Jump to navigation Skip to content
The release of three anthologies of creative nonfiction (or literary nonfiction or narrative nonfiction or whatever you choose to call it) proves that while difficult to label, there’s little challenge finding representative work for the so-called fourth genre.
On Wednesday, the family portrayed in Augusten Burroughs’s book Running With Scissors settled their lawsuit against the author and his publisher. The Turcotte family, with whom Burroughs lived as a teenager, filed suit two years ago seeking over $2 million in damages for defamation.
Greg Bottoms has demonstrated that the truth is rarely black and white in all three of his books of creative nonfiction, but never more vibrantly than in his latest, The Colorful Apocalypse.
Last year a total of 172,000 books were published in the United States. Although that number reflects a 10 percent decrease from the previous year, it's easy to see how any one book could get lost in the shuffle—especially if it's one among the many memoirs being published every season. With the idea that there's strength in numbers, four memoirists who published books earlier this year have joined forces to promote their titles, developing a community of like-minded authors—and fostering emerging writers—along the way.
Let me be the last—the absolute dead last—to point out that we're in the midst of a memoir craze. My favorite form of procrastination used to be computer solitaire, but now I prefer to chat on the phone with my writing friends and discuss the ongoing boom in autobiographical literature. We speculate like housing developers prognosticating on the real estate market. Will the bubble pop? Will prices continue to rise? Will market trends ever again veer toward literary fiction?
The true identity of the authors of Believeniks!, a nonfiction account of the New York Mets 2005 baseball season, published in April by Doubleday, was recently reported by New York Magazine. The pseudonymous authors, Harry Conklin and Ivan Felt, were revealed to be novelists Jonathan Lethem (Conklin) and Christopher Sorrentino (Felt).
At the end of Folio Literary Management's second month in operation, Scott Hoffman, who represents writers of fiction and nonfiction and receives between two hundred and five hundred queries a week, spoke about the role of agents in today's publishing marketplace.
