Genre: Creative Nonfiction

Spring-Cleaning

3.28.19

Leanne Shapton’s second book, Important Artifacts and Personal Property From the Collection of Lenore Doolan and Harold Morris, Including Books, Street Fashion, and Jewelry (Sarah Crichton Books, 2009), takes the form of a fictional auction catalogue. The objects being sold—everything from furniture to photographs—present a chronology of an invented couple’s entire love affair from start to finish. How might the wider meaning of spring-cleaning as a transformative purge present an opportunity to use your possessions to tell a story about your own life? Jot down a list of objects that hold significance from a past relationship. Perhaps you’ve thrown them out or even hidden them because of their unpleasant associations. Think of them as objectively as possible, as if viewed in an auction catalogue, and write a personal essay using impersonal descriptions to reveal a series of events in your past that combine to form a larger story about this relationship.

Writers at the Eyrie

A residency of two weeks or one month in November is offered to a poet, a fiction writer, or a nonfiction writer at a private apartment in Brooklyn, New York. The resident is provided with some meals. Writers over the age of 24 who are not residents of New York City are eligible. Submit via postal mail a writing sample of 7 to 10 poems or one to two stories or essays of up to 30 pages, a project description, a brief bio, and a résumé with a $10 application fee by August 30. Visit the website for complete guidelines.

Type: 
RESIDENCY
Ignore Event Date Field?: 
yes
Event Date: 
April 27, 2025
Rolling Admissions: 
ignore
Application Deadline: 
April 27, 2025
Financial Aid?: 
no
Financial Aid Application Deadline: 
April 27, 2025
Free Admission: 
yes
Contact Information: 

Writers at the Eyrie, 118 North Ninth Street, Brooklyn, NY 11249. Margot Farrington, Director.

Contact City: 
Brooklyn
Contact State: 
NY
Country: 
US

Funnels and Sieves

3.21.19

“There is a model of translation that resembles a funnel—everything from the source language swirls toward a single opening, and it all comes out the same way,” says Jeremy Tiang in “The Art of Translation: Many Englishes, Many Chineses” in the March/April issue of Poets & Writers Magazine. “The kitchen implement I prefer is the sieve—allowing as much as possible through, falling as it will, breaking up clumps to ease the flow.” Think about a favorite book of translated literature, and write a personal essay that reflects upon your feelings about the translation choices within it. Consider Tiang’s analogy: Does it feel like the words came from the source language through a funnel or a sieve? Were there rough patches, or did the work feel frictionless? Which do you prefer and why?

Whiting Award Winners Announced

At a ceremony tonight in New York City, the Whiting Foundation announced the recipients of its 2019 Whiting Awards. The annual $50,000 awards are given to emerging poets, fiction writers, nonfiction writers, and dramatists on the basis of “early-career achievement and the promise of superior literary work to come.”

The ten winners are poets Kayleb Rae Candrilli, Tyree Daye, and Vanessa Angélica Villarreal; fiction writers Hernan Diaz, Nafissa Thompson-Spires, and Merritt Tierce; nonfiction writers Terese Marie Mailhot and Nadia Owusu; and dramatists Michael R. Jackson and Lauren Yee. Find out more about the winners at the Whiting Foundation website, and read excerpts of their work at the Paris Review.

Since establishing the awards in 1985, the Whiting Foundation has awarded $8 million to 340 emerging writers. Previous winners include poets Terrance Hayes and Jorie Graham and fiction writers Colson Whitehead and Denis Johnson. Last year’s winners included poets Anne Boyer and Tommy Pico, fiction writers Patty Yumi Cottrell and Weike Wang, and nonfiction writer Esmé Weijun Wang.

The annual awards are not open to submissions. A group of writers, professors, editors, agents, critics, booksellers, and other literary professionals nominate writers; a smaller panel of writers, scholars, and editors select the winners. In addition to the Whiting Awards, the Whiting Foundation administers grants to creative nonfiction writers, scholars in the humanities, literary magazines, and people who work “to preserve, document, and disseminate the timeless cultural heritage that is under threat around the world.”

Photos clockwise from top left: Kayleb Rae Candrilli, Tyree Daye, and Vanessa Angélica Villarreal; fiction writers Hernan Diaz, Nafissa Thompson-Spires, Lauren Yee, Michael R. Jackson, Nadia Owusu, Terese Marie Mailhot, and Merritt Tierce.

Masterpiece of the Day: Write Treatment Workshops

Maryann DeLeo is a filmmaker and writer. She has been attending the Write Treatment Workshops at Mount Sinai Beth Israel in New York led by Emily Rubin for more than two years.

I was listening to a talk and the speaker said, “Are your days masterpieces? Make every day a masterpiece.” I thought of my days, and my first reaction was, No, my days are not masterpieces. Then I had a flash of Wednesdays at the writing workshop! Those days—they are masterpieces.

And it’s not just for the writing. It’s because of Emily Rubin, who leads the P&W–supported Write Treatment Workshops at Mount Sinai Cancer Centers. A fellow writer, Emily brings her love of literature, art, dance, theater, and music to the class. Her enthusiasm for the arts is evident with her weekly show-and-tell—holding up a catalogue from the latest exhibition she’s seen, or the playbill from a recent theater experience. She bursts into the room at Mount Sinai with so much to tell us about what’s happening in the world. I want to go to everything she tells us about. One student says to her, “You know about everything.”

Then Emily gets down to business: writing. She brings prompts that give us a way in to the writing or not. We can jump off from there, or we can go it alone writing about anything that comes up in our minds.

Each Wednesday she patiently unpacks our stories, one by one. She only looks slightly askance when a writer hems and haws about their “masterpiece” of the day. She wants each of us to stand tall and read with confidence.

I don’t know how she does it but she always finds something in the story that’s good storytelling, good writing. She takes the pages we write in our blue notebooks to heart. “You’re publishing your writing when you read it here,” she says. I breathe that in. If Emily says so, it is so. So we read, we publish, we get to be heard, by our own ears and by a dozen others.

We have created something, and Emily loves it into existence. It’s not that every piece will go on to loftier goals but for those minutes we read, we have Emily’s attention and all the other writers (although there is one writer who groans when he sees all I’ve written telling me, “You’ve written a novel!”). We have managed to get on our conference table soapbox and express who we are this day, this afternoon, these few hours. This is no small gift.

When I was in treatment for my cancer, I spent many afternoons lying on my bed, too weary to get myself up and out. Then I saw a flyer for one of Emily’s workshops. I didn’t go the first time I saw the flyer, but a seed was planted that maybe, someday, I could go. It was something to aspire to. When I get my energy back, I’m going, I told myself.

While still in treatment and fed up with lying about, there was that first Wednesday I got myself to the conference room at West Fifteenth Street. I was a bit shy but as soon as I saw Emily smiling, welcoming me into the room, the jitters went away. I became a regular. I’ve been attending the workshops for more than two years. I’m hooked. When I don’t go, I feel my day is not a masterpiece, something is missing from Wednesday.

I’ve filled many blue notebooks. I’m always startled at what comes out during the hours I’m writing. I didn’t know I thought that. Where did that come from? Some of my notebook writings move on, progress, and expand. And some I file away, to be continued.

I never just fling anything I write on Wednesday away. It’s all for something, even if it’s just for me to reflect on a part of my life I haven’t looked at before. It’s all part of my story.

There’s a quote Emily gave us by Natalie Goldberg that stays with me: “We are important and our lives are important, magnificent really, and their details are worthy to be recorded.... We were here; we are human beings; this is how we lived.”

Support for the Readings & Workshops Program in New York City is provided, in part, by public funds from the New York State Council on the Arts, and the New York City Department of Cultural Affairs, with additional support from the Frances Abbey Endowment, the Cowles Charitable Trust, and the Friends of Poets & Writers.

Photo: Maryann DeLeo at the 2019 Womens March in Washington, D.C. (Credit: Eileen Kenny).

Call Me By Your Name

3.14.19

In his essay “Being John” published in the Morning News, John Sherman writes about his experiences sharing a first name with over five million other people in the United States. Sherman also considers the rise and fall in popularity of different names and the trend in valuing unique and individualistic names over traditional ones, musing on how our identities are formed by our names with all their attendant histories, politics, pleasures, and nuisances. Write a personal essay about your own name, perhaps diving into some Internet research to see how popular it has been over time, its origins, and touching upon possible namesakes. What are your feelings about sharing your name with others? Did you ever wish for another name, or have you ever changed your name? How has your perspective on your name changed over time?

Lammy Finalists Announced

Lambda Literary has announced the finalists for the thirty-first Lambda Literary Awards. Established in 1989, the annual awards—also known as the “Lammys”—recognize and honor books published during the previous year by lesbian, gay, bisexual, and transgender writers. The winners will be announced at an awards ceremony on June 3 at the NYU Skirball Center for the Performing Arts in New York City. Special awards will also be given to recognize writers who “have left an indelible mark on LGBTQ literature.”

“In the ongoing work of LGBTQ equality, literature plays a distinct and powerful role—offering roadmaps for loving, fighting, and thriving,” says Sue Landers, executive director of Lambda Literary. “We are thrilled to announce [this year’s] finalists, which reflect our community’s vast and continually evolving brilliance.”

This year Lambda Literary will give out awards in twenty-four categories, including a new award for Bisexual Poetry. Other categories include fiction, mystery, horror, memoir/biography, drama, anthologies, and LGBTQ Studies, A panel of more than sixty judges selected the finalists from a group of over a thousand books. Visit the website for the complete list of finalists.

Winners last year included Carmen Maria Machado’s Her Body and Other Parties (Graywolf Press) for Lesbian Fiction, CAConrad’s While Standing in Line for Death (Wave Books) for Gay Poetry, and C. Riley Snorton’s Black on Both Sides: A Racial History of Trans Identity (University of Minnesota Press) for Transgender Nonfiction.

Based in Los Angeles, the Lambda Literary Foundation has been a resource for LGBTQ writers since 1987. With a mission to “nurture and advocate for LGBTQ writers,” the organization hosts an annual writing retreat and literary festival, publishes an online magazine, and runs educational programs, among other initiatives.

Read more about the organization in Jonathan Vatner’s article “Lambda Literary Looks to the Future” from the September/October 2018 issue of Poets & Writers Magazine.

Reginald Dwayne Betts

Caption: 

Poet, memoirist, and teacher Reginald Dwayne Betts speaks with PBS NewsHour’s Jeffrey Brown about his experience as a teen in prison and how poetry gave him a new identity. Betts is the author of Bastards of the Reagan Era (Four Way Books, 2015) and Felon, forthcoming from Norton in October, and is a recipient of the 2019 Barnes & Noble Writers for Writers Award.

Day Job

In Medium’s Day Job series, Mike Gardner conducts a dozen interviews with writers about day jobs they’ve worked, particularly focusing on jobs they had when they were just starting out. Authors such as Kaitlyn Greenidge, Mitchell S. Jackson, Carmen Maria Machado, Karan Mahajan, Elizabeth Strout, and Andy Weir recount the variety of work they’ve done to pay the bills—as a subway conductor, private investigator, teacher, retail clerk, and more—and share insights into how different jobs effectively complemented (or didn’t complement) a writing practice, and what they’ve learned about protecting their writing time and energy from the demands of day jobs. Write a personal essay about a past or current job, exploring how it fits alongside your identity as a writer. How do issues of time, benefits, energy, inspiration, and language play into the job’s suitability for your writing life?

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