Genre: Creative Nonfiction

Joshua Whitehead on Making Love With the Land

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“What better way can I help myself and my community than standing on stage and taking off the mask of character,” says Joshua Whitehead about his first essay collection, Making Love With the Land (University of Minnesota Press, 2022), and his transition from writing fiction to nonfiction in this interview for CHCH Morning Live in Canada. Whitehead’s book is featured in Page One in the November/December issue of Poets & Writers Magazine.

The Time-Before

10.13.22

The Nobel Prize in Literature for 2022 was awarded to French author Annie Ernaux for what the Nobel Committee calls “the courage and clinical acuity with which she uncovers the roots, estrangements, and collective restraints of personal memory.” This skill is exemplified in her book The Years as she tells her life story spanning over sixty years in an unconventional manner, using the choral “we” and sometimes shifting into the third person. Reflecting on the voice of her book, Ernaux writes: “There is no ‘I’ in what she views as a sort of impersonal autobiography. There is only ‘one’ and ‘we,’ as if now it were her time to tell the story of the time-before.” Write an essay in the third person that focuses on a span of time in your life. How does this formal choice affect how you consider writing personally and collectively?

Why I Write

10.6.22

Last month, former U.S. Poet Laureate Natasha Trethewey delivered the annual Windham-Campbell lecture “Why I Write” at Yale University. In considering the theme of the lecture, Trethewey recalls the familial, poetic, and cultural influences that inspired her to become a poet, weaving personal stories with reflections on history and literature. “I’ve needed to create the narrative of my life, its abiding metaphors, so that my story would not be determined for me,” says Trethewey. This week, ask yourself why you write and write a personal essay that searches for your response. What is the story you want to tell?

Javier Zamora on Solito

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“Everything happens fast. Handcuffs on Chino. Uniforms do the same to the others who didn’t run fast enough.” In this video, Javier Zamora speaks with Today Show’s Jenna Bush about his three-thousand-mile journey alone as a nine-year-old from El Salvador to the United States which he recounts in his memoir, Solito (Hogarth, 2022).

Carmen Maria Machado at the Kelly Writers House

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“You were not always just a You. I was whole—a symbiotic relationship between my best and worst parts—and then, in one sense of the definition, I was cleaved.” In this reading at the Kelly Writers House in 2020, Carmen Maria Machado reads from her debut memoir, In the Dream House (Graywolf Press, 2019).

River Teeth Book Prize Open for Submissions

Spooky season officially starts tomorrow, but don’t let fear stop you from submitting to River Teeth’s Book Prize by the Halloween deadline! Offered annually for a volume of creative nonfiction, the prize awards the winner $1,000 and publication by the University of New Mexico Press.

Using only the online submission system, submit a manuscript of approximately 150 to 350 pages with a $27 entry fee, which includes a subscription to River Teeth, by October 31. Any style of literary nonfiction—including memoir, personal essays, and investigative reporting—is eligible. Natasha Trethewey, who served as U.S. poet laureate from 2012–2014 and is the author of Memorial Drive: A Daughter’s Memoir (Ecco, 2020), will judge. Visit the website for complete guidelines.

Previous winners of River Teeth’s Book Prize include Kevin Honold in 2019 for The Rock Cycle, Joan Frank in 2018 for Try to Get Lost: Essays on Travel and Place, and Debra Gwartney in 2017 for I Am a Stranger Here Myself.

Founded in 1999 at Ashland University in Ashland, Ohio, by professors Joe Mackall and Dan Lehman, River Teeth publishes essays, memoir, and literary journalism in a biannual print journal as well as online content, including reviews and a weekly web publication called “Beautiful Things,” which highlights the beauty found in daily life. In 2019, River Teeth moved to Ball State University in Muncie, Indiana, where it is led by senior editors Jill Christman and Mark Neely. Now retired from Ashland University, Mackall and Lehman remain as editors in chief of River Teeth.

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