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“In the last year of her life, my mother Asako spoke more openly of the trauma of the war years and her incarceration at Topaz,” reads Karen Tei Yamashita for this event celebrating her work, hosted by the University of California, Santa Cruz and the Japanese American National Museum in Los Angeles. Yamashita was awarded the 2021 Medal for Distinguished Contribution to American Letters from the National Book Foundation.
In an attempt to escape the “constellation of grief” that shrouded him in his early thirties, visual artist and writer Ben Shattuck set out on a series of journeys around New England that became the basis of his book, Six Walks: In the Footsteps of Henry David Thoreau (Tin House, 2022). The book is featured in “The Written Image” in the May/June 2022 issue of Poets & Writers Magazine along with a sample of Shattuck’s drawings from his excursions, which import a visual and emotional landscape to each individual place. This week, inspired by Shattuck’s process, take three walks outdoors throughout the week and write down as many observations as possible. Then, write an essay using these notes to create distinct sections elaborating on each outing.
“For a long time, I worked day jobs that were different from the one I have now.” In this Books Are Magic recorded event, Jami Attenberg reads from her memoir, I Came All This Way to Meet You: Writing Myself Home (Ecco, 2022), and speaks about her writing process with author Kristen Arnett. For more Attenberg, read “1000 Words of Summer: How an Accountability Project Opened Up My Writing Life” in the May/June issue of Poets & Writers Magazine.
This reading hosted by the University of Arizona Poetry Center presents the work of Marcelo Hernandez Castillo, author most recently of Children of the Land (Harper, 2020), and Marwal Helal, author most recently of Ante body (Nightboat Books, 2022), which is featured in Page One in the May/June issue of Poets & Writers Magazine.
How did you celebrate May the Fourth? Did you know it isn’t just for Star Wars fans but also for the birds? In 1894, Charles Almanzo Babcock, a school superintendent from Pennsylvania, launched the first Bird Day “in a bid to create awareness and promote the conservation of all bird species.” This week peruse the National Audubon Society’s Guide to North American Birds, which features the habitats, calls, feeding behaviors, and migration patterns of over eight hundred species of birds. Then, pick five feathered friends that stand out to you and write a section of an essay dedicated to each one. As you write, discover links beyond the germane aspects of your chosen species.
“When Henry started this walk at age thirty-two in 1849, he wore a broad-brimmed hat designed with a miniature shelf to hold the flowers he found,” reads Ben Shattuck from his essay “Three Walks,” first published in the Common and included in his book, Six Walks: In the Footsteps of Henry David Thoreau (Tin House, April 2022). For more on the book, read “The Written Image: Ben Shattuck” in the May/June issue of Poets & Writers Magazine.
Bring in the new month by applying to contests with a deadline of May 15! These awards include opportunities for poets of Asian heritage; women, transgender, and gender-nonconforming writers whose work advances social change; and novelists writing debut books set in the American South. Plus, don’t miss the chance to win a residency in Miami Beach, Florida, or Naples, New York. All contests offer a cash prize of $1,000 or more and two are free of cost to submit.
Academy of American Poets James Laughlin Award: A prize of $5,000 is given annually for a second book of poetry by a living poet to be published in the coming calendar year. The winner also receives an all-expenses paid weeklong residency at the Betsy Hotel in Miami Beach, Florida. Copies of the winning book are distributed to members of the Academy of American Poets. Aracelis Girmay, Solmaz Sharif, and Mai Der Vang will judge. Entry fee: None.
Academy of American Poets Lenore Marshall Poetry Prize: A prize of $25,000 is given annually for a poetry collection by a living poet published in the United States during the previous year. The winner also receives an all-expenses paid 10-day residency at the Glen Hollow cottage in Naples, New York. Copies of the winning book are distributed to members of the Academy of American Poets. Entry fee: $75.
American Poetry Review Stanley Kunitz Memorial Prize: A prize of $1,000 and publication in American Poetry Review is given annually for a single poem by a poet under the age of 40. The editors will judge. Entry fee: $15 (which includes a copy of the prize issue).
Crook’s Corner Book Prize Foundation Book Prize: A prize of $5,000 is given annually for a debut novel set in the American South. The author may live anywhere, but eligible novels must be set primarily in Alabama, Arkansas, Florida, Georgia, Kentucky, Louisiana, Maryland, Mississippi, North Carolina, Oklahoma, South Carolina, Tennessee, Texas, Virginia, West Virginia, or Washington, D.C. Self-published books are eligible, but books available only as e-books are not. Ben Fountain will judge. Entry fee: $35.
Gaudy Boy Poetry Book Prize: A prize of $1,500 and publication by Gaudy Boy, an imprint of the New York City–based literary nonprofit Singapore Unbound, is given annually for a poetry collection by an Asian writer. Yeow Kai Chai will judge. Entry fee: $10.
Leeway Foundation Transformation Awards: Awards of $15,000 each are given annually to women, transgender, or otherwise gender-nonconforming poets, fiction writers, and creative nonfiction writers in the Philadelphia area who have been creating art for social change for five or more years. Writers who have lived for at least two years in Bucks, Camden, Chester, Delaware, Montgomery, or Philadelphia counties, who are at least 18 years of age, and who are not full-time students in a degree-granting arts program are eligible. Entry fee: None.
Lost Horse Press Idaho Prize for Poetry: A prize of $1,000, publication by Lost Horse Press, and 20 author copies is given annually for a poetry collection by a U.S. poet. Dzvinia Orlowsky will judge. Entry fee: $28.
McGill University Montreal International Poetry Prize: A prize of $20,000 Canadian (approximately $15,728) and publication in the 2022 Montreal Poetry Prize Anthology is given biennially for a poem. Lorna Goodison will judge and Cameron Awkward-Rich, Heather Christle, Nabina Das, Liz Howard, Joanne Limburg, Conor O’Callaghan, Tanure Ojaide, Michael Prior, Medrie Purdham, Mark Tredinnick, and Rhian Williams will serve as jurors. Entry fee: $25 Canadian (approximately $20).
Pittsburg State University Cow Creek Chapbook Prize: A prize of $1,000, publication by Pittsburg State University, and 25 author copies is given annually for a poetry chapbook. Chen Chen will judge. Entry fee: $15.
Ploughshares Emerging Writer’s Contest: Three prizes of $2,000 each and publication in Ploughshares are given annually for a poem or group of poems, a short story, and an essay. Each winner also receives a consultation with the literary agency Aevitas Creative Management. Writers who have not published a book or a chapbook with a print run over 300 are eligible. Chen Chen will judge in poetry, Amelia Gray will judge in fiction, and Danielle Geller will judge in nonfiction. Entry fee: $24 (which includes a subscription to Ploughshares).
Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, and creative nonfiction.
“Can authors avoid the downward post-book spiral? Some depression may be inevitable. There’s an inevitable loss that comes with sending a book into the world,” writes Jessica Berger Gross, author of the memoir, Estranged: Leaving Family and Finding Home (Scribner, 2017), in “I Just Published a Book: Why Am I Depressed?” published on the Poets & Writers website in 2019. In the essay, Gross discusses the feeling of loss she experienced after publishing her memoir and speaks to other writers with “post-publication malaise.” This week, think back to a time when you finished a significant task, whether it was a manuscript, an essay, or moving out of an apartment, then write an essay about the spectrum of feelings you experienced throughout the process. Gross writes that the cure for post book depression is to “start writing something new.” What was your cure?
The Louise Meriwether First Book Prize, founded jointly by Feminist Press and TAYO Literary Magazine, is accepting fiction and narrative nonfiction submissions for their annual award for a first book by a woman of color or a nonbinary writer of color. The award celebrates work “in the tradition of Meriwether’s Daddy Was a Number Runner, one of the first contemporary American novels featuring a young Black girl as the protagonist.” The winner will receive $5,000 and publication with Feminist Press in spring 2024. The editors expect to offer close editorial guidance to the prize winner.
To submit, e-mail a prose manuscript of 30,000 to 80,000 words and a cover letter by May 8. Lupita Aquino, Bridgett M. Davis, Nancy Jooyoun Kim, Cassandra Lane, and Feminist Press executive director and publisher Margot Atwell will judge. There is no entry fee. Visit the website for complete guidelines.
Established in 2016 to honor the legacy of Louise Meriwether—an author, essayist, journalist, and antiwar activist, and the first African American woman to work as a story editor in Hollywood—the prize is meant to further “telling much-needed stories that shift culture and act as a springboard for new writers joining the industry.” Finalists will be notified in October and the winner will be announced in March 2023. Previous winners are Cassandra Lane (We Are Bridges), Melissa Valentine (The Names of All the Flowers), Claudia D. Hernández (Knitting the Fog), and YZ Chin (Though I Get Home). Established in 2016 to honor the legacy of Louise Meriwether—an author, essayist, journalist, and antiwar activist, and the first African American woman to work as a story editor in Hollywood—the prize is meant to further “telling much-needed stories that shift culture and act as a springboard for new writers joining the industry.” Finalists will be notified in October and the winner will be announced in March 2023. Previous winners are Cassandra Lane (We Are Bridges), Melissa Valentine (The Names of All the Flowers), Claudia D. Hernández (Knitting the Fog), and YZ Chin (Though I Get Home).
Jhumpa Lahiri’s latest collection of essays, Translating Myself and Others, forthcoming in May by Princeton University Press, catalogues the Pulitzer Prize–winning author’s identity as a writer and translator of books in English and Italian. In the first essay, “Why Italian?” Lahiri explores her reason for beginning to write books in Italian. “Some people ask me, Why Italian instead of an Indian language, a closer language, more like you?” she writes. Inspired by the works of Italian authors such as Lalla Romano and Elena Ferrante, Lahiri continues to answer the question with three metaphors: the dual nature of a door, limited eyesight and blindness, and the multiple meanings of the word graft. Think back to a time when you first learned a skill or a new language, then choose a metaphor that captures the stages of that journey. Write an essay using the metaphor to flesh out the feelings and themes that arise from your exploration.
