Genre: Creative Nonfiction

On March 31, 2016, during the AWP Annual Conference & Bookfair in Los Angeles, Poets & Writers brought together P&W–supported teaching artists Dorothy Randall Gray, Michael Kearns, Mike Sonksen, and Leilani Squire for the panel presentation “Creative Writing for the Underserved: Ideas, Inspiration, Revelation.” Panelists spoke about best practices, what motivates them to do what they do, and how teaching writing to underserved groups has enriched their writing lives. Below are some highlights from the conversation, as compiled by Readings & Workshops (West) director and panel moderator Jamie Asaye FitzGerald.

Classroom Approaches

"I look at longevity as a starting point, and have them write about all of the 'selves' that have gotten them to where they are today."
—Michael Kearns, who works with GLBT seniors

"We spend a lot of time just talking, working through issues, then do a timed writing. I listen and witness. That's a big part of it."
—Leilani Squire, who works with veterans and their family members

"I begin the class with three minutes of silence. I work with teenage identity and bring in poems about that. I've had them read [Paul Laurence] Dunbar's 'We Wear the Mask.' I've even had them make a mask, think about the layers of their identity and list them. I try to show them how poets are always talking to each other and that they are part of the conversation. I also use a little hip-hop, documentaries, current events."
—Mike Sonksen, who works with teens

"Sometimes these populations don't want to feel because it hurts too much. I try to get them to connect with their feelings. Music and visuals help. One reward for doing the writing is letting the kids be DJ and pick out the songs. To get them to open up, be silly, bring a visual, ask an easy question like 'What's your favorite food?' or 'What do you want to eat when you get out of here?'"
—Dorothy Randall Gray, who works with incarcerated youth, women, and the homeless

The Effect on Their Writing Lives

"If I tell them to write deeply, to go for the jugular, how can I not do that myself?"
—Squire

"My stakes are higher. I am deepened by them."
—Kearns

"Not only do I have to deal with the truth; I have to face my own truth. I believe in sticking a pen in my own vein. As they tell their stories, I tell my stories."
—Gray

On Self-Care

"Being in the trenches is taking care of myself. Dealing with horror, pain, and abuse—it's contradictory, but it is comforting that I can hear and be empathetic.... And I have my daughter when I feel overwhelmed."
—Kearns

"You get worn out. Performing poetry and doing freelance writing helps. I keep my writing career active. Then there are the two kids who really get it, there's the e-mail from a kid five years later, and the kid who stays after class to help clean up."
—Sonksen

"Meditation. Adjusting my own beliefs. Compassion is a big part of it, and being as gentle and loving as possible."
—Gray

"I have to walk in centered, whole, and confident or I'll get beat up. I'm a practicing Buddhist. I go to Native American lodges, which helps me gain answers to questions I ask. I cuddle with my dog."
—Squire

Hopes for Their Students

"I hope they find a home in their hearts, where they feel loved and safe."
—Gray

"I hope their voices get louder, not softer; more authentic, more hopeful; more of who they are and not less—because that can often happen as one ages."
—Kearns

"I hope they come to a place of acceptance, understanding; of being listened to, witnessed; to come to some sort of wholeness. My agenda is to promote peace."
—Squire

"I try to give them the tools they need to lift themselves up. Ultimately, I'd like to create lifelong readers and writers. But mainly I use writing as a bridge to help them build identity and future hope."
—Sonksen

We are pleased to be able to support writers who work with underserved groups. For more information about whether your event might qualify for Readings & Workshops support, please see our guidelines or contact us.

Major support for Readings & Workshops in California is provided by the James Irvine Foundation and Hearst Foundations. Additional support comes from the Friends of Poets & Writers.

To celebrate the presentation of the Paris Review’s lifetime achievement award to Lydia Davis, her twenty-word story, “Spring Spleen,” was printed on the label of bottles of mouthwash. Write a few very short pieces of creative nonfiction totaling no more than twenty words that could each fit onto a small bottle label. Taking a cue from Davis’s story, incorporate elements of both nature and social behavior.

On Wednesday, the John Simon Guggenheim Memorial Foundation announced the recipients of its 2016 writing fellowships. Grants of approximately $50,000 each were awarded to twenty-two poets, fiction writers, and nonfiction writers in the United States and Canada on the basis of past achievement and exceptional promise. 

The fellows in poetry are: Beth Bachmann of Nashville, Tennessee; Rick Barot of Tacoma, Washington; Jericho Brown of Decatur, Georgia; Stephen Burt of Belmont, Massachusetts; Cynthia Huntington of Post Mills, Vermont; Sally Keith of Washington, D.C.; James Kimbrell of Tallahassee, Florida; Deborah Landau of Brooklyn, New York; Ed Roberson of Chicago, Illinois; and Brian Turner of Orlando, Florida.

The fellows in fiction are: Jesse Ball of Chicago, Illinois; Jennifer Clement of New York, New York; Amity Gaige of West Hartford, Connecticut; Laila Lalami of Santa Monica, California; Jenny Offill of Red Hook, New York; Jess Row of New York, New York; René Steinke of Brooklyn, New York; and Melanie Rae Thon of Salt Lake City, Utah.

The fellows in nonfiction are: Adam Kirsch of New York, New York; Chris Kraus of Los Angeles, California; Amitava Kumar of Poughkeepsie, New York; Glenn Kurtz of New York, New York; Nick Laird of New York, New York; Paul Lisicky of Philadelphia, Pennsylvania; Amanda Petrusich of Brooklyn, New York; Robert Storr of New Haven, Connecticut; and Sarah Payne Stuart of Nobleboro, Maine.

Edward Hirsch, president of the Guggenheim Foundation, said of the 2016 class, “These artists and writers, scholars and scientists, represent the best of the best…It’s an honor to be able to support these individuals to do the work they were meant to do.”

Established in 1925, the Guggenheim Foundation fellowship program has granted more than $334 million in annual awards to more than 18,000 individuals. This year, a total of 175 fellowships, including three joint fellowships, were awarded to 178 writers, artists, and scholars. For more information about the program and fellows, visit gf.org.