Genre: Creative Nonfiction

A Confessional

8.11.22

“The confessional booth felt like every other confessional booth I’d ever been in. The wood of the bench was so dark and uniformly grained that it looked fake, and the once-plush cushion atop it was now dingy and flat,” writes Isaac Fitzgerald in his memoir, Dirtbag, Massachusetts: A Confessional (Bloomsbury, 2022), in which he recounts the experience of confessing his sins to a priest when he was twelve at a church in Boston. In the passage, Fitzgerald both describes the physicality of the experience—the breath of the priest filling the confessional, hearing his disembodied voice—and maintains the intimacy of the first-person perspective, making the memory itself read like a confession. This week write a personal essay in the form of a confession. Does writing in this perspective change your narrative voice?

Ancient Trees

In an article for Atlas Obscura, Eden Arielle Gordon writes about the work of dendrochronologists dating the oldest tree in the world. Jonathan Barichivich is a Chilean scientist and grandson of a park ranger who discovered the Alerce Milenario, a Patagonian cypress in Chile’s Alerce Costero National Park. Barichivich’s careful calculations estimate the Alerce Milenario to be 5,474 years old, which would mean the cypress lived through several of the world’s most transformative events, including the development of writing, clocks, and the hydrogen bomb. Write a personal essay inspired by the discovery of this ancient tree. What would it mean to be over 5,000 years old? How would you reflect on the ways the world has changed?

Upcoming Contest Deadlines

It’s hot out there, folks! Stay cool—or cooler, anyway—indoors while applying to some contests with deadlines of August 8, 9, 15, and 20. Among the awards are a $3,000 prize for a poetry collection; a $1,500 prize for a poem and a short story; a $1,000 prize for a book of innovative poetry, fiction, nonfiction, or hybrid-genre work; and $1,000 prizes for individual poems, works of flash fiction or nonfiction, and short stories. All contests offer a cash prize of $1,000 or more. Good luck!

Futurepoem Other Futures Award: A prize of $1,000, publication by Futurepoem, and 25 author copies is given annually for a book of innovative poetry, fiction, nonfiction, or hybrid-genre work “that challenges conventions of genre and language, content, and form.” The editors will judge. Entry fee: $28.

Gival Press Short Story Award: A prize of $1,000 and publication on the Gival Press website is given annually for a short story. Entry fee: $25.

Grayson Books Poetry Prize: A prize of $1,000 and publication by Grayson Books is given annually for a poetry collection. John Sibley Williams will judge. Entry fee: $26.

Indiana Review’s 1/2 K Prize: A prize of $1,000 and publication in Indiana Review is given annually for a poem or a work of flash fiction or creative nonfiction. Geffrey Davis will judge. All finalists will be considered for publication. Entry fee: $20 (which includes a subscription to Indiana Review); no fee for Black and/or Indigenous writers.

Kallisto Gaia Press Poetry and Short Fiction Prizes: Two prizes of $1,500 each and publication in Ocotillo Review are given annually for a poem and a short story. Zoë Fay-Stindt will judge the Julia Darling Memorial Poetry Prize and Jen Knox will judge the Chester B. Himes Memorial Short Fiction Prize. Entry fee: $20.

Omnidawn Publishing Open Book Prize: A prize of $3,000, publication by Omnidawn Publishing, and 100 author copies is given annually for a poetry collection. Shane McCrae will judge. Entry fee: $27; for an additional $3, entrants will receive a book of their choice from the Omnidawn catalogue. 

TulipTree Publishing Stories That Need To Be Told Contest: A prize of $1,000 is given annually for a poem, a short story, or an essay that “tells a story that needs to be told.” The winner will also receive a two-year subscription to the literary database Duotrope and publication in the annual Stories That Need to Be Told contest anthology. All entries are considered for publication. Entry fee: $20.

Weekend Getaway

7.28.22

As heat waves strike around the globe, many flock to beaches and parks for refreshment and recreation with friends and family. Although being out in the hot weather requires sunblock and stamina, weekend excursions ultimately provide an opportunity to disconnect from work life, day-to-day duties, and the overall stress that comes with modern society. Think back to a time you visited a favorite place to relax on a weekend. Was it a quiet spot under the shade of a tree, a nearby body of water to dip your feet into, or a hiking trail with an incredible view? Write an essay that explores this experience at your favorite place. Try telling the backstory of what was happening in your life to color the essay with context and depth.

Carmen Rita Wong on Her Memoir

Caption: 

“Knowing your true origins connects you to history, it tells you where you are in time, in the world,” says Carmen Rita Wong about discovering family secrets and facing the revelations as she wrote her memoir, Why Didn’t You Tell Me? (Crown, 2022), in this video for Penguin Random House’s Inside the Book series.

Poured Over With Isaac Fitzgerald

Caption: 

“I realized as I started to write it, that it was going to be a lot more focused on my childhood than I expected it to be,” says Isaac Fitzgerald about the process of writing his first memoir, Dirtbag, Massachusetts: A Confessional (Bloomsbury, 2022), in this interview for Poured Over: The Barnes & Noble Podcast produced and hosted by Miwa Messer. Fitzgerald’s memoir is featured in Page One in the July/August issue of Poets & Writers Magazine.

Deadline Nears for Granum Foundation Prizes

There is still time to submit to the Granum Foundation Prizes! Awarded annually to a poet, fiction writer, or creative nonfiction writer to support the completion of a manuscript-in-progress, the Granum Foundation Prize offers $5,000; up to three finalists will receive $500 or more. A Translation Prize of $500 or more will also be awarded. There is no entry fee for either prize.

Using only the online submission system, submit a manuscript of approximately 12 poems or 25 pages of prose, along with a cover letter, project description, and a statement about how the grant will support your work, by August 2. Visit the website for the required entry form and complete guidelines.

The prizes are meant to provide practical support to writers who have demonstrated a “commitment to the literary arts” and can articulate the merits of their writing project, including their ability to complete it within a set timeframe. The money may be used to pay for tools of the trade—a computer, for example—or to defray the costs of writing residencies, editorial services, and more.

Welcoming applicants from all backgrounds, the Granum Foundation seeks to foster the growth of emerging writers. As the foundation’s website puts it: “We are placing bets on undiscovered writers from all walks of life who might never get the chance to complete their first books, or who change careers later in life to chase literary dreams, or who feel they have been excluded from traditional avenues of support.”

Kinds of Silence

7.21.22

“There are two kinds of silence that trouble a translator: physical silence and metaphysical silence,” writes Anne Carson in her essay “Variations on the Right to Remain Silent” published in A Public Space. In the essay, Carson discusses various forms of silence—whether of torn ancient manuscripts, the untranslatable, or not being heard—through the works of British painter Francis Bacon and German poet Friedrich Hölderlin, weaving in and out of anecdotes and analyses that are punctuated by the author’s extensive experience as a translator of ancient Greek. Inspired by this thought-provoking essay, meditate on the many ways that silence has taken shape in your life. Then, write an essay that uses the works of others, or your own personal life, to illustrate your experience with silence.

Jason Reynolds on Friendship and Storytelling

Caption: 

“To me, reading becomes a lot more palatable if young people realize that the stories, the books that exist within them are as valuable as the books that exist on the outside of them.” In this CBS Sunday Morning interview, Jane Pauley speaks to Jason Reynolds, award-winning author and National Ambassador for Young People’s Literature, about lifting up children through storytelling, his journey as a writer, and the importance of friendship.

Pages

Subscribe to Creative Nonfiction