All offer a cash prize of $1,000 or more.

Bard College Fiction Prize: A prize of $30,000 and a one-semester appointment as writer-in-residence at Bard College is given annually to a U.S. fiction writer under the age of 40. The recipient must give at least one public lecture and meet informally with students but is not expected to teach traditional courses. Deadline: July 30. Entry fee: none.

Howling Bird Press Book Contest: A prize of $1,000 and publication by Howling Bird Press is given in alternating years for a book of poetry, fiction, or creative nonfiction. The 2021 prize will be awarded in poetry. Deadline: July 31. Entry fee: $25.

Munster Literature Centre Seán Ó Faoláin International Short Story Competition: A prize of €2,000 (approximately $2,180) and publication in Southword is given annually for a short story. The winner also receives a weeklong residency at the Anam Cara Writer’s Retreat on the Beara Peninsula in West Cork and accommodation at the Cork International Short Story Festival. Billy O’Callaghan will judge. Deadline: July 31. Entry fee: €18 (approximately $20).

Narrative Spring Story Contest: A prize of $2,500 and publication in Narrative is given annually for a short story, a short short story, an essay, a short work of graphic fiction or creative nonfiction, or an excerpt from a work of fiction or creative nonfiction. A second-place prize of $1,000 is also awarded. The editors will judge. Deadline: July 31. Entry fee: $27.

New Millennium Writings New Millennium Awards: Four prizes of $1,000 each and publication in New Millennium Writings and on the journal’s website are given twice yearly for a poem, a short story, a short short story, and an essay that have not appeared in a print publication with a circulation over 5,000. All entries are considered for publication. Deadline: July 31. Entry fee: $20.

Prairie Heritage, Inc. Jan Garton Prairie Heritage Book Award: A prize of $1,000 is given annually for a book of poetry, fiction, or creative nonfiction published in the previous year that “illuminates the heritage of North America’s mid-continental prairies.” Deadline: July 31. Entry fee: none.

Press 53 Award for Poetry: A prize of $1,000, publication by Press 53, and 50 author copies is given annually for a poetry collection. Tom Lombardo will judge. Deadline: July 31. Entry fee: none.

Red Hen Press Novella Award: A prize of $1,000 and publication by Red Hen Press is given annually for a novella. Donna Hemans will judge. Deadline: July 31. Entry fee: $25.

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, and creative nonfiction.

In the Land of Good Living

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“The deal with Florida is the charlatans and lunatics and Snapchat-famous plastic surgeons. It is the Ponzi schemes, the byzantine corruption, the evangelical fervor and the consenting-adult depravity....” In this Books & Books virtual event, Kent Russell reads from his memoir, In the Land of Good Living (Knopf, 2020), and discusses Florida and his writing experience with author and sibling Karen Russell. In the Land of Good Living is featured in Page One in the July/August issue of Poets & Writers Magazine.

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