Genre: Creative Nonfiction

About Love

7.23.20

“A cliché is thoughtless, whereas love is thoughtful. A cliché reproduces ideas originating in the culture, not in lived experience; it is antithetical to love because whereas love is alive, a cliché is dead. It’s an empty husk,” writes Sarah Gerard in “On Falling in Love With Your Characters” published in Literary Hub, an essay that explores the writing process of her second novel, True Love (Harper, 2020), as she experienced the end of one love and the beginning of another. Write a personal essay that examines a cliché about love, or a conventional cultural “truth” that is often associated with love. How has this played out in your own life, with your own past or present experiences of love?

Submissions Open for PEN/Jean Stein Grants for Literary Oral History

The deadline is approaching for the PEN/Jean Stein Grants for Literary Oral History. Starting this cycle, PEN America will award two writers grants of $15,000 each, expanding the program from a single grant of $10,000. The prizes will support literary works of nonfiction that use oral history to “illuminate an event, individual, place, or movement.” Only unpublished works-in-progress are eligible.

Using only the online submission system, submit a writing sample of 20 to 40 pages, 6 to 10 pages of transcribed interviews, a curriculum vitae, a project outline, a project description, a statement on how and why oral history is being used in the project, and a statement on how the grant would be useful to the project by August 1. There is no entry fee. Visit the website for complete guidelines.

Established in 2017, the PEN/Jean Stein Grants are awarded by PEN America, a nonprofit organization advancing freedom of expression, and are made possible by a donation from Jean Stein, whose is remembered for pioneering the genre of narrative oral history. The inaugural grant recipient was Aleksandar Hemon, who received the grant for How Did You Get Here?: Tales of Displacement, a project to record the experiences of immigrants fleeing genocide in Bosnia.

Creativity in Quarantine

7.16.20

In “What We Found in Writing: Authors on Creativity in Quarantine” in the July/August issue of Poets & Writers Magazine, thirteen authors describe their experiences of writing and not writing during the past several months of quarantine. Ada Limón writes: “What struck me, almost immediately, is that fear was more incapacitating than despair. I could surrender to a hopelessness and still make something. Even if it felt like a last gasp of my own humanity or love or tenderness, I could still write it. However, if I focused on fear, I was always silenced.” Write a personal essay that examines how your own creativity has ebbed and flowed during this time. Are there things that have been easier or more difficult to write about? Where have you found inspiration? What has been unexpected?

Daniela Lamas and C. Dale Young

Caption: 

In this episode of Literary Hub’s Fiction/Non/Fiction show cohosted by V. V. Ganeshananthan and Whitney Terrell, author and pulmonary and critical care specialist Daniela Lamas talks about coronavirus patients seeking recovery or end-of-life care, and poet and radiation oncologist C. Dale Young speaks about the variety of American responses to the pandemic and reads from his book The Affliction: A Novel in Stories (Four Way Books, 2018).

Upcoming Contest Deadlines

Escape the midsummer heat and spend time in the shade submitting to fiction, poetry, and nonfiction contests. With deadlines of either July 14 or July 15, these contests include several opportunities for writing on a theme, including a prize for writing about health and illness and a prize for travel writing. All offer a cash prize of $1,000 or more.

Bellevue Literary Review Prizes in Poetry and Prose: Three prizes of $1,000 each and publication in Bellevue Literary Review are given annually to a poet, a fiction writer, and a creative nonfiction writer for works about health, healing, illness, the body, and the mind. Jen Bervin will judge in poetry, Dan Chaon will judge in fiction, and Kay Redfield Jamison will judge in creative nonfiction. All entries are considered for publication. Deadline: July 15. Entry fee: $20. 

Cincinnati Review Robert and Adele Schiff Awards: Three prizes of $1,000 each and publication in the Cincinnati Review are given annually for a poem, a short story, and an essay. The editors will judge in nonfiction. All entries are considered for publication. Deadline: July 15. Entry fee: $20 (includes subscription). 

Comstock Review Muriel Craft Bailey Award: A prize of $1,000 and publication in Comstock Review is given annually for a single poem. Patricia Smith will judge. All entries are considered for publication. Deadline: July 15. Entry fee: $27.50 (or $5 per poem via postal mail)

Los Angeles Review Literary Awards: Four prizes of $1,000 each and publication in Los Angeles Review are given annually for a poem, a short story, a short short story, and an essay. Francisco Aragón will judge in poetry, Kristen Millares Young will judge in fiction, Ellen Meeropol will judge in flash fiction, and Aimee Liu will judge in nonfiction. Deadline: July 14. Entry fee: $20. 

Nowhere Travel Writing Contest: A prize of $1,000 and publication in Nowhere is given twice yearly for a poem, a short story, or an essay that “possesses a powerful sense of place.” Unpublished and published pieces that have not previously been chosen as a contest winner are eligible. Porter Fox will judge. All entries are considered for publication. Deadline: July 15. Entry fee: $15. 

Rattle Poetry Prize: A prize of $15,000 and publication in Rattle is given annually for a single poem. A Reader’s Choice Award of $5,000 is also given to one of ten finalists. All entries are considered for publication. Deadline: July 15. Entry fee: $25 (includes subscription).

Regal House Publishing Petrichor Prize for Finely Crafted Fiction: A prize of $1,000 and publication by Regal House Publishing will be given annually for a novel. The editors will judge. Deadline: July 15. Entry fee: $25.

The Story Prize: A prize of $20,000 is given annually for a short story collection written in English and published in the United States in the current year. Two runners-up receive $5,000 each. The $1,000 Story Prize Spotlight Award is also given for an additional short story collection “of exceptional merit.” Larry Dark and Julie Lindsey will select the three finalists and the Spotlight Award winner; three independent judges will choose the Story Prize winner. July 15 is the deadline for books published in the first half of the year. The deadline for books published during the second half of the year is November 15. Entry fee: none. 

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, and creative nonfiction.

Writing Space

This week, take a look at a photo essay by Jared A. Brock of one hundred well-known authors in their writing spaces and write a personal essay about a particular spot where you have written a significant amount of work. Perhaps the space is at a desk in the same corner you’ve retreated to for years, or a specific seat on a certain bus during a commute, or a summer cabin you visited a handful of times years ago. What was one writing project you worked on in that space that you remember particularly well? Describe your mindset in that space versus outside of it. Incorporate the sounds, smells, and other details needed to create a sensorial experience of the space.

Bellevue Literary Review Prizes Open for Submissions

Submissions are open for the Bellevue Literary Review Prizes in Poetry and Prose. The annual contest seeks submissions from poets, fiction writers, and creative nonfiction writers whose work addresses “themes of health, healing, illness, the mind, and the body.” One winner in each genre will receive $1,000 and publication in the Bellevue Literary Review.

Using only the online submission system, submit up to three poems totaling no more than five pages or up to 5,000 words of prose with a $20 entry fee by July 15. Jen Bervin will judge in poetry, Dan Chaon will judge in fiction, and Kay Redfield Jamison will judge in creative nonfiction. All entries are considered for publication. Visit the website for complete guidelines.

Founded by a group of physician-writers in 2000, the Bellevue Literary Review seeks to explore “human existence through the prism of health and healing, illness and disease.” Published by the New York University Langone Medical Center, the publication’s offices are located in New York City’s Bellevue Hospital, the oldest public hospital in the country. Previous contributors to the magazine include Leslie Jamison, Celeste Ng, and Rick Moody.

Commercial Break

“Search YouTube with the word ‘commercials’ and the decade of your choosing, and you will find hundreds of compilations, including transfers of old broadcasts,” writes Eve Peyser in “In Vintage TV Ads, a Curious Fountain of Hope (and Cheese)” in the New York Times, about her habit of watching old television commercials in order to “make believe that I live in a world I never got to inhabit but is still familiar.” Browse through some old commercials from the decade of your choice, and write a personal essay that explores how the viewings lead you to thoughts about the past and the future. What emotions are evoked as you think about broader themes such as the passing of time, the omnipresence of consumerism, and the trends and values of different eras? 

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